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FujiFilm RAF/RAW Process Interactive Comparison | Terrance Lam

FujiFilm RAF/RAW Process Interactive Comparison | Terrance Lam | Fuji X-Pro1 | Scoop.it

 

Just a small follow up on all the RAW experimentation I've been doing with the FujiFilm X-Pro1 RAF files. Here's an interactive mouseover table to see the differences. Areas too look for are in the wood grain (you'll see a lot of colour or chroma noise in the different examples), Smearing of details (look at the texture of the walls to see how it gets smeared and creates the water colour effect), Aliasing issues (look on hard contrast edges to see a zipper aliasing effect), and lastly loss of details (in the red brick you'll see the various levels of details in the pores of the brick).

 

Some quick comments:

DCRAW 9.16: Gives the highest details, however has aliasing artifacts. Some chroma noise (even after filtering). Command line prompt only. Requires some technical know how. I use VNG interpolation and 15 pass median filtering.

 

1/2 Median: Is the filtering I apply to DCRAW to combat the aliasing artifacts. Requires a program that has Median filtering, and very process intensive.

 

Raw Photo Processor (RPP 4.7): Utilizes DCRAW and acts as front end. Works very well for details, but aliasing and chroma noise is high. My technique of 15 passes of median averaging in DCRAW clears up more chroma noise than what is produced by this program.

 

Graphic Converter (Patched): Patched with DCRAW 9.16 gives very similar results to RPP however this program is much friendlier to use than RPP and has some real nice post processing options. Could almost be used as an all in one solution.

 

In Camera JPG: The default standard. Still exhibits some detail smearing compared to something like DCRAW output, but has no aliasing or chroma noise artifacts.

 

SilkPix Developer Pro 5: The software that is part of Fuji's RAW processing uses an older SilkyPix engine. This current version is very clean however does show some chroma smearing (look at the green colour that appears under the window ledge and the loss of other colours). Shows very little chroma noise and no real aliasing errors. Very clean output and slightly softer than raw DCRAW output, but lot less aliasing even over the 1/2 Pixel Median filter. I would highly recommend this option if it weren't for the fact that the cost of the software is pretty high.

 

FujiFilm Raw File Converter: This software bundled with the camera uses an older SilkyPix engine. It does a pretty good job, but the interface is very difficult to use and understand. Compared to the latests version of SilkPix it exhibits chroma noise and some detail smearing.

 

Lightroom 4.3: Has low amounts of chroma noise, but very heavy detail smearing. Loss of details but no aliasing artifacts. Even at 100% it's hard to see the 'Watercolour' effect if you don't know what to look for. I suspect a very heavy pre-demosaic median filter and bicubic interpolation algorithm is the cause of the issues. However it's still one of the easiest to use, and if you can handle some of the image quality loss, most likely won't notice the detail loss.

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

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If you would like to support my work - you can do that via Flattr.

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Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

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Field testing the Fuji X-T1 | GREG FUNNELL

Field testing the Fuji X-T1 | GREG FUNNELL | Fuji X-Pro1 | Scoop.it
I've spoken before about my love for the Fujifilm x-series cameras. The idea of having a camera that produces good enough quality and usability without having to lug around DSLR really appeals to me, whether for day to day stuff or even on jobs. You can read my thoughts on the x100s and X-Pro1 here. Although I love them as cameras to use day to day I probably wouldn't be comfortable shooting a commercial gig exclusively on them. I tend to keep them as back-up and also as something to use for myself. However when the Fuji X-T1 came out I was excited that it could be a potentially great set-up for traveling with and shooting editorial assignments - it was much closer to the DSLR setup I'm used to using but without the bulk. With this in mind I decided to take one away with me on some recent assignments to Croatia, Spain, Morocco and Sweden. I already own some x-series lenses (18mm, 35mm) and I was lent a few extra ones (27mm, 56mm, 18-55mm, 23mm) which gave me a fairly thorough set-up........
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Photokina 2014: Hands-On with the XF 50-140mm f/2.8, XF 56mm f/1.2 APD and more | MirrorLessons

Photokina 2014: Hands-On with the XF 50-140mm f/2.8, XF 56mm f/1.2 APD and more | MirrorLessons | Fuji X-Pro1 | Scoop.it

Fujifilm is taking an important step with the new lenses it recently announced, and with the lenses that will come in 2015. We are not talking about small and compact lenses but professional lenses with a complex design that can give you the best image quality while keeping size and weight as low as possible. I think that the presence of these lenses is certainly going to help the system take a big leap forward, but many users have also started to wonder whether one of the most interesting aspects of the CSC camera, portability, is at risk......

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Photokina 2014: Hands-On with the new Fujifilm X100T, X30 and X-T1 Graphite Silver | MirrorLessons

Photokina 2014: Hands-On with the new Fujifilm X100T, X30 and X-T1 Graphite Silver | MirrorLessons | Fuji X-Pro1 | Scoop.it

Our first day at Photokina has been very exciting. After starting the day by interviewing three Senior Managers from Sony Japan, we went to the Fujifilm media session to discover the latest products announced a few days before the start of the event. After the presentation held by several managers from Fujifilm Japan, my heart naturally directed me towards the new X100T. Its predecessor is my favourite X camera to date and the first thing I wanted to check is whether that great feeling I had the first time I held it could be improved with this new version......

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Iceland | Jonas Jacobsson

Iceland | Jonas Jacobsson | Fuji X-Pro1 | Scoop.it

As of now I have also published my album here on my portfolio page with “just” the images, if you prefer that. There are some different content in my Exposure story compared to my album here. Head over to the album to see all the images. As usual I have ordered the images in chronological order, so make sure to get all the way and not miss any great shots!......

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Hands-on: Fujifilm X100T review: New viewfinder features make for best X100 model yet | Pocket-lint

Hands-on: Fujifilm X100T review: New viewfinder features make for best X100 model yet | Pocket-lint | Fuji X-Pro1 | Scoop.it

If you're unfamiliar with the X100 series then get prepared to geek out. If you already know all about it then get prepared to be blown away by the Fujifilm X100T - because it's the best X100 model yet. The reason is simple: the X100T brings an updated viewfinder, complete with parallax correction in manual focus and what the company is calling an "electronic rangefinder" feature too. And it's utterly brilliant. In terms of build, the X100T is the same fine example of craftsmanship as the previous X100S and original X100 models. There's not much we can say to better our previous thoughts on that - this silver-colour, magnesium alloy construction is solid in both visual and physical terms. If, that is, you like retro styling and the old school of thought when shooting, because the X100T has manual control dials and a fixed 23mm (which is a 35mm equivalent) f/2.0 aperture lens. No zoom to be found here. That's a staple of the X100 series though and it restricts working practice in a kind of beautiful way. The quality is the same tried and tested optical performance as in its predecessors, as is the APS-C sized 16-megapixel X-Trans II CMOS sensor......

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Benkirane Nabil's comment, September 17, 3:04 PM
nice
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The Fuji switch part II: Weddings… | Ben Jacobsen

The Fuji switch part II: Weddings… | Ben Jacobsen | Fuji X-Pro1 | Scoop.it

Welcome to the second part of my fuji X-T1 camera review.  This post will focus primarily on how the X-T1 performs while shooting weddings.  Part I of the review (which focuses on landscape photography) is here.  I broke the review up into two sections because the two genres are quite different and I figured it’d be nice to have two shorter reviews that are more specific to what people might want to read.  First off, let me explain that I’m NOT a full time wedding photographer.  I never have been and don’t plan to be anytime soon.  I’ve been a second shooter for some friends of mine for the last three summers which is a role I r