We’ve been working on the Fujifilm X100s review for almost a month now, and we have to say that the camera is really quite the awesome piece of hardware. At first, I wasn’t so smitten for it but it has started to warm up to me after sticking around as a constant companion image taker. The company has truly made this an extremely capable camera and has indeed improved on some of the biggest problems that they faced with the X100–the camera’s predecessor.
I’ve been testing it in the streets of New York City–the perfect proving grounds for the audience that this camera is targeted towards. And despite some admirable performance and improvements from its first incarnation, the camera will still face some issues.
When I hold the X100s, it reminds me a bit of a large point and shoot. It didn’t really make me think about a Hexar AF or even a Leica CL–let alone my Voigtlander Bessa R. And with that fact, the camera perhaps already started an awkward relationship with me. When I first started using it, my mind was already so accustomed to using the X Pro 1 and my Voigtlander Bessa R that this thing felt very toyish. Seriously, how could something of this build quality think that it could steal my away from my metal rangefinder and my professional backup camera of choice?
And then I gave it a chance. One of the biggest things that I needed to remember is that this camera isn’t meant to take on those other cameras that I’m so much more used to using for my documentary and street work. Instead, it is meant to complement them. To that end though, it became a fun camera for me to use–but that was really it. And when my brain accepted this, I started to appreciate the X100s’ build quality for what it is–a fixed lens camera meant to be small for the silent street photog.....