The haunted home is probably one of the main motifs that have given rise to stories in literature. The idea that the place that should protect us as human beings turns against its inhabitants and provokes tragedy is simply a basic fear we can all identify with. Ray Bradbury depicts a similar tale in his story “The Veldt,” the account of a futuristic house rebelling against its supposed masters. Despite first impressions, the house in Ray Bradbury’s “The Veldt” is, in fact, presented to the reader as a haunted house, although an unorthodox, modern one, due to its uncanny, doubling, and possessive personality.
Hammer is thrilled to announce the forthcoming production of The Haunting of Hill House at Liverpool Playhouse. Produced in collaboration with Liverpool Everyman & Playhouse and Sonia Friedman Productions, this will be the first major UK stage adaptation of Shirley Jackson’s seminal horror novel. This stage version is adapted by Anthony Neilson (The Wonderful World of Dissocia, National Theatre Scotland; Realism, Edinburgh International Festival) and will be directed by Olivier and Tony Award no
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