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Fuji X-Pro1 More to learn | Gene Lowinger

Fuji X-Pro1 More to learn | Gene Lowinger | Fuji X-Pro1 | Scoop.it


To date Adobe Software hasn't come up with reasonable raw processing for the Fuji X-trans sensor. The way the new sensor captures and processes light requires new thinking on their part and as yet Adobe has been satisfied to rework their current formula to produce acceptable, but not outstanding images. The jpeg processing in the Fuji camera can do it, SilkyPix can do it (albeit through a rather arcane user interface), and Phase 1in the beta release of their raw processor - Capture 1 - has apparently been able to do it. I gave a beta version of Capture 1 (which includes updated processing for the X-trans sensor and Fuji X series camera profiles) a test run. If it works as well as touted, I'll have to think long and hard about switching from Lightroom which for me so far has been OK .... just. To have two different cataloging systems - for Lightroom and for Capture 1 - is a bit daunting for me.

Now onto the XP1 and the 18-55 zoom lens. I was out on the streets in New York City yesterday with the intention of shooting most of my images at the 55mm setting with OIS (Optical Image Stabilization) turned on. Previous to my outing yesterday, I discovered information about how the OIS works between the camera and lens, and understanding how to use it affects both image quality and battery life. There is a new setting in Shooting Menu 5 called 'IS Mode' for which there are two settings with descriptive names of IS1 and IS2 - oh so helpful. In the IS1 option OIS is on and running continuously whenever the camera is turned on and a lens which has the OIS functionality is mounted and the function on the lens is acctivated. In the IS2 option OIS is activated only when the shutter is depressed half way before shooting.

Ah me, there's always trade-offs in life, and especially in photography.

If IS1 is selected, the OIS runs continuously which creates a serious drain of battery power. But it also means that the teeny weeny gyroscopes in the lens are always engaged, running, and ready to stabilize without the slightest delay. This, not surprisingly, results in a very large percentage of the images shot in this mode being completely unaffected by lens motion or shake at slow shutter speeds.

If IS2 is selected, the OIS kicks in only when the shutter is depressed half way. So power from the battery for the OIS is used only at that time which, of course, results in a significant saving of battery power. However, in the time it takes for the battery to get the gyros up and running, and to stabilize the image the camera can still fire the shutter if the button is depressed quickly in one continuous motion. This resulted in a significant number of images shot on Friday (in this mode) being not optimal.

Sometimes the story or the expression of the person in an image is significant enough that I process and post it even with its technical shortcomings. So here's what I got from my outing on Friday. The first was shot at 55mm and, with the OIS set to IS2, was one of the few at that focal length that were spot on.....

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

Thomas Menk's insight:


If you would like to support my work - you can do that via Flattr.

Thank you :-)


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Thomas Menk's comment, June 12, 2013 11:54 AM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 7:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 6:42 AM

Great stuff from an  X Photographer 

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Fujifilm at Photokina 2014! | Marc Horner

Fujifilm at Photokina 2014! | Marc Horner | Fuji X-Pro1 | Scoop.it

Last week we were at photokina, the world’s largest imaging fair, from Tuesday 16th to Sunday 21st September. It’s been a complete blast and this post will hopefully highlight the bits you missed if you couldn’t make it to Cologne this year. Our booth was big. It was made up with lots of different sections covering many different areas of our business, all with the same common goal – helping people with photography. Some were printed on FUJIFLEX Crystal Archive Printing Material and others on Fujicolor Crystal Archive Digital Paper but they were all amazingly good to look at. We’ve combined our X series cameras with many years’ experience of printing and finally the creativity of real users of our cameras to create a truly awe inspiring array of beautiful prints. Many visitors to the stand told us that they thought these were the best prints on display at the show.........

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WCL-X100 & TCL-X100 for Fujifilm X100 and X100S & X100T | Derek Clark

WCL-X100 & TCL-X100 for Fujifilm X100 and X100S & X100T | Derek Clark | Fuji X-Pro1 | Scoop.it

The Fujifilm X100 was a real game changer in my photography. I was in need of something small, light and above all else, great in low light. But I got more than I bargained for and the X100 took me on a journey and made me realize the direction I really wanted to go. I still have my original X100, but after including many other X cameras to my kit, I’ve recently came full circle and rekindled my love of the X100 with the addition of an X100S. Although I have five X series cameras and many lenses, I have had an urge lately to carry less….much less. So I’ve limited my personal photography to the X100S (although not exclusively). But although I love the 35mm field of view (full frame wise), Sometimes I can be restricted in zooming with my feet and then have to take another body and lens(s).....

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Tokyo: Then and Now, Film vs Fuji x100s | Thomas Alan

Tokyo: Then and Now, Film vs Fuji x100s | Thomas Alan | Fuji X-Pro1 | Scoop.it

In the summer of 1982 I was stationed in Okinawa, Japan, as a U.S. Marine. My unit trained in mainland a couple times per year, giving me the opportunity to visit Tokyo. It was this point in my life that I discovered photography, and purchased my first 35mm SLR camera, a Yashica if I remember right. The city was a never ending playground for photography, and I went through many rolls of film, learning to use my new toy. Looking back now I wish that I had taken more photos........

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Review: Fujifilm XF56mmF1.2 R Lens | Krista Michaels

Review: Fujifilm XF56mmF1.2 R Lens | Krista Michaels | Fuji X-Pro1 | Scoop.it

Conclusion:


At the end of this quick photo shoot, I knew that Canon was a thing of the past in my life. Fujifilm has won my heart with the X-T1 mirrorless camera body and their superb XF56mmF1.2 R lens. I honestly, at this point, cannot see myself ever going back to a bulky DSLR. I just have no interest any longer, as I’m getting mind-blowing images with my Fuji, and it has, without question, reignited a major passion for the purity of photography that I haven’t felt since I first picked up a camera. I love the X-T1… and I LOVE this lens! Highly recommended! =)

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Street Photography: 5 Dinge, die ich von William Eggleston gelernt habe | Feyzi Demirel

Street Photography: 5 Dinge, die ich von William Eggleston gelernt habe | Feyzi Demirel | Fuji X-Pro1 | Scoop.it

Ich versuche mich fortlaufend fotografisch weiterzuentwickeln, und auf diesem Weg bin ich eigentlich ständig auf der Suche nach Inspiration. Eine solche Inspiration habe ich vor einigen Monaten erhalten, als ich zufällig auf einen Dokumentarfilm über den Fotografen William Eggleston gestoßen bin. Schande über mein Haupt, ich kannte ihn bis dato nicht, aber der Film hat mich sehr neugierig gemacht und ich habe mich weiter mit seiner Arbeit beschäftigt. Ich kann vorwegnehmen, dass die Arbeit von Eggleston einige meiner bisherigen fotografischen Denkmuster, insbesondere in Bezug auf Street Photography, geändert hat. Die Einflüsse Egglestons auf mich habe ich unten in 5 Punkten zusammengefasst.......

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X100s in Paris | Greg Vorobiov

X100s in Paris | Greg Vorobiov | Fuji X-Pro1 | Scoop.it

Here's the second set of images that I shot with my X100s while in Paris. The first set of images were shot in Italy which can be seen in this post: http://www.dpreview.com/forums/post/54391556 Thanks for looking.....