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Fuji X-Pro1 More to learn | Gene Lowinger

Fuji X-Pro1 More to learn | Gene Lowinger | Fuji X-Pro1 | Scoop.it


To date Adobe Software hasn't come up with reasonable raw processing for the Fuji X-trans sensor. The way the new sensor captures and processes light requires new thinking on their part and as yet Adobe has been satisfied to rework their current formula to produce acceptable, but not outstanding images. The jpeg processing in the Fuji camera can do it, SilkyPix can do it (albeit through a rather arcane user interface), and Phase 1in the beta release of their raw processor - Capture 1 - has apparently been able to do it. I gave a beta version of Capture 1 (which includes updated processing for the X-trans sensor and Fuji X series camera profiles) a test run. If it works as well as touted, I'll have to think long and hard about switching from Lightroom which for me so far has been OK .... just. To have two different cataloging systems - for Lightroom and for Capture 1 - is a bit daunting for me.

Now onto the XP1 and the 18-55 zoom lens. I was out on the streets in New York City yesterday with the intention of shooting most of my images at the 55mm setting with OIS (Optical Image Stabilization) turned on. Previous to my outing yesterday, I discovered information about how the OIS works between the camera and lens, and understanding how to use it affects both image quality and battery life. There is a new setting in Shooting Menu 5 called 'IS Mode' for which there are two settings with descriptive names of IS1 and IS2 - oh so helpful. In the IS1 option OIS is on and running continuously whenever the camera is turned on and a lens which has the OIS functionality is mounted and the function on the lens is acctivated. In the IS2 option OIS is activated only when the shutter is depressed half way before shooting.

Ah me, there's always trade-offs in life, and especially in photography.

If IS1 is selected, the OIS runs continuously which creates a serious drain of battery power. But it also means that the teeny weeny gyroscopes in the lens are always engaged, running, and ready to stabilize without the slightest delay. This, not surprisingly, results in a very large percentage of the images shot in this mode being completely unaffected by lens motion or shake at slow shutter speeds.

If IS2 is selected, the OIS kicks in only when the shutter is depressed half way. So power from the battery for the OIS is used only at that time which, of course, results in a significant saving of battery power. However, in the time it takes for the battery to get the gyros up and running, and to stabilize the image the camera can still fire the shutter if the button is depressed quickly in one continuous motion. This resulted in a significant number of images shot on Friday (in this mode) being not optimal.

Sometimes the story or the expression of the person in an image is significant enough that I process and post it even with its technical shortcomings. So here's what I got from my outing on Friday. The first was shot at 55mm and, with the OIS set to IS2, was one of the few at that focal length that were spot on.....

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

Thomas Menk's insight:


If you would like to support my work - you can do that via Flattr.

Thank you :-)


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Thomas Menk's comment, June 12, 2013 11:54 AM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 7:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 6:42 AM

Great stuff from an  X Photographer 

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London with the Fujifilm X-Pro1 | Royd Tauro

London with the Fujifilm X-Pro1 | Royd Tauro | Fuji X-Pro1 | Scoop.it

Here are some photographs from a London trip I undertook with my friend Colum Lavelle. I tested the Fujifilm X-Pro1 while I was there and was very impressed with the image quality and general feel of this lovely camera. This is definitely my new favourite travel camera. All the following photos were shot standard JPEG with some minor corrections applied in Lightroom......

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Fuji X-T1 Doubts | Rachel Ruffer

I dreamt about this camera for weeks and weeks. Pondered about whether or not to order it. Scoured the internet for sample images and review posts. Everyone was in love with it. People were replacing their DSLRs with this camera. And I wanted that so bad. Like, you have no idea. I absolutely LOVE my X100s and wanted so bad to make the switch from Canon. I haven’t always had the best of luck with focus systems on Canons, and not to mention… they are HEAVY. So the idea of a small, light camera system called to me like a siren song. I told the Mister how I NEEDED it. How it was going to change everything. How it couldn’t wait. When will I ever learn? Don’t get me wrong. This camera is great! But there are a few things about it that I didn’t think about before purchasing it – and they’re kind of deal breakers. The first is that I have the 35mm lens, which from my research is one of the first lenses Fuji came out with for the X system. So it is SLOW. And quite loud. I’m really not a fan. It also does a lot of back and forth trying to focus, even if the focus was basically where it should have been and maybe just needed fine tuning. Yep. Let’s focus all the way to 0.1 m and back again. Unbelievably frustrating........

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Street Photography in Zürich mit der Fujifilm X-E2 & Fujinon XF 18mm | Feyzi Demirel

Street Photography in Zürich mit der Fujifilm X-E2 & Fujinon XF 18mm | Feyzi Demirel | Fuji X-Pro1 | Scoop.it

Kürzlich war ich für ein Wochenende in Zürich und natürlich hatte ich, wie sollte es auch anders sein, meine Fujifilm X-E2 dabei. Auf Fotos von Thomas Leuthard hatte ich schon gesehen, wie gut sich auch diese Stadt als Kulisse für Street Photography eignet, so war die Vorfreude bei mir recht groß. Die Besonderheit bei dieser Reise war für mich, dass ich intensiv mein relativ neues Fujinon XF 18mm F2 einsetzen wollte. Diese Festbrennweite hatte ich mir vor einigen Monaten geholt, da ich neben dem XF 35mm unten rum noch eine Weitwinkelergänzung benötigt habe. Normalerweise bin ich bei Streetfotografie am liebsten mit einem 50mm Objektiv unterwegs, wo dann das XF 35mm wegen des Crop-Faktors (1,5x) der X-E2 super passt. Allerdings habe ich letztes Jahr schon in Istanbul festgestellt, dass weniger Brennweite auch interessant sein kann (damals 40mm), so dass ich mich ganz bewusst auf das XF 18mm einlassen wollte (kleinbildäquivalent sind es ca. 27mm)......

