"In this exclusive, unedited interview, 'I Am Malala' author Malala Yousafzai remembers the Taliban's rise to power in her Pakistani hometown and discusses her efforts to campaign for equal access to education for girls. Malala Yousafzai also offers suggestions for people looking to help out overseas and stresses the importance of education."
"Living on One Dollar is a full-length documentary made by four college students who traveled to rural Guatemala to live on just a dollar a day. Upon their return, they created Living On One, a nonprofit to raise awareness and inspire action around global issues like hunger and poverty -- and started by publishing the Change Series of video shorts. I found it so compelling I've dedicated this whole film fest to it. Each episode not only succinctly frames an issue faced by people in the developing world and makes it personal, but also offers resource links to learn more -- and even better -- to do something about it."
"In the last of a series of programmes exploring global population for the award-winning This World strand, Rosling presents an 'as live' studio event featuring cutting-edge 3D infographics painting a vivid picture of a world that has changed in ways we barely understand – often for the better."
Many urban neighborhoods are places of concentrated poverty, and it's killing opportunity in the US.
American cities are growing, and as they grow, they're adding lots of high-poverty neighborhoods. Nearly three times as many "high-poverty" census tracts existed in 2010 as in 1970. That's unsettling on its face but even more so when you see the havoc a poor neighborhood can wreak on a resident's chances at a good life. Forget gentrification — this is a bigger problem.
The chart above tallies up the people living in these neighborhoods in 1970 and 2010. What it shows is that the number of people living in high-poverty neighborhoods — those with poverty rates of 30 percent or more — has roughly doubled since 1970. That's because these neighborhoods of concentrated poverty have a tendency to stay that way, even while new ones sprout up.
When filmmaker Shantha Bloemen was stationed in a remote village in Zambia as a worker with an international aid organization, she had to adjust to living in a different culture. But one thing struck her as oddly familiar: almost everyone in the village wore secondhand clothing from the West. Bloemen began to imagine stories about the people who used to wear the clothing, wondering if the original owners had any idea that the castoffs they had given to charities ended up being sold to Africans half a world away.
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