Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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Fuji X-Pro 1 file - ACR compared to RPP | David Taylor-Hughes

Fuji X-Pro 1 file - ACR compared to RPP | David Taylor-Hughes | Fuji X-Pro1 | Scoop.it

I've done a comparison on a Fuji X-Pro 1 file using The new Photoshop ACR 7.4 and Raw Photo Processor 64, the excellent Mac platform raw converter. Different software but I processed each with no sharpening added and only added a slight amount in Photoshop later. I used the same values for each file. Click on the link for the full-size high-res file. As many who have tried the new ACR are saying, the files are slightly softer than they were before, but unlike the previous ACR conversion, it is now possible to add sharpening to these X-Trans files without creating unpleasant artefacts. RPP still produces slightly sharper results to my eyes, but there isn't a lot in it. 
After waiting a long time to see this, I spent yesterday working on some X-Pro 1 files and it was pleasing to see the results. I have been so frustrated by the fact that I knew that there was more in the files, but was unable to get to it. RPP is great and I recommend it, but Photoshop is the cornerstone of my processing workflow and I know it well and how to get what I want from it. So for any camera I use, proper support is essential. It is now finally available.
So what went on? Was this a spat between Fuji and Adobe? Did Adobe just take their time to get round to this? We will never know the whole story, but it has been a long wait. As you know I baled out on the X-Pro 1 early when it looked like there wasn't going to be decent ACR support and I've had lots of files sitting on my hard drives that I haven't done much with, since I wasn't keen to upload what I considered to be sub-standard versions to my picture libraries. I can now get some really nice files from my original raws and they do have a different 'look' to conventional bayer sensor files.  With the ACR conversions and indeed with the RPP ones as well, there isn't that classic non-AA filter look. But then with the different sensor array I'm not sure that there would be. What is extraordinary is the ability to produce 'clean' files at high(er) ISO's. I believe it would be perfectly feasible to shoot high-quality landscape at ISO 400 and even ISO 800 with an x-trans sensor and I'm seeing a 2-stop improvement in noise levels over virtually everything else I use. This has all sorts of advantages in terms of narrower apertures and higher shutter speeds when shooting in good light, which for what I do is a good thing.
I've been very critical of this whole raw conversion saga and indeed seem to have developed somewhat of a reputation as a 'Fuji basher', but my only concern was to see a realisation of the FULL potential of these files. We do now have that and I'm glad to become a Fuji X-Trans enthusiast at long last. But lets be honest, its been a long and unnecessary wait and thats not really good enough.  For those who had the patience to stick with it, welcome to your new camera!
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Manhattan Beach Walk with Fujifilm X-Pro1 | Sergey Sus Photography

Manhattan Beach Walk with Fujifilm X-Pro1 | Sergey Sus Photography | Fuji X-Pro1 | Scoop.it

 

Some photos from a walk with my G+ plus friends in Manhattan Beach. I got to the pier earlier then everyone else as there would be too much traffic later in the afternoon. I also wanted to have a chance to use my Fujifilm X-Pro-1 for long exposure. I experimented quite a bit with daylight long exposure and walked around the neighborhood. Around 6 everyone was already there and we took a few photos of the sun going down by the pier....

TortugaPhotoWorkshop's comment, September 19, 2012 12:58 AM
I was just here about a month ago. Love this place, love this photo, love the Fujifilm X-Pro 1!
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A roadtrip in th US with the x-pro1 | Yann Beauson

A roadtrip in th US with the x-pro1 | Yann Beauson | Fuji X-Pro1 | Scoop.it

 

Yann's US travel photography

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Taking It Easy (Oregon with the Fuji X-Pro1) | Olaf & Kasia Sztaba

Taking It Easy (Oregon with the Fuji X-Pro1) | Olaf & Kasia Sztaba | Fuji X-Pro1 | Scoop.it

 

Last week my family and I took a trip south along the Oregon coast. Despite our intentions to rest and spend quality family time, I found some time to take photos. My camera of choice was the Fuji X-Pro1 with all three lenses along with a Kenco polarizing filter. While I usually avoid filters, this time I knew that occasionally I would be forced to shoot at midday. As usual, I was able to capture scenes I would otherwise have missed with the heavy SLR gear sitting in my hotel room. With one exception I didn’t have a plan and decided to enjoy my time with the family and go with the flow. Sometimes taking it easy and avoiding the pressure to be on time for the right light is a liberating experience. The colour and sharpness I got from the Fuji primes continue to impress. All images were processed in Lightroom 4 with sharpening done in Sharpener Pro.

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The Fujifilm X-Pro 1 : The Future of Professional Mirrorless Cameras? | Sean Robinson

The Fujifilm X-Pro 1 : The Future of Professional Mirrorless Cameras? | Sean Robinson | Fuji X-Pro1 | Scoop.it


When you think of going to a National Park in the USA, what camera equipment comes to mind for your bag? Canon or Nikon’s top Full Frame SLRs perhaps? Gitzo tripods? Think Tank Photo bag? I say hell no! Why should you carry heavy cameras, heavy tripods in your heavy camera bag when traveling though one of the most beautiful places in the United States? Camera technology has advanced so far over the last few years and I think its about time for people to really start re-evaluating their gear....

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