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Fuji X-Pro1 More to learn | Gene Lowinger

Fuji X-Pro1 More to learn | Gene Lowinger | Fuji X-Pro1 | Scoop.it


To date Adobe Software hasn't come up with reasonable raw processing for the Fuji X-trans sensor. The way the new sensor captures and processes light requires new thinking on their part and as yet Adobe has been satisfied to rework their current formula to produce acceptable, but not outstanding images. The jpeg processing in the Fuji camera can do it, SilkyPix can do it (albeit through a rather arcane user interface), and Phase 1in the beta release of their raw processor - Capture 1 - has apparently been able to do it. I gave a beta version of Capture 1 (which includes updated processing for the X-trans sensor and Fuji X series camera profiles) a test run. If it works as well as touted, I'll have to think long and hard about switching from Lightroom which for me so far has been OK .... just. To have two different cataloging systems - for Lightroom and for Capture 1 - is a bit daunting for me.

Now onto the XP1 and the 18-55 zoom lens. I was out on the streets in New York City yesterday with the intention of shooting most of my images at the 55mm setting with OIS (Optical Image Stabilization) turned on. Previous to my outing yesterday, I discovered information about how the OIS works between the camera and lens, and understanding how to use it affects both image quality and battery life. There is a new setting in Shooting Menu 5 called 'IS Mode' for which there are two settings with descriptive names of IS1 and IS2 - oh so helpful. In the IS1 option OIS is on and running continuously whenever the camera is turned on and a lens which has the OIS functionality is mounted and the function on the lens is acctivated. In the IS2 option OIS is activated only when the shutter is depressed half way before shooting.

Ah me, there's always trade-offs in life, and especially in photography.

If IS1 is selected, the OIS runs continuously which creates a serious drain of battery power. But it also means that the teeny weeny gyroscopes in the lens are always engaged, running, and ready to stabilize without the slightest delay. This, not surprisingly, results in a very large percentage of the images shot in this mode being completely unaffected by lens motion or shake at slow shutter speeds.

If IS2 is selected, the OIS kicks in only when the shutter is depressed half way. So power from the battery for the OIS is used only at that time which, of course, results in a significant saving of battery power. However, in the time it takes for the battery to get the gyros up and running, and to stabilize the image the camera can still fire the shutter if the button is depressed quickly in one continuous motion. This resulted in a significant number of images shot on Friday (in this mode) being not optimal.

Sometimes the story or the expression of the person in an image is significant enough that I process and post it even with its technical shortcomings. So here's what I got from my outing on Friday. The first was shot at 55mm and, with the OIS set to IS2, was one of the few at that focal length that were spot on.....

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!


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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

Thomas Menk's insight:


If you would like to support my work - you can do that via Flattr.

Thank you :-)


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Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

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Fuji TCL-X100 review Part 1 | Thomas Alan

Fuji TCL-X100 review Part 1 | Thomas Alan | Fuji X-Pro1 | Scoop.it

For the record, the studio is possibly one of the worst environments to test and judge the TCL-X100, but it’s where I needed to use it, so take the following with a grain of salt if you have no intentions of using yours in this environment. I’m not a pixel peeper, and you won’t see any charts, graphs, or fancy, mathematical, technical terms here. I judge gear by how easy or difficult it is to work with in the field, and the image results I get. I’m a touchy, feely kind of shooter who loves a piece of gear or an image if it feels right. First, a little backstory on why I purchased the TCL. I’ve been using the x100 now for three years. Initially I purchased the x100 for shooting street. Almost immediately the small camera that could became my favorite camera ever. I love the fast, bright f2.0 35mm equivalent lens, and have never really had issues with it being fixed. In fact, not being able to change lenses has been more of a blessing than a curse. I also own a X-Pro1 that I use for street and studio work. Recently, while working on a long-term portrait project, my 60mm lens on my X-Pro1 started having focusing issues and I was forced to send it in for repair.....


