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X-Pro RAW‘s: Silkypix Pro 5 vs. Lightroom | Mehrdad Abedi

X-Pro RAW‘s: Silkypix Pro 5 vs. Lightroom | Mehrdad Abedi | Fuji X-Pro1 | Scoop.it


Ich habe schon seit einiger Zeit meine Fuji x-pro1 und bin nach wie vor sehr begeistert von dieser Kamera. Ganz besonders interessant finde ich die kamerainterne jpg Engine. Ich bin mit meiner anderen Kamera (Canon 5D MkII) eigentlich ein absoluter RAW Shooter. Bei der x-pro1 allerdings habe ich aber aus zwei Gründen diese Angewohnheit abgelegt. Zum einen, weil die OOC jpgs so gut sind, dass sie so gut wie kaum eine Korrektur benötigen und man die tollen Fujifarben hat. Zum anderen, da es nur sehr wenige RAW Konverter gibt, welche mit den x-pro1/x-e1 RAW‘s umgehen können. Mir sind im Grunde nur drei bekannt: Lightroom 4, Raw Photo Processor (RPP) und Silkypix. Letzterer ist der x-pro1 im Lieferumfang in Version 3 mit beigefügt. RPP habe ich einmal zum Testen geöffnet, aber ich finde es sehr kompliziert oder besser sehr benutzerunfreundlich, und das Ergebnis, das ich herausbekam, war hässlich. Muss freilich nicht für jeden gelten, ich für meinen Teil habe den aber wieder von der Festplatte geschmissen. Lightroom ist ein alter und sehr guter Bekannter von mir. Ich bin absolut überzeugter Lightroom Benutzer. Auch wenn ich Lightroom schätze, so kann man nicht von der Hand weisen, dass Lightroom die x-pro RAW‘s beim Schärfen nicht sauber verarbeitet. Es kommt zu aquarellartigen Konturen. Bei Silkypix ist dies nicht so. Silkypix schärft sauber ohne aquarellartigen Konturen. Das war einer der Hauptgründe für mich, warum ich mir diesen RAW-Konverter denn genauer anschauen wollte. Silkypix Pro 5 gibt es für Mac und Windows Rechner und es lässt sich eine 30 Tage Testversion auf der Homepage des Herstellers herunterladen. Die Version 5 kommt etwas benutzerfreundlicher und mit mehr Einstellmöglichkeiten als die der Kamera beiliegende Version daher. Im Gegensatz zu Lightroom benötigt Silkypix aber zwingend eine längere Einarbeitungsphase. Viele Entwicklungsfunktionen sind nicht gleich offensichtlich. Es gibt ferner eine Vielzahl von (Vor-)Einstellungen, um Silkypix seinem gewohnten/gewünschtem Workflow anzupassen. Hier bin ich noch am rumexperimentieren.....

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

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Thomas Menk's comment, June 12, 2013 11:54 AM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 7:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 6:42 AM

Great stuff from an  X Photographer 

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Full Review of the Fuji XF 18-135mm Weather Sealed Lens | Dan Bailey

Full Review of the Fuji XF 18-135mm Weather Sealed Lens | Dan Bailey | Fuji X-Pro1 | Scoop.it

A few weeks ago, I posted a first look review of the new XF18-135mm f/3.5-5.6 OIS WR lens, which is Fujifilm’s first weather resistant lens.  Although it can be used on any X-Series camera body, the 18-135 was designed in conjunction with the rugged, weather sealed X-T1, and it lets you shoot in out in the elements without having to worry about rain, heavy snow, water splashes or the spray from waterfalls getting inside your lens. In addition to the 20 points of weather sealing which have been incorporated into the barrel, the 18-135 also features a special ventilation system that helps prevent dust from being sucked into the lens when you zoom in and out. This is a really nice addition, because if you shoot in dusty conditions long enough, you’ll eventually see some of that dust work it’s way inside your lens. Believe me........

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Fujifilm X-E1 + Photo Ninja = Awesome | Thomas Fitzgerald

Fujifilm X-E1 + Photo Ninja = Awesome | Thomas Fitzgerald | Fuji X-Pro1 | Scoop.it

As many of my long time readers know I’ve spent quite a bit of time going back and forward between different raw converters trying to get the best out of Fuji’s X-Trans files. While I use Lightroom as my main photo management and digital darkroom application, I’ve found that whet it comes to images from Fuji’s cameras you can get better results from a third party converter. In the past I’ve looked at both Iridient Developer and Photo Ninja, and for a while I preferred Iridient Developer. Lately, I’ve been giving Photo Ninja another workout, and after using it for a while now, and having come up with some new default sharpening settings, I’m absolutely loving the results I’m getting.......

