Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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Suggested by Gene Lowinger onto Fuji X-Pro1
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More on the Fuji 18-55mm zoom lens | Gene Lowinger

More on the Fuji 18-55mm zoom lens | Gene Lowinger | Fuji X-Pro1 | Scoop.it


After reviewing my images from my outing on the streets of New York, one thing is very clear to me. I need more time with this lens to get my zoom/longer focal length chops back to snuff.

Drat it! I guess I'll just have to go out and shoot a lot more. Just to recap what I said yesterday: the focus speed is very good at 18mm and 35mm but a little slower (not by a big factor) at 55mm, the IOS (image stabilization) works extraordinarily well so that I can hand hold at 1/30th second and get good shots, I miss not having the aperture indications on the aperture ring but as this is a variable aperture lens (f2.8-f4) those indications would be meaningless, and the lens hood mounting leaves something to be desired in terms of a secure fit on the front of the lens.

The images below were shot RAW, processed minimally in Lightroom and then put through my workflow with NIK filters. The first two shots below were at a focal length of 18mm, f6.4, and 1/125th second. Since I keep my camera set on auto ISO it varies - the first shot was at ISO 5000 and the second at ISO 6400. In my film days an ISO of 6400 would have resulted in practically no definition in the small details. The first NIK processing is with Dfine to manage the contrast noise, then into Color Efex Pro 4 to optimize the color contrast with my special (wink wink) tweaks, and lastly into Silver Efex Pro 2 for the conversion also with my special (wink wink wink) tweaks.

In the first two images, the woman on the right was quite striking looking (nothing gets my camera finger more twitchy than a pretty lady) and yet so sad.....

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Take control sharpening in Photoshop | Digital-Photography-School

Take control sharpening in Photoshop | Digital-Photography-School | Fuji X-Pro1 | Scoop.it


Most people who have experimented in Photoshop, especially those who shoot in raw, will have some experience of trying to sharpen an image. Sharpening increases the contrast between neighbouring pixels resulting in the visual effect of a crisper image. It is typically the last processing step that should be performed on an image and is often used to enhance already well-focussed images or in desperation to try and rescue elements of a photograph that weren’t captured in-focus when the shutter was pressed. There are numerous ways to sharpen images in Photoshop, so much so that there is a whole sub-menu of filters dedicated to sharpening, each offering a different amount of control and different levels of success. However, one of the most overlooked filters that can help you achieve better results with more control isn’t found in the Sharpen sub-menu, but is in fact found in the, usefully named, Filter -> Other menu: the high pass filter. I’ll take you through a step-by-step guide to using high pass filter and hopefully show you how simple and effective image sharpening can be.....

 

The benefit of using this method to sharpen your images is that the sharpening effect is applied in a non-destructive fashion, on a duplicate layer, with a very simple to understand parameter (in the Radius value) that controls the magnitude of the sharpening, as well as giving you the ability to fine tune the final effect using the Opacity slider.

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