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FujiFilm RAF/RAW Process Interactive Comparison | Terrance Lam

FujiFilm RAF/RAW Process Interactive Comparison | Terrance Lam | Fuji X-Pro1 | Scoop.it

 

Just a small follow up on all the RAW experimentation I've been doing with the FujiFilm X-Pro1 RAF files. Here's an interactive mouseover table to see the differences. Areas too look for are in the wood grain (you'll see a lot of colour or chroma noise in the different examples), Smearing of details (look at the texture of the walls to see how it gets smeared and creates the water colour effect), Aliasing issues (look on hard contrast edges to see a zipper aliasing effect), and lastly loss of details (in the red brick you'll see the various levels of details in the pores of the brick).

 

Some quick comments:

DCRAW 9.16: Gives the highest details, however has aliasing artifacts. Some chroma noise (even after filtering). Command line prompt only. Requires some technical know how. I use VNG interpolation and 15 pass median filtering.

 

1/2 Median: Is the filtering I apply to DCRAW to combat the aliasing artifacts. Requires a program that has Median filtering, and very process intensive.

 

Raw Photo Processor (RPP 4.7): Utilizes DCRAW and acts as front end. Works very well for details, but aliasing and chroma noise is high. My technique of 15 passes of median averaging in DCRAW clears up more chroma noise than what is produced by this program.

 

Graphic Converter (Patched): Patched with DCRAW 9.16 gives very similar results to RPP however this program is much friendlier to use than RPP and has some real nice post processing options. Could almost be used as an all in one solution.

 

In Camera JPG: The default standard. Still exhibits some detail smearing compared to something like DCRAW output, but has no aliasing or chroma noise artifacts.

 

SilkPix Developer Pro 5: The software that is part of Fuji's RAW processing uses an older SilkyPix engine. This current version is very clean however does show some chroma smearing (look at the green colour that appears under the window ledge and the loss of other colours). Shows very little chroma noise and no real aliasing errors. Very clean output and slightly softer than raw DCRAW output, but lot less aliasing even over the 1/2 Pixel Median filter. I would highly recommend this option if it weren't for the fact that the cost of the software is pretty high.

 

FujiFilm Raw File Converter: This software bundled with the camera uses an older SilkyPix engine. It does a pretty good job, but the interface is very difficult to use and understand. Compared to the latests version of SilkPix it exhibits chroma noise and some detail smearing.

 

Lightroom 4.3: Has low amounts of chroma noise, but very heavy detail smearing. Loss of details but no aliasing artifacts. Even at 100% it's hard to see the 'Watercolour' effect if you don't know what to look for. I suspect a very heavy pre-demosaic median filter and bicubic interpolation algorithm is the cause of the issues. However it's still one of the easiest to use, and if you can handle some of the image quality loss, most likely won't notice the detail loss.

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1/X-Pro2, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





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Curated by official Fujifilm X-Photographer Thomas Menk

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Thomas Menk's comment, June 12, 2013 11:54 AM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 7:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 6:42 AM

Great stuff from an  X Photographer 

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Fuji X100s... Dedicated To The Souls Lost In Flight MH17 | Streetshooter

Fuji X100s... Dedicated To The Souls Lost In Flight MH17 | Streetshooter | Fuji X-Pro1 | Scoop.it

Well, if your a regular follower of this blog, you’ve noticed that I haven’t posted too much in the last few weeks. No excuses either. No, I’ve been making some photos, not many but some. Nah. Not really sick, The VA with all the bad press, takes good care of me. We’ll i do have a passing but recurring illness. It’s a case of Igotlazytopostontheblogitis. Olivier was no help during this time of perpetual laziness. He just kept telling what needed to be done and the deadline. Ya know what I need from the world at this point of time is not photography and it’s not my intent to say everything is just a pretty picture. I am and have always been a CNN addict. That just means that I want to know what is going on in the world. The new effects me in different ways. For example, I am near to the Cold War in the Home front. Tanya and I don’t see eye to eye on the Ukrainian War. What does this have to do with photography? .....

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Fujifilm updates X-mount lens roadmap through end of 2015 | Digital Photography Review

Fujifilm updates X-mount lens roadmap through end of 2015 | Digital Photography Review | Fuji X-Pro1 | Scoop.it

FUJIFILM Corporation (President: Shigehiro Nakajima) is pleased to release an updated road map for X mount interchangeable lenses.

A large-diameter medium telephoto lens (the XF90mmF2.0R) features for the first time on the development road map for first half 2015. The next available lens will be the XF50-140mm F2.8 R OIS WR. Following on from the XF18-135mm lens, this will be Fujifilm’s second weather resistant lens designed to partner its X-T1 camera. Other updates to the road map include the previously announced “Ultra-wide angle lens” being confirmed as the “XF16mmF1.4 R” with a guide launch date of mid 2015. And the planned launch of the XF16-55mmF2.8 WR lens moving to Spring 2015 and the Super Tele-Photo Zoom lens to Winter 2015. Highly regarded for their outstanding image quality, resolution and well-built bodies, the unique X mount lens range now includes super-wide angle to super-telephoto range lenses and a large-diameter lens with rich bokeh and high resolution.......

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Fujifilm 27mm Review | David Cleland

Fujifilm 27mm Review | David Cleland | Fuji X-Pro1 | Scoop.it

I have been using the Fujifilm 27mm pancake lens for almost a year and I am yet to actually give the lens the attention or acknowledgement it deserves. The Fujifilm 27mm lens has in a sense, become my much loved ‘off duty’ lens, tending to be my go-to lens for general days out exploring. As one of Fujifilm’s least expensive lenses the 27mm is deserving of attention especially by those photographers who really want to travel light. During this year’s annual holiday I used just the X-T1 and 27mm to document days out to the beach, amusements, walks and outings, with the 27mm making the X-T1 feel more like the X100s in form factor but with the option of additional lenses. That said the Fujifilm X100s will always remain an exceptionally special camera in my mind. ....

