Fuji X-Pro1
Follow
Find
3.9M views | +1.5K today
Suggested by fxt
onto Fuji X-Pro1
Scoop.it!

Adobe's Fujifilm X-Trans sensor processing tested | Digital Photography Review

Adobe's Fujifilm X-Trans sensor processing tested | Digital Photography Review | Fuji X-Pro1 | Scoop.it


With the posting of ACR 7.4 and Lightroom 7.4 'release candidates' (RC), Adobe has updated its raw processing algorithms for Fujifilm's X-Trans sensor cameras, the X-Pro1, X-E1, X100s and X20. This move comes in response to months of online user requests for improved raw processing of the X-Pro1, Fujifilm's flagship mirrorless interchangeable lens model. It is rare that Adobe's Camera Raw team revisits its demosaicing process for previously supported cameras, so we were excited to try out this latest version with some X-Pro1 raw files and compare results to the previous version of ACR, Capture One Pro 7 and Fujifilm's own in-camera conversion. To provide some context, the vast majority of digital cameras ever made perceive color using what's known as a Bayer Color Filter Array, named after the late Kodak engineer Bryce Bayer. For its recent cameras, Fujifilm has developed its own color filter array pattern, which it calls X-Trans. The idea behind X-Trans is that its pattern repeats less often than the Bayer pattern, rendering redundant the low-pass filter that usually protects against moiré. The disadvantage of creating a non-standard color filter array (especially one that took two years to develop the demosaicing algorithm for), is that third-party software makers have to do a lot more work to provide Raw support. Adobe was one of the first third-party software makers to provide Raw support for the Fujifilm X-Pro1, but the results often fell short of the standard set by the camera's own JPEG engine, in terms of rendering fine detail. So let's see what changes Adobe has made.....

Summary:

While it's important to recognize that ACR 7.3 and earlier was certainly very usable for many types of X-Pro1 images - especially if they weren't subjected to 100% view scrutiny - there's no question that with the 7.4 release candidate, Adobe has substantially improved their raw processing for the camera's X-Trans sensor. Our hats are off to Adobe for committing the not-insignificant resources necessary to improve support for X-Trans sensor cameras with relatively limited market share. The results speak for themselves and we feel confident in saying that ACR 7.4 RC is the update that X-Pro1 users have long been waiting for. Default settings offer a useful comparison of a raw engine's demosaicing capabilities but of course you'll want to tweak these parameters to get the most out of any raw file. In re-processing dozens of X-Pro1 images with ACR 7.4 we found that they all benefited from slightly more aggressive than usual sharpening, with a higher radius value than we'd typically use. You can download the original Raw files below to try your hand with your own settings in the raw processor of your choice. Share your findings with the community in the comments section. We'd love to hear what works best for you.

 

more...
No comment yet.
Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
Your new post is loading...
Your new post is loading...
Scooped by Thomas Menk
Scoop.it!

The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





________________________________________________________________________

Curated by official Fujifilm X-Photographer Thomas Menk

________________________________________________________________________


Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

Thomas Menk's insight:


If you would like to support my work - you can do that via Flattr.

Thank you :-)


more...
Thomas Menk's comment, June 12, 2013 11:54 AM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 7:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 6:42 AM

Great stuff from an  X Photographer 

Scooped by Thomas Menk
Scoop.it!

Initial Impression of the new Fujifilm 18-135 lens | Vic Schmeltz

Initial Impression of the new Fujifilm 18-135 lens | Vic Schmeltz | Fuji X-Pro1 | Scoop.it

As soon as I heard about the release of this lens I knew I wanted to purchase it. When I was shooting Nikon the lens I used the most was the 24-120 f/4. It was the perfect walk around, travel lens. I actually used it to shoot and entire wedding and it worked great! This week I had been checking various websites and my local camera stores to no avail as I knew it was going to be released by the end of this month, July. Opening the box I was greeted with the same Fuji quality as my other lenses. The zoom is smooth, the aperture ring feels perfect and the lens has a nice weight to it. I believe it weighs between the 56 1.2 lens and the 10-24 f/4 lens with the 10-24 f/4 being the heaviest. This is a lens I could easily walk around with all day. The range of 18-135 is a very wide range. Here are two pics, the first being taken at 18mm and the second at 135. Quite a difference!.........


more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

FUJIFILM X-T1 IN-PROGRESS REVIEW: CONCLUSIONS | GIANNI GALASSI

FUJIFILM X-T1 IN-PROGRESS REVIEW: CONCLUSIONS | GIANNI GALASSI | Fuji X-Pro1 | Scoop.it

Sorry I'm late, but my dayjob is getting very demanding lately, as it does every June and July (hey, I'm not complaining at all!). After three months of intensive (to my standards) use, I'm now ready to tell my final opinion on the Fujifilm X-T1. And I'll do it the usual way, in the form of a list of what I like and what I don't. Ready? Go. ......

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

55-200mm | Martin Doppelbauer

55-200mm | Martin Doppelbauer | Fuji X-Pro1 | Scoop.it

About a week ago Fuji's new telephoto zoom lens found its way to me. I had little opportunity to photograph with it, but at least I was able to record a number of test images. As always, I have made a comparison with the Canon EOS 5D Mark III to see how close the Fuji comes to a full-frame camera. Mechanically the lens makes a good, solid feel. The housing is made of a mixture of (few) metal parts and (mostly) plastic. All controls and also the mix of materials are virtually identical to the well known standard zoom. Two switches are used to activate the image stabilizer and auto iris. Three adjustment rings allow the setting of aperture, focal length and focus point. The aperture ring snaps as tight as the one in the standard zoom and the 35mm lens. It runs better than the somewhat loose ring of 14mm wide angle. The zoom ring is quite stiff. At least the lens doesn't extract by itself when directed to the ground or sky. Speaking of ground: When the (switched off) lens is tilted from horizontal direction downwards, one can hear a distinct clicking sound. Probably a loose part of the image stabilizer. When switched on, the noise does not occur. Not so great is the lens hood. At least in my lens, this monstrous piece of plastic fits very tight into the socket. I have a downright fear to break it when turning.......

