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Scooped by
Thomas Menk
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Adobe Photoshop Camera Raw 8.1 (for Photshop CS6) provides new camera and lens profile support for Camera Raw Users. The fresh revision boasts support for HiDPI monitors, new cameras and lens profiles. This is the first time that a major version (8.x) of the plug-in provides update for the previous major build (7.x). However, this ensures continued RAW support for Photoshop CS6 customers.
Keep in mind that the Camera RAW 8 for Photoshop CS6 will not provide users the new features promoted in any of the marketing materials Photoshop Creative Cloud....
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Scooped by
Thomas Menk
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Adobe has released the first beta version of their popular photo editing and library management tool – Adobe Lightroom, which now reached version 5. This update includes all the features in Lightroom 4, especially the new cameras added in the 4.4 update. I am a long time user of Lightroom, and have used it as my photo editing tool of choice for both my Canon DSLRs and my new Fuji cameras. I really like the integrated approach Lightroom has for both image library management, keywording, image adjustment (the main photo editing module) and printing or exporting. For me Adobe Lightroom has almost replaced Photoshop, for most of my images. I say almost because some image adjustments could only be done in Photoshop. At least until Lightroom 5.
Important updates: - upgraded spot removal tool (with brush system) - offline images editing - auto-adjustments to straighten photos - new tool: radial gradient filter – the best thing since, well…linear gradients - support for a ton of new cameras, of interest to me being the Fuji X-E1 and X100s Will I get the Lightroom 5 upgrade? Let’s start the beta test......
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Scooped by
Thomas Menk
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Lightroom 4.4 is now available as a final release on Adobe.com and through the update mechanism in Lightroom 4. The goal of this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom. Changes to Existing Camera Support:Lightroom 4.4 includes a correction to the demosaic algorithms for Fujifilm cameras with the X-Trans sensor.
This specifically impacts the following cameras:
Fujifilm X-Pro1 Fujifilm X-E1 Fujifilm X100S Fujifilm X20
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Scooped by
Thomas Menk
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I was also interested to see whether conversions for the Fuji X-Pro 1 are any better, since I have a lot of files waiting to be "developed". Unfortunately no improvement there. Still the same old mush. So it looks like I'll have to go with whats available or just use the jpgs. A shame and a somewhat disappointing lack of response from both Fuji and Adobe. http://labs.adobe.com/technologies/cameraraw7-2/
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Scooped by
Thomas Menk
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Scooped by
Thomas Menk
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DxO Labs have released an update to DxO FilmPack, which adds compatibility with Adobe Photoshop CS6. Allowing users to apply the aesthetic signatures of dozens of films or one of 25 creative renderings to their digital photos, DxO FilmPack v3.2.2 is compatible with DxO Optics Pro 6 & 7, Aperture 3, Lightroom 3 & 4, Photoshop Elements 9 & 10, Photoshop CS3, CS4, CS5 and now CS6. Additionally, it is also available as a standalone application that runs in both 32 and 64 bits under MacOS and Windows.
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Scooped by
Thomas Menk
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We've just been given access to a beta version of Adobe Camera Raw that supports the Fujifilm X-Pro1 and have used it to process our standard test scene....
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Suggested by
PeterPrism
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I thought that I could get more out of the X-Pro 1 raw files than Silkypix was allowing me. Here's how. Its not ideal but it works for me somewhat better than just using the Fuji software.
In Silkypix there is a preset for development called Super Neutral, and indeed it does seem to be just that. i.e. a reasonably close version of the actual raw file.
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Scooped by
Thomas Menk
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Is near to be released the ACR 6.7 (now in beta) but seam no any support of X1PRO , i think we not get this update until the middle of the year if lucky or even longer. Perhaps: The big problem with the X-Pro1 is its entirely different colour filter array, which means that conventional Bayer demosaicing routines won't work. So adding support won't necessarily be quite as straightforward for Adobe as it normally is.
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Scooped by
Thomas Menk
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By now you have probably heard about Adobe’s decision to stop development of Adobe Creative Suite (which includes such software as Photoshop and Illustrator) and move to a completely different subscription-only model. In short, Adobe does not want to sell packaged versions of its software anymore and wants you to instead pay for select software packages or the whole Creative Suite on a monthly basis. For example, today you can purchase Adobe Photoshop CS6 for $599 and own the software, which means that you can install it on your computer and use it whenever you want without limitations. With the new Adobe pricing strategy, you will no longer be able to purchase Photoshop that way – you will have to get a $20 per month subscription for using Photoshop alone (or $50 for the whole Creative Suite). There will be no other option. Software will be delivered over the Internet and once you get it installed, it will make occasional requests over the Internet to Adobe.com to verify your subscription level. Creative Cloud will work the same way that CS6 works today, except it will require an active subscription. When traveling without any Internet connectivity, the software will work for a limited amount of time (something like 30 days) before ceasing to work and requiring you to connect to the Internet.Our readers might be wondering what we at Photography Life think about Adobe’s new pricing policy, so here is my personal take. I think this is by far the most arrogant and selfish decision on behalf of Adobe. While I actively use Photoshop, Illustrator and Lightroom software for my work, I am already considering alternatives at this point. Not because I find the pricing to be too high, but because I think what Adobe is doing is simply wrong. Read on to find out why.
