|Scooped by Sean Albiez|
'Around about the time of 'Tender Buttons' a theory started circulating. In an essay on the scene, Simon Reynolds coined the phrase Hauntology. This was in relation largely to the Ghost Box record label - run by the graphic designer Julian House and fellow music artist Jim Jupp. The idea basically cantered around a nostalgia for a lost future. A utopianism which was dreamed of but never realised. The music looked back to a time when the future didn't come with doom laden connotations but could be looked upon with a degree of wonder. This music was made by artists like Belbury Poly, The Focus Group and the Advisory Circle. The scene had a melancholic air - inevitable due to the theme of lost utopias - but also a playful sense of messing with the past. Though not sharing the same sound a number of different artists were loosely linked to the scene.
The dubstep of Burial was said to be a reaction to the reality of the rave dream not coming into fruition, Boards of Canada used warm analogue synths over contemporary electronics to explore ideas of innocence, childhood and nostalgia, whilst Arial Pink created a lo-fi interpretation of forgotten pop music. Broadcast are also a band which has been linked to this idea, and I think that there is some truth in that, however I still believe the band are not that easy to pigeonhole.' - Eden Tizard