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

23mm | Martin Doppelbauer

23mm | Martin Doppelbauer | Fuji X-Pro1 | Scoop.it

The new Fuji XF23mmF1.4 R with a focal length of 35 mm (equivalent full frame format) and a field of view of 63° comes closest to the visual sensitivity of the human eye of all Fuji lenses. This universal focal length enjoys great popularity among many photographers. That's why the popular Fuji X100S and almost all smartphones carry a similar focal length. In addition, the XF23 comes with a sensational aperture of f/1.4, promising wonderful compositions of sharpness and depth of field. Therefore, many fans have waited for this Fuji lens for a long time and created a great publicity hype. The price, that Fujifilm calls for the XF23, currently (end of 2013) sets a new record at 900 €. The wider XF14mmF2.8 R comes slightly lower at 800 €. All other Fuji lenses are around 400-650 €. The question arises whether this price is justified for the XF23. As a basis for my comparison I have used Fuji's standard zoom (XF18-55mmF2.8 -4 R LM OIS, 620 € street price) and the XF35mmF1.4 R (550 € street price ). The latter also comes with a maximum aperture of f/1.4..........

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

Why I chose Fuji to make a living from photography | Paul Schlemmer

Why I chose Fuji to make a living from photography | Paul Schlemmer | Fuji X-Pro1 | Scoop.it

Paul Schlemmer; Nomadic Fuji X photographer tells us Why I chose Fuji to Making a living from photography & gives us a peek in his camera bag .....

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

Crop or Crap :: Math or Moment | Dedpxl

Crop or Crap :: Math or Moment | Dedpxl | Fuji X-Pro1 | Scoop.it

So why am I back pedaling now? I started shooting personal work with my little Fuji. Then I pulled it out on jobs from time to time because I loved that little camera. Then I used it more. Then I got the X-Pro1. Then I started seeing my Fuji images in print. Then I started putting the Q&A book together and I had the chance to run pages of test prints for the book. I printed every type of image I had from every camera I had owned. Studio shots. High ISO shots. Portraits. Street photos. I cropped into some images and enlarged them to full page. I received the test prints back and I taped them to the wall and took one step back. My Fuji images ran side by side with D3 and 5d2 images without a single noticeable drop in quality. If anything, my Fuji images were just a tad sharper. My PhaseOne medium format images were the only images that had a noticeable change in quality when I looked at everything side by side.......

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

Crop or Crap? Zack Arias Tackles The Question Of Full Frame vs Crop Sensors | SLR Lounge

Crop or Crap? Zack Arias Tackles The Question Of Full Frame vs Crop Sensors | SLR Lounge | Fuji X-Pro1 | Scoop.it

Zack Arias is one of the biggest names in photography education of recent years. He built his name on the idea that a photographer can use one light to create stunning images. Today, I am sharing a recent video Zack did tackling the age old (haha, not really) question of Full Frame Sensors vs APS-C Sensors. “I have said, in the past, that you should move toward full frame sensors. I have always championed full frame sensors.” Zack states in the description of his video, “At the end of the day, full frame sensors beat APS sized and smaller sensors.” .......

more...
Kara Woodward's curator insight, July 29, 10:06 AM

Full frame is better........ but how much better than the fuji's does it have to get?  I am considering the Sony A7 for adapted lenses but there's that Fuji something that I just love. Maybe with the LR Fuji raw presets..........

Scooped by Thomas Menk
Scoop.it!

Okinawa with the Fuji TCL-X100 | Thomas Alan

Okinawa with the Fuji TCL-X100 | Thomas Alan | Fuji X-Pro1 | Scoop.it

In part one I put the new Fuji TCL through it’s paces to see how well it would perform in a studio portrait environment. In part two I take it outside to see how it does in more everyday situations. First off, I headed over to the seawall on a bright, blue sky day. Walking around shooting at the beach was a breeze, pun intended, and overall the TCL was a pleasure to shoot with outdoors. The following shots are all straight out of camera with Lightroom v5.5 Lens Correction applied, except for a couple of adjustments that I've noted in each image caption.......

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

Things I wish I would have known | Vic Schmeltz

Things I wish I would have known | Vic Schmeltz | Fuji X-Pro1 | Scoop.it

I really should have entitled this, “Things I wish I would have done”, but I will get to that in a minute. I received my first film camera 51 years ago and have had film camera’s off and on since then. It wasn’t until 2010 that I purchased my first digital camera, a Nikon D5000. I wrote about my journey to mirrorless here if you are interested. For the first week I shot on “auto” so I could get to know the camera but my goal from the beginning was to be able to shoot in manual, which I did pretty quickly. I did the same with my Nikon D300s and D700 as the external controls made that fairly simple. I like to be able to have the settings the way I want them. When I was growing up I was the same way. I learned to drive a car at 14 in a Ford Falcon with a straight six and three on the tree. A manual transmission is something I like to use but unfortunately my left knee is not up to the task anymore. I do like the idea of being able to control what gear I am in and the engine’s rpm’s but now I have to drive an auto transmission.....

more...