I drive 8 times a week through the Belgium countryside. Always the same road. This morning the fog was so beautiful I had to photograph it.
The Fuji X-pro1 is so small it is always with me. The 35mm did the rest. B&W conversion in Ligthroom.
Your new post is loading...
Your new post is loading...
Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro
Following Thomas Menk on Ello: https://ello.co/thomasmenk
Thomas Menk's insight:
Currently I'm putting Fuji's highly acclaimed X-T1 through its paces. It came with the standard 18-55 zoom but I have managed to borrow a remarkable little pancake, the 27mm f/2.8. I reckon it is just about the bee's knees when it comes to street photography. My first question, though, is how this combination compares with the lionised X100/S/T, the camera that started Fuji on to X series road in 2010. It seems incredible now that we have seen the X cameras spawn like crazy from such a simple beginning. But, more important, Fuji has launched perhaps the most comprehensive array of pro-quality lenses ever seen in such a short period. The X100 range with its 35mm-equivalent fixed focal length and ingenious hybrid viewfinder has rightly won its place high on the list of streettog desirables. This little Leica M3 lookalike is probably the most popular go-to camera for street enthusiasts......
Why it is that I've been using Olympus Pen F lenses on my wife's Fujifilm X-T1 is a subject for later: and a proper review. For now, it's enough to say I'm digging the experience. Very much. In fact, the above lens (horribly taken in the minute or so between shooting an Astell&Kern AK240 and Sony ZX1 for Mac Audio - you can even see its block -, it is a disgrace), hasn't left the camera. Neither has the slimline Kipon PEN-FX adapter. The 60/1,5 on the APS-C X-T1 works out pretty well like a 90/2,25 on film, or FF 35mm digital. And 90mm is, and always has been, a favourite of mine. In fact, I was chatting lenses with an audiophile mate of mine. He digs lenses in the ~35mm range on APS-C, or ~50mm on FF. I told him that if I had to choose only two lenses, it would be something around 28mm - 30mm on film on the wide end, and 90mm on the long end.
Thank you half-frame!.......
Reducing noise in a digital photo is a hot topic, particularly for photographers who frequently shoot at high ISOs. Even if you’re not a typical low light shooter, the temptation may arise with some of the newer digital cameras that offer incredibly high ISO speeds which still produce pretty pleasing images, even with noise. There are many factors that can produce noise in your images, and there are many ways to reduce or sometimes even avoid noise all together. This article in particular will highlight one post-processing trick to reduce noise using a third party plugin called Photo Ninja. Made by the folks over at PictureCode, Photo Ninja is a RAW converter for both Windows and Mac OS X computers. It uses a built-in browser to open most RAW file formats, as well as JPEG and TIFF images. It also integrates well with many photo browsing and editing applications including Adobe Photoshop and Lightroom. The plugin has been around since 2003 when it was launched under the name Noise Ninja. Today, the current product has expanded and is now known as Photo Ninja, and it offers a host of editing adjustments with its signature Noise Ninja 3.0 included........