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To help absent-minded shoppers searching for 'lost' automobiles, Santa Monica Place installs the nation's first camera-based 'Find Your Car' system. Despite a few bugs, the technology is gaining fans — but there are privacy concerns.
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By the 1970s it was likely that nearly every Jewish child in America had had an opportunity to meet and question, at school, synagogue, at a YMHA, a Survivor, whether of Auschvitz, Belzec, Sobibor, or, a survivor taken in and protected by remarkable, incredibly brave gentiles. I recall when I first arranged for a survivor to speak at Akiba Hebrew Academy where I taught Humanities; I was 23. I collected Mrs Grubmann, then in her late seventies, at her home, and as we turned onto the campus road she quite deliberately pushed up the sleeves on her thin, steel-grey cardigan.
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Proof from the wise and silver-haired set that personal style advances with age.
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Oh boy, yet another book about yet another modern thinker who suggests that “electronic interdependence” is the defining aspect of our time. All very ho-hum, except Marshall McLuhan, the subject of this book, figured it out 50 years before anybody ever updated his Facebook page or posted his whereabouts on Twitter. “Marshall McLuhan: You Know Nothing of My Work!” is an odd title for a weird book.
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Who isn't familiar with that wonderful yellow frame? It holds breathtaking images of exotic destination and mountains of nostalgia! It's the flag of the editorial institution that National Geographic has established over the span of 120 years.
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Succeeding in the music business isn't just about selling albums anymore. The lead singer of OK Go on how to make it without a record label (videos with treadmills help).
's comment, January 8, 2011 7:41 AM
Interesting story - and great videos.
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One of the latest photographic sensations on the Internet, Vivian Maier, did some of her best work in the 1950s.
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Even more than the crazy wigs and high-protein clothing, it's the name that makes Lady Gaga. If her name were Bethany Cranston (or, say, Stefani Germanotta), forget about it. Everybody wants a Gaga name for their new product/website/startup. But if you've ever brainstormed about names, you know how deflating the process can be. The URLs for every four-letter word in the English language have long since been snatched up.
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It's counter-intuitive--especially to Americans. But often less is more. When Erin Scime wrote a blog titled: "Content Strategist as Digital Curator", it's pretty clear that she didn't expect to stir up a whole lot of emotions and anger. Yet, that's what she did--at least in part.
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In 1969 Dali was approached by Spanish confectioners Chupa Chups to design a new logo, and the result became as instantly recognisable as his melting clocks. Dali incorporated the Chupa Chups name into a brightly coloured daisy shape. Always keenly aware of branding, Dali suggested that the logo be placed on top of the lolly instead of the side so that it could always be seen intact.
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NOBODY calls me anymore — and that’s just fine. With the exception of immediate family members, who mostly phone to discuss medical symptoms and arrange child care, and the Roundabout Theater fund-raising team, which takes a diabolical delight in phoning me every few weeks at precisely the moment I am tucking in my children, people just don’t call. It’s at the point where when the phone does ring — and it’s not my mom, dad, husband or baby sitter — my first thought is: “What’s happened? What’s wrong?” My second thought is: “Isn’t it weird to just call like that? Out of the blue? With no e-mailed warning?”
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When children read to him, Danny does not criticise or correct their pronunciation. He just nods and pricks up an ear, although sometimes he closes his eyes and appears not to be listening. Danny is a greyhound and a novel way of encouraging pupils at Oakhill primary school in Tamworth, Staffordshire, to read aloud. A "listening dog", he is part of a scheme that originated in the US called Reading Education Assistance Dogs (Read).
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Lee Marvin and Angela Dickinson, in a looped scene from the cult action thriller, "Point Blank", perform Steve Reich's minimalist piece, "Clapping Music". Idea by George Manak, and editing by Peter van der Ham.
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A vague and gnawing pang of anxiety centered around an IM window that has lulled. During this time an individual feels unsure whether they have offended the IM recipient, committed a breach of IM etiquette, or have otherwise spoilt the presentation of themselves carefully crafted thus far thanks to the miracles of the textual medium. The individual must be at least vaguely aware that they are being vaguely paranoid, and must tell themselves things like ‘he probably just stepped away from the keyboard’ or ‘I know she is at work right now so perhaps she has stopped replying because she is busy.’
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If you're prepared to forgive Bill Murray for being the lone impediment to the progress of Ghostbusters 3, all you have to do is read his speech introducing Sofia Coppola at the National Board of Review Awards. The event was full of charming introductions and thank-yous, but no one had the crowd roaring like Murray, who introduced his Lost in Translation director with a delightfully deranged speech delivered while sucking on candy.
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Of all the social networks competing for our online persona and social graph, Twitter is special. The culture and self-governing rules of engagement shaped by the “me” in social media, create a personalized experience that looks and feels less like a “social” network and instead, creates an empowering information exchange.
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In September 2008, Mr. Sicha, Alex Balk and David Cho all found themselves laid off from Radar, the on-again-off-again magazine and Web site. Confronted by the headwinds of a growing media recession, they decided to hand-crank a future by starting their own site.
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Have you ever thought of what makes you remember a certain movie or TV show? Of course, it’s the story being told, you’ll say. But what about movies such as Goldfinger, Seven and Snatch? What’s the first thing that comes to mind? We are pretty sure their opening title sequences stick out for many of you.
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When the iPad came out, I was ready to give big media another chance. I thought they might wake up and start exploring new products and business models. I thought they might explore how to integrate with the modern Internet, the distributed and syndicated content model, and the social ecosystem. Then the apps came out. It was all the same - a proliferation of branded channels.
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When Storify came on the scene, it inspired a lot of oohs, ahhs and speculation as to how it would work for journalists. Here are some ideas from TBD's Mandy Jenkins.
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