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4K Picture becomes clearer for broadcasters. By Dave Van Hoy

4K Picture becomes clearer for broadcasters. By Dave Van Hoy | Gear in Motion | Scoop.it

Posted by Dave Van Hoy on January 3, 2013 • 


"In December Advanced Systems Group (ASG) focused our annual workshop on 4K and large raster production workflows. 4K has become the new HD, and professionals at every level of the production process have begun to embrace the benefits of higher resolution video acquisition – and the challenges of the data-intense workflows required to make them functional.


Not only does 4K provide more pixels for improved resolution, but the potential for high dynamic range (HDR) in terms of latitude and expanded color gamuts delivers greater color and contrast fidelity. Today’s HD broadcasts typically deliver 8-bit color resolution, but 4K provides 12-16 bit color resolution. 4K also rivals the look and colorimetry of film, which is prompting episodic television producers to replace 35mm film productions with large raster video options that future-proof programming for 4K delivery."

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BroadcastEngineering.com


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Digital Dailies Trim The Bottom Line In Hollywood

Digital Dailies Trim The Bottom Line In Hollywood | Gear in Motion | Scoop.it

Post production continues to adapt to ever-changing workflows. Digital dailies have gone from being a cutting edge technology to nearly de rigeur on the set. These prominent TV/film producers talked about how they've integrated digital dailies into their workflow and how it's improving the creative process and/or the bottom line. For post production companies, it's yet another evolution in technology that requires adaptation and accommodation.

 

"Digital dailies have come of age. Although not long ago, they were still in the experimental stage, digital dailies have quickly caught on. With the Alexa ARRI, the RED Epic and the Canon 5D and C300, more productions than ever are relying on digital, often tapeless workflows. Even more important, producers discovered that digital dailies routinely to create tremendous savings in time and budget, always a good idea when dealing with studios and networks.

But it's not good news for everyone. While producers are saving money by keeping dailies on the set, post production houses are losing a portion of their business: the overnight transfer and grading of dailies. Nimble post facilities now offered value-added digital dailies. As with any change in technology, the process is in flux."


Via Thierry Saint-Paul
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