Fuji X-Pro1
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Fuji X-Pro1 More to learn | Gene Lowinger

Fuji X-Pro1 More to learn | Gene Lowinger | Fuji X-Pro1 | Scoop.it


To date Adobe Software hasn't come up with reasonable raw processing for the Fuji X-trans sensor. The way the new sensor captures and processes light requires new thinking on their part and as yet Adobe has been satisfied to rework their current formula to produce acceptable, but not outstanding images. The jpeg processing in the Fuji camera can do it, SilkyPix can do it (albeit through a rather arcane user interface), and Phase 1in the beta release of their raw processor - Capture 1 - has apparently been able to do it. I gave a beta version of Capture 1 (which includes updated processing for the X-trans sensor and Fuji X series camera profiles) a test run. If it works as well as touted, I'll have to think long and hard about switching from Lightroom which for me so far has been OK .... just. To have two different cataloging systems - for Lightroom and for Capture 1 - is a bit daunting for me.

Now onto the XP1 and the 18-55 zoom lens. I was out on the streets in New York City yesterday with the intention of shooting most of my images at the 55mm setting with OIS (Optical Image Stabilization) turned on. Previous to my outing yesterday, I discovered information about how the OIS works between the camera and lens, and understanding how to use it affects both image quality and battery life. There is a new setting in Shooting Menu 5 called 'IS Mode' for which there are two settings with descriptive names of IS1 and IS2 - oh so helpful. In the IS1 option OIS is on and running continuously whenever the camera is turned on and a lens which has the OIS functionality is mounted and the function on the lens is acctivated. In the IS2 option OIS is activated only when the shutter is depressed half way before shooting.

Ah me, there's always trade-offs in life, and especially in photography.

If IS1 is selected, the OIS runs continuously which creates a serious drain of battery power. But it also means that the teeny weeny gyroscopes in the lens are always engaged, running, and ready to stabilize without the slightest delay. This, not surprisingly, results in a very large percentage of the images shot in this mode being completely unaffected by lens motion or shake at slow shutter speeds.

If IS2 is selected, the OIS kicks in only when the shutter is depressed half way. So power from the battery for the OIS is used only at that time which, of course, results in a significant saving of battery power. However, in the time it takes for the battery to get the gyros up and running, and to stabilize the image the camera can still fire the shutter if the button is depressed quickly in one continuous motion. This resulted in a significant number of images shot on Friday (in this mode) being not optimal.

Sometimes the story or the expression of the person in an image is significant enough that I process and post it even with its technical shortcomings. So here's what I got from my outing on Friday. The first was shot at 55mm and, with the OIS set to IS2, was one of the few at that focal length that were spot on.....

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100S/T - photographer, reviews, samples and more ...  | http://www.tomen.de
Curated by Thomas Menk
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The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!


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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

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Thank you :-)


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Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

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Fuji X-T1: Is it a better street camera than the X100T? | Mike Evans

Fuji X-T1: Is it a better street camera than the X100T? | Mike Evans | Fuji X-Pro1 | Scoop.it

Currently I'm putting Fuji's highly acclaimed X-T1 through its paces. It came with the standard 18-55 zoom but I have managed to borrow a remarkable little pancake, the 27mm f/2.8. I reckon it is just about the bee's knees when it comes to street photography. My first question, though, is how this combination compares with the lionised X100/S/T, the camera that started Fuji on to X series road in 2010. It seems incredible now that we have seen the X cameras spawn like crazy from such a simple beginning. But, more important, Fuji has launched perhaps the most comprehensive array of pro-quality lenses ever seen in such a short period. The X100 range with its 35mm-equivalent fixed focal length and ingenious hybrid viewfinder has rightly won its place high on the list of streettog desirables. This little Leica M3 lookalike is probably the most popular go-to camera for street enthusiasts......

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Fujifilm X-T1 and Olympus 60/1,5 Pen F lens | Ohm Image

Fujifilm X-T1 and Olympus 60/1,5 Pen F lens | Ohm Image | Fuji X-Pro1 | Scoop.it

Why it is that I've been using Olympus Pen F lenses on my wife's Fujifilm X-T1 is a subject for later: and a proper review. For now, it's enough to say I'm digging the experience. Very much. In fact, the above lens (horribly taken in the minute or so between shooting an Astell&Kern AK240 and Sony ZX1 for Mac Audio - you can even see its block -, it is a disgrace), hasn't left the camera. Neither has the slimline Kipon PEN-FX adapter.  The 60/1,5 on the APS-C X-T1 works out pretty well like a 90/2,25 on film, or FF 35mm digital. And 90mm is, and always has been, a favourite of mine. In fact, I was chatting lenses with an audiophile mate of mine. He digs lenses in the ~35mm range on APS-C, or ~50mm on FF. I told him that if I had to choose only two lenses, it would be something around 28mm - 30mm on film on the wide end, and 90mm on the long end. 

Thank you half-frame!.......

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My Photojournalism: Fuji X-T1 | Miguel A. Lopes

My Photojournalism: Fuji X-T1 | Miguel A. Lopes | Fuji X-Pro1 | Scoop.it

[Google translater]


Needed a
machine to always walk with me in my day to day outside the agency, in addition to the iPhone. I've tried hundreds of "small" machines and gave me no professional feeling or image quality worthy of investing money. Recently a friend of mine passed me for the new Fuji X-T1 hand and it was love at first sight! The capabilities of small machine are impressive and the image quality it produces is very very good. I will not describe here the characteristics of it because it can see on specialty websites. I leave here some pictures I took these few days since I have....

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