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X-to-iPad workflow | Don Craig

X-to-iPad workflow | Don Craig | Fuji X-Pro1 | Scoop.it

While I have been able to do all of these things in one way or another, I have not been able to do it seamlessly nor have I continued to attempt some of these things with the current apps available. By default, the iPad Photos app works because it is the mechanism through which photos are imported. It is possible to avoid using the Photos app, but I haven’t found a way to avoid it completely, so I use it. When I first connect a SD card to the card reader, I import the photos to my iPad with this app. One reason that I do like using it is because the file name remains unchanged when importing this way. That is not the case with some import mechanisms. I have abandoned tethered shooting with the iPad, for now…

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The 'Unbearable' Lightness of Fuji X Series | Tewfic El-Sawy

The 'Unbearable' Lightness of Fuji X Series | Tewfic El-Sawy | Fuji X-Pro1 | Scoop.it

This trip is something of an important chapter in my timeline as a travel photographer, as it'll be the first time that I leave my heavyweight DSLRs home. I've traveled before with just a Leica M9 and the Fuji X Pro-1 (as to Guatemala last month), but this is the first photo expedition-workshop that sees me DSLR-less. I've tested the Fuji X-T1, the new addition to this group of non DSLR tools, in the streets of New York City and over the past two weeks, found it reliable and responsive, and I believe it'll perform well in replacing my aging Canon 5 Mark II. The Fuji X-T1 has its drawbacks and quirks, but from my past experience with the X Pro-1, these are mostly caused by my being unfamiliar with its minor idiosyncrasies......

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Up Close? | X-Pro1 | Fuji XF 35/1.4 & Raynox +8 | Rob Lowe

Up Close? | X-Pro1 | Fuji XF 35/1.4 & Raynox +8 | Rob Lowe | Fuji X-Pro1 | Scoop.it

If you shoot any of Fuji’s interchangeable lens, X-System bodies and are keen to shoot macros and close-ups, there is really only one option if you are looking to buy an XF macro lens; obviously, that’s the XF 60mm 2.4 R Macro lens. Personally, I know that lens pretty well and I have in the past eighteen months, shot a lot of macro images with it. It’s wonderful in rendition, clarity, size and usability (even if it does hunt, somewhat noisily, at closer focus distances). Furthermore, it’s a relatively inexpensive lens nowadays. Another option would be to purchase a set of extension tubes, adding a bit more bulk in your bag. However, what to do if you don’t want / can’t afford to – shell out £349+ for the 60mm 2.4? There is another option, besides tubes, worth considering........

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Fujifilm X30: First Look | Pixelogist.me

Fujifilm X30: First Look | Pixelogist.me | Fuji X-Pro1 | Scoop.it

Yes, that’s the Fujifilm X30. Not a bad upgrade, and not something to make you jump around your room in excitement either. To me, it’s the X20 with an EVF. Nothing more. The few improvements, like the rotating (and clearer) LCD and the new control ring, will make a difference, and make it a nicer camera to use than the X20, but it’s still the same thing at heart. Not that this is a bad thing. The X20 is a very good camera to begin with. And having the same camera with a very high-quality EVF is a nice prospect indeed. But the market having cameras like the RX100 III, with the same kind of EVF, and a much larger sensor, and (in my opinion) a better AF system, in a significantly smaller body, Fujifilm needed to upgrade the core of the X20 to give us something new. A newer sensor – a larger one, at that – or a smaller body, or even a faster lens. Something of that sort. And not simply the same camera with an extra feature or two. For the first time since the X10 came out, I’m a bit disappointed with a new Fujifilm X-series model. Oh well........

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Rebecca Lily's new Pro Set | Jakob

Rebecca Lily's new Pro Set | Jakob | Fuji X-Pro1 | Scoop.it

I am a preset guy. With two kids and two jobs, I am a big fan of anything that can speed up my workflow. I own the VSCO suite, Replichrome 1 & 2, AlienSkin’s Exposure and Red Leaf’s film emulsions. Being a heavy preset user, I welcomed the opportunity to test drive Rebecca Lily's New Pro Set. I am a big fan of her work and absolutely love her “look”…in particular her colors. It’s easy to spot her signature colors in her new Pro Set. I randomly chose a wedding from my archives and had a lot of fun playing with different color schemes. I quickly realized this might take a while because so many of her presets worked so well. So instead of identifying one preset for the batch which I normally would do, I used quite a few of them to show their versatility .....

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Hands On Review: Fujifilm X-E2 + Fujifilm 18-55mm F2.8-4 R LM OIS | Antonio Jorge Nunes

Hands On Review: Fujifilm X-E2 + Fujifilm 18-55mm F2.8-4 R LM OIS | Antonio Jorge Nunes | Fuji X-Pro1 | Scoop.it

I just got my hands on a Fuji X-E2 kit with the Fuji XF 18-55 F2.8-4 OIS lens. As a longtime DSLR user, I’ve been skeptical about the mirrorless systems’ capabilities. I’ve tried a fair number of top compact cameras, but the results were always