Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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Fuji X-Pro 1 file - ACR compared to RPP | David Taylor-Hughes

Fuji X-Pro 1 file - ACR compared to RPP | David Taylor-Hughes | Fuji X-Pro1 | Scoop.it

I've done a comparison on a Fuji X-Pro 1 file using The new Photoshop ACR 7.4 and Raw Photo Processor 64, the excellent Mac platform raw converter. Different software but I processed each with no sharpening added and only added a slight amount in Photoshop later. I used the same values for each file. Click on the link for the full-size high-res file. As many who have tried the new ACR are saying, the files are slightly softer than they were before, but unlike the previous ACR conversion, it is now possible to add sharpening to these X-Trans files without creating unpleasant artefacts. RPP still produces slightly sharper results to my eyes, but there isn't a lot in it. 
After waiting a long time to see this, I spent yesterday working on some X-Pro 1 files and it was pleasing to see the results. I have been so frustrated by the fact that I knew that there was more in the files, but was unable to get to it. RPP is great and I recommend it, but Photoshop is the cornerstone of my processing workflow and I know it well and how to get what I want from it. So for any camera I use, proper support is essential. It is now finally available.
So what went on? Was this a spat between Fuji and Adobe? Did Adobe just take their time to get round to this? We will never know the whole story, but it has been a long wait. As you know I baled out on the X-Pro 1 early when it looked like there wasn't going to be decent ACR support and I've had lots of files sitting on my hard drives that I haven't done much with, since I wasn't keen to upload what I considered to be sub-standard versions to my picture libraries. I can now get some really nice files from my original raws and they do have a different 'look' to conventional bayer sensor files.  With the ACR conversions and indeed with the RPP ones as well, there isn't that classic non-AA filter look. But then with the different sensor array I'm not sure that there would be. What is extraordinary is the ability to produce 'clean' files at high(er) ISO's. I believe it would be perfectly feasible to shoot high-quality landscape at ISO 400 and even ISO 800 with an x-trans sensor and I'm seeing a 2-stop improvement in noise levels over virtually everything else I use. This has all sorts of advantages in terms of narrower apertures and higher shutter speeds when shooting in good light, which for what I do is a good thing.
I've been very critical of this whole raw conversion saga and indeed seem to have developed somewhat of a reputation as a 'Fuji basher', but my only concern was to see a realisation of the FULL potential of these files. We do now have that and I'm glad to become a Fuji X-Trans enthusiast at long last. But lets be honest, its been a long and unnecessary wait and thats not really good enough.  For those who had the patience to stick with it, welcome to your new camera!
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The Last Quarter of 2012 – Photos with the Fuji X-Pro1 | Laith Al-Majali

The Last Quarter of 2012 – Photos with the Fuji X-Pro1  | Laith Al-Majali | Fuji X-Pro1 | Scoop.it


I’ve been quiet on the blog since Ramadan, but pretty much I moved down to the Jordanian desert and lived there for a couple of months. I was a co-producer on a new Jordanian feature film that promises to take Jordanian cinema to a new level I hope. Most of the photography I have done recently has been on the set of the film and those photos are embargoed till the marketing plan for the film rolls out. Yet I still had the Fuji X-Pro1 with me at all times and I thought i’d share some of the pictures I made with my new favorite camera. Also the good people at Fuji Middle East came through after seeing my work with the camera and have loaned me two lenses (the 35mm & the 60mm Macro) and the Leica lens adapter they make. It’s been a pleasure having more than one lens for this camera system and also testing out my Leica glass on the camera, although I got to say, with this camera I’m happy with having an auto focus lens on it. Anyways here are some of the moments i’ve captured in the past couple of months with as minimal writing as possible. The first series above was shot with the Jordanian Heritage Revival Company, which has a show down in Wadi Rum for tourists, where they recreate a raid on a train from around 1916. Some of the photos were picked up by Jazeera Airways magazine for a story on the company.....

 

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Color photographs from the streets of Amman with the X-Pro1 | Laith Al-Majali

Color photographs from the streets of Amman with the X-Pro1 | Laith Al-Majali | Fuji X-Pro1 | Scoop.it


I’ve been taking my Fuji X-Pro 1 everywhere I go, and I can’t stress enough how much better my shoulders feel already. It’s a pleasure to shoot with this camera and although I’m just stuck with my 18mm lens at the moment it keeps on forcing me to try and get closer. In this post I’m posting some photos I shot in the past month in Amman, although the first photo was taken in Wadi Rum in a recent trip I took down there. I’ll be moving down to the desert very soon for a couple of months where I will be producing a feature film , I’ll also be doing the on-set photography so expect an abundance of photos from the desert in the near future. I wish I can post some of the photos from our test shoot but you’ll have to wait a bit to see those…embargos are a normal part of any working photographer’s life...

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Fuji X-Pro 1: Is this the camera i’ve been waiting for…and can afford? | Laith Al-Majali

Fuji X-Pro 1: Is this the camera i’ve been waiting for…and can afford? | Laith Al-Majali | Fuji X-Pro1 | Scoop.it

 

The decision to buy a new camera is something that a photographer has to go through from time to time…and I can’t front , it’s a tough one sometimes, especially if you are buying into a new system. Last week I took the dive and bought myself the Fuji X-Pro 1 alongside their 18mm F2 lens, there are many reasons that made me take that decision, the moment I held the camera in my hand it felt right, albeit considerably lighter than the Leica M6 that I’ve been shooting with for years. The images i’ve seen come out of the camera have also been quite impressive and asking a friend or two who have been putting the camera through the works made me not think twice…and you know what…the fact that Fuji are releasing a lens mount for the Leica lenses I already have, sealed the deal.

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B&W photos from the streets of Amman in Ramadan - Fuji X-Pro 1 | Laith Al-Majali

B&W photos from the streets of Amman in Ramadan - Fuji X-Pro 1 | Laith Al-Majali | Fuji X-Pro1 | Scoop.it


As promised here is the continuation of yesterday’s blog post, but this time the photos posted are in black and white, which tends to be my preference for this type of photography, yet the X-Pro 1 has been pushing me to shoot a bit more in color and look at things differently. The photos were shot in Amman during the month of Ramadan, and the b&w conversions are all done in SilverEfx Pro...

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From California to the Jordanian Desert : Color frames with the Fuji X-Pro1 | Laith Al-Majali

From California to the Jordanian Desert : Color frames with the Fuji X-Pro1 | Laith Al-Majali | Fuji X-Pro1 | Scoop.it


In the previous entry I posted some black and white images made with the Fuji X-Pro1, as promised here are some color images made with that camera. When photographing in the street with a the M6 I always faced the issue of what film to load and usually my default choice would be to put in some B&W film, occasionally i’d load some color film and hit the streets. Being used to thinking in shooting in B&W I never got the chance to train my eye as much with a rangefinder in terms of capturing color photos that are good, and its been a blessing having the X-Pro as its been bridging that gap for me. I’m starting to find myself more comfortable with shooting color, and i’m happy with the files that the camera has been giving me. The photos below take you from Union Station in Los Angeles, to the streets of Amman, and finally to the majestic desert of Wadi Rum.

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