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Fuji TCL-X100 review Part 1 | Thomas Alan

Fuji TCL-X100 review Part 1 | Thomas Alan | Fuji X-Pro1 | Scoop.it

For the record, the studio is possibly one of the worst environments to test and judge the TCL-X100, but it’s where I needed to use it, so take the following with a grain of salt if you have no intentions of using yours in this environment. I’m not a pixel peeper, and you won’t see any charts, graphs, or fancy, mathematical, technical terms here. I judge gear by how easy or difficult it is to work with in the field, and the image results I get. I’m a touchy, feely kind of shooter who loves a piece of gear or an image if it feels right. First, a little backstory on why I purchased the TCL. I’ve been using the x100 now for three years. Initially I purchased the x100 for shooting street. Almost immediately the small camera that could became my favorite camera ever. I love the fast, bright f2.0 35mm equivalent lens, and have never really had issues with it being fixed. In fact, not being able to change lenses has been more of a blessing than a curse. I also own a X-Pro1 that I use for street and studio work. Recently, while working on a long-term portrait project, my 60mm lens on my X-Pro1 started having focusing issues and I was forced to send it in for repair.....


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Fujifilm Fujinon XF 56mm F1.2 R Lens Review | Patrick Leong

Fujifilm Fujinon XF 56mm F1.2 R Lens Review | Patrick Leong | Fuji X-Pro1 | Scoop.it

A fast short-tele portrait lens is a “must-have” for many photographers, especially for those in the wedding and portrait industry yet for a long time, it was missing in the Fuji X Series lineup.  There are third party versions, and there’s also the sharp, compact XF 60mm F2.4 but nothing made by Fuji, below the F2.0 range.  As of spring 2014, that changed with the release of the XF 56mm F1.2 R lens, an optic that many have been patiently waiting for.  With the crop factor taken into account, the 56mm F1.2 is approximately an 84mm equivalent, which is a preferred focal length for many portrait and wedding photographers.  Its fast aperture is also prized in this type of lens both for available light photography and for creating beautiful shallow depth of field or as some refer to as “bokeh”.  So far, the details sound promising but does the XF 56mm F1.2 really cut it?  Is it worth its asking price of $999.00?  Was it worth the wait?  Let’s find out......

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Kara Woodward's curator insight, July 23, 10:57 AM

I like this blog... and this lens

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Zeiss 50mm touit for Fuji X usage report | Serious Compacts Forum

Zeiss 50mm touit for Fuji X usage report | Serious Compacts Forum | Fuji X-Pro1 | Scoop.it

After posting some initial impressions the time has come for a second report. I’ve taken about 120 shots with the Zeiss 50mm Touit for some time with the Fuji X-T1 and the lens growing on me. In assessing a lens, I am not really into MTF-charts and detailed comparisons (although I read them). Others are better in doing that. My basic criterium is “do I like the lens”. To be a bit more specific: is it sharp enough? is it responsive enough? Is it comfortable to hold and use? Does it help convey what I’m trying to capture? Does the lens help me avoid (a lot of) PP? Think about color “accuracy”, vignetting, CA, etc........

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Capturing Croyde and Lundy Island with the XF10-24mm & X-E2 combo | Dale Young

Capturing Croyde and Lundy Island with the XF10-24mm & X-E2 combo | Dale Young | Fuji X-Pro1 | Scoop.it

As you may or may not know the XF35mm is my ‘everyday’ lens but when it comes to landscape photography the XF10-24mm is my next ‘must-have’ lens. I used to use the XF14mm lens – which by the way is superb, but I’ve realised that I just cannot get enough of that ultra-wide 10mm setting. I have only been delving into the landscape photography world of late and am still very much finding my feet. When looking back through my landscapes I have noticed that I clearly love the slightly stranger viewpoints, mainly from a wide-angle, ground-up perspective. It may be that the world is just more interesting down there!? .....

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Fuji X Pro 1 | Steve Coleman

Fuji X Pro 1 | Steve Coleman | Fuji X-Pro1 | Scoop.it

So what camera should I use for street photography? Well… thats like asking what car should I use to go shopping in! The easy answer of course is any camera, though there is no doubt in mind that different cameras give different experiences, which in turn can be the difference between enjoying the experience or feeling like your trying to take pictures wearing boxing gloves. At this point I should say I’m attaching some pictures with this post, not to demonstrate anything I’m about to say, you can see the technical quality of my pictures as they’re all taken with the Pro 1, this post is about the camera as more than positive EV or how fast it can auto focus. This post has nothing to do with the cameras technicalities. It has taken me 3 attempts to find what I consider to be the perfect camera for my needs, though I am still searching and looking for different ways to indulge in street photography. So where an I at the moment? Well I’m currently shacked up with the Fuji X Pro1. In my humble opinion the closest thing you’ll get to the classic rangefinder style that seems so engrained and used by photographers worldwide when shooting street style........

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Long lens love affair - Fuji X-T1 and the 55-200 | Andy Gallacher

Long lens love affair - Fuji X-T1 and the 55-200 | Andy Gallacher | Fuji X-Pro1 | Scoop.it

It was those numbers that initially put me off buying the Fuji XF 55-200 lens. I'd worked a lot with the Canon 70-200 MkII previously and with a constant f/2.8 aperture surely this lighter and much cheaper Fuji couldn't compare? The purchase was made back when I still had the X-Pro1 and a trip to the Galapagos Islands in Ecuador was booked. In the end it was the 55-200 that made it a memorable visit. The lens, which felt