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Zeiss 50mm touit for Fuji X usage report | Serious Compacts Forum

Zeiss 50mm touit for Fuji X usage report | Serious Compacts Forum | Fuji X-Pro1 | Scoop.it

After posting some initial impressions the time has come for a second report. I’ve taken about 120 shots with the Zeiss 50mm Touit for some time with the Fuji X-T1 and the lens growing on me. In assessing a lens, I am not really into MTF-charts and detailed comparisons (although I read them). Others are better in doing that. My basic criterium is “do I like the lens”. To be a bit more specific: is it sharp enough? is it responsive enough? Is it comfortable to hold and use? Does it help convey what I’m trying to capture? Does the lens help me avoid (a lot of) PP? Think about color “accuracy”, vignetting, CA, etc........

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Fuji X Pro 1 | Steve Coleman

Fuji X Pro 1 | Steve Coleman | Fuji X-Pro1 | Scoop.it

So what camera should I use for street photography? Well… thats like asking what car should I use to go shopping in! The easy answer of course is any camera, though there is no doubt in mind that different cameras give different experiences, which in turn can be the difference between enjoying the experience or feeling like your trying to take pictures wearing boxing gloves. At this point I should say I’m attaching some pictures with this post, not to demonstrate anything I’m about to say, you can see the technical quality of my pictures as they’re all taken with the Pro 1, this post is about the camera as more than positive EV or how fast it can auto focus. This post has nothing to do with the cameras technicalities. It has taken me 3 attempts to find what I consider to be the perfect camera for my needs, though I am still searching and looking for different ways to indulge in street photography. So where an I at the moment? Well I’m currently shacked up with the Fuji X Pro1. In my humble opinion the closest thing you’ll get to the classic rangefinder style that seems so engrained and used by photographers worldwide when shooting street style........

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Fujinon XF27mm pancake lens! | OnCam Photography

Fujinon XF27mm pancake lens! | OnCam Photography | Fuji X-Pro1 | Scoop.it

This lens is a really nice option if you just want to take your camera literally everywhere & not feel too serious, stand out, be obtrusive, & intimidating.. but don’t think for one minute this lens is a toy! After downsizing from a full DSLR kit carrying the XE2 + 18-55mm around you quickly get used to the size, and while it is a huge improvement you still feel the setup is not as small as you had imagined before switching to mirrorless. This tiny pancake lens transforms the whole shooting experience, & gives you confidence to take your camera everywhere......

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Review | MHG-XT Large Hand Grip for Fuji XT-1 | Nathan Gilmer

Review | MHG-XT Large Hand Grip for Fuji XT-1 | Nathan Gilmer | Fuji X-Pro1 | Scoop.it

The Fuji X-T1 is the best camera I have ever owned by far. I wrote a review of it here if you are interested. The only thing I wasn't a huge fan of was the way it handled. There just wasn't quite enough grip to feel comfortable holding it. The vertical battery grip helps and I use that when doing my professional work, but it made the camera just a little bit to big for everyday use. It somewhat defeated the purpose of owning a small camera in the first place. I had also owned the regular size hand grip for my X-Pro 1 and didn't really like it either. It only was big enough for your pinky and ring finger and it just felt awkward. I then saw the announcement that Fuji released this new larger hand grip and it seemed like it would be exactly what I needed. I ordered it right away and after a couple of weeks of use, I can say it is perfect for me. It just feels right when holding the camera. It also seems to make my hand more vertical when holding the camera which significantly reduces wrist strain. It does make the camera a bit bigger and heavier but I don't think that is all bad. A little bit of bulk makes the camera feel more substantial. Lenses like the 23mm and the 56mm fit perfectly while the 35mm and 18mm now seem a bit small. It also looks really good. It fits the look of the camera perfectly.........

