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Hauntology
All things hauntological, atemporal and future past nostalgic in music, media, art and ideas
Curated by Sean Albiez
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The Quietus | Features | In Extremis | Deviant Logic Unfolding: English Heretic Interviewed

The Quietus | Features | In Extremis | Deviant Logic Unfolding: English Heretic Interviewed | Hauntology | Scoop.it

'English Heretic's releases are far more than mere concept albums, though. As Andy Sharp, chief executive of English Heretic, reveals, they're conceived through an extraordinary and elaborate creative process, forming multimedia mash-ups to "fecundate the imagination". His methodology takes in magick, psychogeography and horror film geekdom, along with firm roots in Britain's industrial music culture of the early 1980s, to form potent, novel topographies of an otherwise unconnected world of occultists and psychopaths.' - Russell Cuzner

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Apparition Apparatus: Contemporary Urban Hauntology

'Project Summary

Cold weather cultures deploy legends of ghosts and snow creatures as figurative intermediaries to explain and manage severe weather. These echoplasmic mediators bring forth issues of wayfinding, exposure and shelter from the scope of folklore directly tied to the effects of severe weather. Apparition Apparatus incorporates self-sustaining technology and real-time input to urban infrastructure and architecture to act as a wayfinding and localized weather warning system for those caught on their journey to safety and shelter. Since an apparition can leak beyond containment and carry itself across frequencies far beyond physical boundaries, assistance and information arrives before first responders can expand their scope and cover the physical distance. It is a ghostly companion for navigating the cold weather city. The Apparition Apparatus is at times a voice, a presence, footprints, signals, reflections on a window pane, a doorway, a road, in various configuration and purpose as are the figures of folklores to help manage the scope of harsh weather. The configuration is infrastructural, architectural and technological derived from contemporary use of information, but the interaction is tied to deep rooted traditions of cold place folklore.' - Janet Yoon

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Clifton Rocks Railway - Bristol

Clifton Rocks Railway - Bristol | Hauntology | Scoop.it

'Welcome to the Clifton Rocks Railway restoration project official site. The project is dedicated to restoring one of Bristol's hidden gems......'

 

Also a BBC studio in WWII ...

 

'Top Room: Transmitters Various transmitters were incorporated in this room. One served Bristol with programmes whilst two others were set up o keep the station in touch with the outside World in an extreme emergency. The largest transmitter was an American RCA 'H' group transmitter operating on 203.5 m and broadcasting the home service. This had been brought over from America on lend lease in the early days of the War. The other two consisted of a Harvey McNamara shortwave set, and an ex RAF medium wave transmitter for restoring communication between the other main provincial and metropolitan broadcasting stations should the Post Office telephone lines be damaged by enemy action.

 

Second Chamber Down: Studio This was equipped with piano, gramophone and other facilities for musical, dramatic or school's programmes and could take a cast of 10-15 actors. Poor acoustics were accommodated by installing heavy carpets and providing strategically placed quilting on the walls. Small scale musical, dramatic or feature programmes could be produced in this room.

 

The Third Chamber Down: Recording Room This room contained a Philips-Miller record and replay machine which used gelatine coated celluloid film 7mm wide, onto which recordings were cut with a sapphire stylus. Also within this room were sufficient programmes for many weeks of broadcasting.

 

Fourth Chamber Down: Control Room Here the BBC Engineers surpassed themselves in compressing an enormous amount of equipment into a very small space. The room incorporated switching gear for no fewer than 80 land lines leading to outside stations. The Post Office routed these in various formations to minimise the risk of a single bomb damaging all in one go.'

Sean Albiez's insight:

Drove past here the other day - fascinated by it ...

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On Vanishing Land [Mark Fisher and Justin Barton] - Simon Reynolds

On Vanishing Land [Mark Fisher and Justin Barton] - Simon Reynolds | Hauntology | Scoop.it

Thanks to David Pattie for alerting me to this:

 

'On Vanishing Land (2013, 45m) is a magisterial audio-essay that evokes a walk undertaken by the artists along the Suffolk coastline in 2005, from Felixstowe container port to the Anglo-Saxon burial ground at Sutton Hoo. Fisher and Barton have conjured a new form of sonic fiction from the dreamings, gleamings and prefigurations that pervade the Suffolk coast. The work includes commissions from digital musicians, interviews and the reflections of the artists. Inspired by the cumulative force of the Eerie that animates this landscape, On Vanishing Landpursues affinities between the modernist reinvention of the ghost story in M.R. James’ Oh, Whistle, And I’ll Come To You, My Lad (1904) and the atmospheric engineering of  Brian Eno’s album On Land (1982). “Themes of incursion - by unnameable forces, geological sentience or temporal anomaly - recur throughout.” (Kodwo Eshun, The Otolith Collective, Curator,  On Vanishing Land)' - Simon Reynolds

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