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Interactive Documentary (i-Docs)
Scoops about interactive documentary from the first symposium dedicated to the genre
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Video Interview | Jeremy Mendes Defines Interactive Documentary | Open Documentary Lab at MIT

Video Interview | Jeremy Mendes Defines Interactive Documentary | Open Documentary Lab at MIT | Interactive Documentary (i-Docs) | Scoop.it

"In this video interview, Mendes answers our first two questions:

1. How would you define interactive documentary?

2. Do you think that interactive documentary, as a form, is a natural evolution of linear documentary?"

By Arnau Gifreu Castells (PhD)


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mirmilla's curator insight, June 24, 2013 3:11 PM

Just a glimpse.

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Documentary Object-ivity? | Open Documentary Lab at MIT

Documentary Object-ivity? | Open Documentary Lab at MIT | Interactive Documentary (i-Docs) | Scoop.it

Another interesting report of the Mozilla Festival 2012, this time focused on the relationship between three major players:  documentary art form, technology and physical world.

 

excerpts:

 

Why are we doc makers hurrying to migrate our art form onto the web, when technologists are clamoring to move their art off of it and back into the physical world?

 

What can documentary learn from physical computing?

 

 


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Video Interview | William Uricchio defines Interactive Documentary | Open Documentary Lab at MIT

Video Interview | William Uricchio defines Interactive Documentary | Open Documentary Lab at MIT | Interactive Documentary (i-Docs) | Scoop.it

"Arnau is in the process of interviewing a number of practitioners, scholars, and students of interactive documentary about the state of the field. He will be posting select clips on the OpenDocLab website. First up is Part 1 of an interview with OpenDocLab Principal Investigator William Uricchio.!

 

 

"In this series we focus on the theoretical part of the study of interactive documentary. We will conduct video interviews with the main experts in the field based on six key questions:

(1) the definition, how would they define the interactive documentary;

(2) the evolution of the form, whether they believe that the interactive documentary is a natural evolution of the linear documentary;

(3) the change in the logics and dynamics, if they believe there is a change in the logics of production, distribution and exhibition;

(4) the role of the author, if they believe that the role of the author is threatened;

(5) the business model; and (6) their views on the production, research and events organized by countries that are active in this field, placing special emphasis on Canada and France."


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mirmilla's curator insight, May 11, 2013 2:41 PM

One more piece by Arnau Gifreu Castels.