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Stockografie und die Fuji X-T1 in Peking | Daniel Stocker

Stockografie und die Fuji X-T1 in Peking | Daniel Stocker | Fuji X-Pro1 | Scoop.it

Die Chinesischen Kollegen haben mich sehr warmherzig aufgenommen und haben mich auch immer unterstützt. Ob menschlich, oder auch fachlich. Ich kann ihnen nur ein großes Lob aussprechen. Auch wenn manche Arbeitsweisen und kulturelle Aspekte für uns doch eher fremd sind, so hat die Zusammenarbeit wirklich gut funktioniert.  Und wenn man der fremden Kultur mit Toleranz begegnet, so sind auch diese Unterschiede sehr gut zu überbrücken. Ich habe das Gefühl bekommen dass beide Seiten eher Neugierig, denn Skeptisch waren. Ich muss gestehen dass ich mich im Vorfeld doch recht umfangreich über die Kulturellen unterschiede informiert habe. So ist es zum Beispiel, dass sich die Chinesen morgens nicht die Hände schütteln. Es gibt ein good morning und das war es dann auch. Beim Thema essen sind die Sitten im Land des Lächelns ebenfalls anders als bei uns. Schmatzen darf man, ebenso wie schlürfen. Es wird auch keinen Guten Appetit gewünscht, sondern einfach gegessen. Nach dem Essen wird auch nicht mehr lange gequatscht. Man steht auf, verabschiedet sich und fertig. Daran muss man sich schon erst einmal gewöhnen. Bei uns in Deutschland bleibt man doch eher noch etwas sitzen und unterhält sich über das eine oder andere Thema.......

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What is a macro lens? Magnification and minimum focus distance explained | Digital Camera World

What is a macro lens? Magnification and minimum focus distance explained | Digital Camera World | Fuji X-Pro1 | Scoop.it
Our photography cheat sheet answers the question 'What is a macro lens?', explaining the different magnifications and minimum focus distance
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Transformational Imagemaking: An Interview with Robert Hirsch | Photo.net

Transformational Imagemaking: An Interview with Robert Hirsch | Photo.net | Fuji X-Pro1 | Scoop.it

....my position has been that all photographs are constructions. The “window on the world” point of view is based on where the photographer is standing, the time of day, the quality of light, what equipment and processes are utilized, what is included and excluded in the frame, and so on. What determines the photographic outcome we see in magazines, museums, galleries, and in all forms of media are largely determined by this realistic perception mindset. I’m interested in haptic imagemakers who are expressionistically interpreting their subject matter. In place of an outward linear narrative, these artists often rely on an inner psychological approach to their storytelling. This encourages their unconscious to come to the fore and reveal multiple pathways for viewers to explore both the subject matter and the maker. Regardless of their approach, these artists delight in the act of picturemaking......

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Wie finde ich eigentlich…..das Carl Zeiss Touit 50mm? | Mehrdad Abedi

Wie finde ich eigentlich…..das Carl Zeiss Touit 50mm? | Mehrdad Abedi | Fuji X-Pro1 | Scoop.it

Wie schon bei meiner Rezension zum Touit 12mm f2.8 gilt auch hier: Ihr bekommt hier die Meinung eines Anwenders zu lesen/sehen. Kein großer Techtalk, MTF Charts und Analysen von Vignetierung etc. Gemeinsam mit den beiden anderen Carl Zeiss Touits für das x-Mount habe ich das Zeiss Touit 50mm f2.8 von Carl Zeiss Deutschland testweise zur Verfügung gestellt bekommen. Wie ich ja schon an anderer Stelle herausstellte, besitze ich alle Fujifilm Pendants zu den Touits. Und auch wenn ich mit den Fujinons im Grunde sehr zufrieden bin, lohnt sich immer auch ein Blick in Nachbar’s Garten. Von den drei Touits finde ich jedoch, kann man das 50er am wenigsten mit dem Fujinon Pendant, dem Fujinon xf56mm f1.2, vergleichen. Zum einen wegen der fast 2 ½ Blenden Unterschied und zum anderen wegen der Makrofähigkeit des Zeiss Objektivs. Wahrscheinlich wäre hier der Vergleich zum Fujinon xf60mm f2.4 der richtige. Ich versuche mich also im Gegensatz zu meinem 12er Erfahrungsbericht hier mit Vergleichen zum 56er zurückzuhalten.Hier also meine Meinung zum Carl Zeiss Touit 50 mm f2.8...............