..... What Adobe should have done, is give its customer two options – a boxed version with an upgrade path, essentially continuing the Creative Suite line, and a choice to go to the cloud. People that would benefit from collaboration and other benefits of the cloud would choose a subscription model, while everyone else would stay happy with their “owned” copies of the software.
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Scooped by
Thomas Menk
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A little more than a year ago, Adobe released its most recent major update to Photoshop Lightroom -- the company's flagship photography workflow application -- after a two-month open beta program. Today, the company takes the wraps off a beta release of the followup, continuing a tradition of public beta that stretches right back to Lightroom's formative days. The latest Lightroom 5 betabrings several interesting new features, including a radial gradient tool, a more advanced healing brush and a clever automatic perspective correction tool. But for our money, the feature which stands out is support for offline image editing, or what Adobe calls Smart Previews. If you're one of the many photographers who take advantage of Adobe's license terms allowing use of a desktop and laptop on the same Lightroom license, chances are you've hit a certain dilemma. You're out in the field with the laptop, yet you want to browse your existing catalog and perhaps tweak a few photos -- but you've not brought the catalog's contents with you. The laptop drive doesn't have enough storage space for all your photos, and you didn't think you'd need to carry your bulky external drives with you. Or perhaps you're not even using external drives -- maybe your catalog is shared across the network from your desktop machine. Either way, you don't have access to the files you need. That's the problem Smart Previews aims to solve. Lightroom 5 public beta can automatically generate reduced-resolution copies of your images on external drives and network shares, suitable for the smaller storage space available on your laptop. And it will let you edit these images just as if the files were online. Of course, some edits won't be meaningful on reduced-res previews. For example, you'll likely want to forgo tools like noise reduction and sharpening, where information at the pixel level is key. However, for many tools such as cropping, tweaking color and so on, that reduced-resolution file will still be enough to get the job done, or at least to get you in the ballpark while an editing idea is fresh in your mind. The clever bit happens when the offline media comes back online -- go back into the images, and your edits are applied to the originals automatically. This is very clever stuff, and something we have a feeling many photographers will welcome with open arms.....
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Scooped by
Thomas Menk
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For photographers, the latest-generation Apple MacBook Pro notebooks are mighty appealing thanks to their extremely high-resolution displays. All those extra pixels let you see more of your images on-screen at once without discarding the fine detail. Even if you fit your image to the screen, you're still looking at a full five megapixels of detail, more than double that provided by even the best MacBook Pro models from 2011. There's a catch, though. Your software has to support Apple's Retina HiDPI displays to take full advantage of all those extra pixels, and until now a key tool in the photographer's arsenal hasn't done so. Today, that changes, with the announcement by Adobe of an update to Photoshop CS6 that brings support for Retina displays, fulfilling a promise made last August. Retina support in Photoshop puts an end to blurry interpolation of images displayed in Photoshop, not to mention the surrounding buttons and icons that make up the user interface. Instead of a 1,440 x 900 pixel display that's been scaled to fit a 2,880 x 1,800 pixel screen, your images will take advantage of every screen pixel, and the surrounding UI elements will be sharper and easier on the eyes as well.
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Suggested by
Joe Kewl
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... for the most part, these smearing artifacts won’t show up in smaller prints and certainly not for online usage, but all the same my advice would be to hold off on important RAW conversions until Adobe addresses this issue. However, if you don’t mind exporting images and updating your images once a solution to this issue comes about, the fine detail missing in Lightroom 4.1 won’t been seen in smaller print sizes.
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Scooped by
Thomas Menk
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Yes. Part three. The previous posts about Demosaicing the Fuji X-Pro1 are here and here.
This post follows on from the previous two by showing how to get demosaicing that is, for practical purposes, as good as SILKYPIX, the best of the Fuji X-Pro1 raw developers I tested in the previous posts.
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Scooped by
Thomas Menk
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Adobe Systems Incorporated (Nasdaq:ADBE) announced the immediate availability of Adobe® Creative Suite® 6 software. The CS6 product line includes powerful new releases of Photoshop®, InDesign®, lllustrator®, Dreamweaver®, Adobe Premiere® Pro, After Effects®, Flash® Professional and other products as well as four suite versions – Creative Suite 6 Design & Web Premium; Creative Suite 6 Design Standard; Creative Suite 6 Production Premium; and Creative Suite 6 Master Collection.
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Scooped by
Thomas Menk
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No camera raw available in Adobe ACR 6.7 for the Fuji X-Pro1. We will need to buy CS6 :-(
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Scooped by
Thomas Menk
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There have been a number of questions around raw support for Lightroom and the Camera Raw plug-in.(ACR) Below is a list of new support by version. (Skip the background if you just need to know if your camera is supported)
"And yes, we are aware of the existence of the Fuji X-Pro1 camera and like all new camera models we are working to add support as quickly as possible."
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