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Canon 1DX with Sigma Art 50 vs. Fuji X100s with TCL X100 | Mark Kitaoka

Canon 1DX with Sigma Art 50 vs. Fuji X100s with TCL X100 | Mark Kitaoka | Fuji X-Pro1 | Scoop.it

Today while I was conducting a commercial session I decided to run a quick test. I wanted to compare my work camera, the Canon 1DX using Sigma’s new Art 50mm Lens against my Fuji X100S with the TCL X100 teleconverter attached. Both images were shot using the same studio strobes and modifiers. Camera settings on both units was ISO 200, 1/160th shutter speed, f6.3. Obviously both focal lengths were 50mm. For those who may be sneaky, I’ve removed the EXIF data. It’s quite remarkable what the little Fuji paired with the TCL X100 can do. After all it’s only about a $6,049.00 difference at suggested retail! Smile or no smile, which is which? .....

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Light, Form, Function - Breaking Symmetry | Sven Schroeter

Light, Form, Function - Breaking Symmetry | Sven Schroeter | Fuji X-Pro1 | Scoop.it

Ever since Silo park opened to the public and was transformed into a recreation area, it has become an increasingly popular photographic subject. The tall standing towers, with stairs spiralling to the top, are perfect for symmetric, abstract, fine art images. The key when chasing symmetric patterns is discovering the element which breaks the symmetry, regaining balance and automatically providing the focal point for your eye to gravitate to. Consider the first image, the stairs are balanced with the black cut out on the bottom right. Without these two elements, and just the pipe guiding your eye to the top of the tower, there is very little interest. The tower as a whole is symmetric, including the placement of the pipe running up the middle. But the inclusion of the stairs and the tower cutout break the symmetry and encourage your eye to wander throughout......

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ThinkTank Retrospective Fan Club | Justin Balog

ThinkTank Retrospective Fan Club | Justin Balog | Fuji X-Pro1 | Scoop.it
Conclusion

If I could only choose one bag, it would be the 30. It isn’t much bigger in size, but it does make packing/accessing your gear a bit easier if you are rocking a DSLR or two bodies. However, if you are the mirrorless type (even with two bodies) the 7 would be my choice. My doctor says I’m 5′ 8.5″, but pride myself on being 5’9″ and all the bags fit me pretty good.....

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Fuji X100s... Dedicated To The Souls Lost In Flight MH17 | Streetshooter

Fuji X100s... Dedicated To The Souls Lost In Flight MH17 | Streetshooter | Fuji X-Pro1 | Scoop.it

Well, if your a regular follower of this blog, you’ve noticed that I haven’t posted too much in the last few weeks. No excuses either. No, I’ve been making some photos, not many but some. Nah. Not really sick, The VA with all the bad press, takes good care of me. We’ll i do have a passing but recurring illness. It’s a case of Igotlazytopostontheblogitis. Olivier was no help during this time of perpetual laziness. He just kept telling what needed to be done and the deadline. Ya know what I need from the world at this point of time is not photography and it’s not my intent to say everything is just a pretty picture. I am and have always been a CNN addict. That just means that I want to know what is going on in the world. The new effects me in different ways. For example, I am near to the Cold War in the Home front. Tanya and I don’t see eye to eye on the Ukrainian War. What does this have to do with photography? .....

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Fujifilm updates X-mount lens roadmap through end of 2015 | Digital Photography Review

Fujifilm updates X-mount lens roadmap through end of 2015 | Digital Photography Review | Fuji X-Pro1 | Scoop.it

FUJIFILM Corporation (President: Shigehiro Nakajima) is pleased to release an updated road map for X mount interchangeable lenses.

A large-diameter medium telephoto lens (the XF90mmF2.0R) features for the first time on the development road map for first half 2015. The next available lens will be the XF50-140mm F2.8 R OIS WR. Following on from the XF18-135mm lens, this will be Fujifilm’s second weather resistant lens designed to partner its X-T1 camera. Other updates to the road map include the previously announced “Ultra-wide angle lens” being confirmed as the “XF16mmF1.4 R” with a guide launch date of mid 2015. And the planned launch of the XF16-55mmF2.8 WR lens moving to Spring 2015 and the Super Tele-Photo Zoom lens to Winter 2015. Highly regarded for their outstanding image quality, resolution and well-built bodies, the unique X mount lens range now includes super-wide angle to super-telephoto range lenses and a large-diameter lens with rich bokeh and high resolution.......

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Fujifilm 27mm Review | David Cleland

Fujifilm 27mm Review | David Cleland | Fuji X-Pro1 | Scoop.it

I have been using the Fujifilm 27mm pancake lens for almost a year and I am yet to actually give the lens the attention or acknowledgement it deserves. The Fujifilm 27mm lens has in a sense, become my much loved ‘off duty’ lens, tending to be my go-to lens for general days out exploring. As one of Fujifilm’s least expensive lenses the 27mm is deserving of attention especially by those photographers who really want to travel light. During this year’s annual holiday I used just the X-T1 and 27mm to document days out to the beach, amusements, walks and outings, with the 27mm making the X-T1 feel more like the X100s in form factor but with the option of additional lenses. That said the Fujifilm X100s will always remain an exceptionally special camera in my mind. ....