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FujiFilm RAF/RAW Process Interactive Comparison | Terrance Lam

FujiFilm RAF/RAW Process Interactive Comparison | Terrance Lam | Fuji X-Pro1 | Scoop.it

 

Just a small follow up on all the RAW experimentation I've been doing with the FujiFilm X-Pro1 RAF files. Here's an interactive mouseover table to see the differences. Areas too look for are in the wood grain (you'll see a lot of colour or chroma noise in the different examples), Smearing of details (look at the texture of the walls to see how it gets smeared and creates the water colour effect), Aliasing issues (look on hard contrast edges to see a zipper aliasing effect), and lastly loss of details (in the red brick you'll see the various levels of details in the pores of the brick).

 

Some quick comments:

DCRAW 9.16: Gives the highest details, however has aliasing artifacts. Some chroma noise (even after filtering). Command line prompt only. Requires some technical know how. I use VNG interpolation and 15 pass median filtering.

 

1/2 Median: Is the filtering I apply to DCRAW to combat the aliasing artifacts. Requires a program that has Median filtering, and very process intensive.

 

Raw Photo Processor (RPP 4.7): Utilizes DCRAW and acts as front end. Works very well for details, but aliasing and chroma noise is high. My technique of 15 passes of median averaging in DCRAW clears up more chroma noise than what is produced by this program.

 

Graphic Converter (Patched): Patched with DCRAW 9.16 gives very similar results to RPP however this program is much friendlier to use than RPP and has some real nice post processing options. Could almost be used as an all in one solution.

 

In Camera JPG: The default standard. Still exhibits some detail smearing compared to something like DCRAW output, but has no aliasing or chroma noise artifacts.

 

SilkPix Developer Pro 5: The software that is part of Fuji's RAW processing uses an older SilkyPix engine. This current version is very clean however does show some chroma smearing (look at the green colour that appears under the window ledge and the loss of other colours). Shows very little chroma noise and no real aliasing errors. Very clean output and slightly softer than raw DCRAW output, but lot less aliasing even over the 1/2 Pixel Median filter. I would highly recommend this option if it weren't for the fact that the cost of the software is pretty high.

 

FujiFilm Raw File Converter: This software bundled with the camera uses an older SilkyPix engine. It does a pretty good job, but the interface is very difficult to use and understand. Compared to the latests version of SilkPix it exhibits chroma noise and some detail smearing.

 

Lightroom 4.3: Has low amounts of chroma noise, but very heavy detail smearing. Loss of details but no aliasing artifacts. Even at 100% it's hard to see the 'Watercolour' effect if you don't know what to look for. I suspect a very heavy pre-demosaic median filter and bicubic interpolation algorithm is the cause of the issues. However it's still one of the easiest to use, and if you can handle some of the image quality loss, most likely won't notice the detail loss.

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

Thomas Menk's insight:


If you would like to support my work - you can do that via Flattr.

Thank you :-)


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Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

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The Fuji switch part II: Weddings… | Ben Jacobsen

The Fuji switch part II: Weddings… | Ben Jacobsen | Fuji X-Pro1 | Scoop.it

Welcome to the second part of my fuji X-T1 camera review.  This post will focus primarily on how the X-T1 performs while shooting weddings.  Part I of the review (which focuses on landscape photography) is here.  I broke the review up into two sections because the two genres are quite different and I figured it’d be nice to have two shorter reviews that are more specific to what people might want to read.  First off, let me explain that I’m NOT a full time wedding photographer.  I never have been and don’t plan to be anytime soon.  I’ve been a second shooter for some friends of mine for the last three summers which is a role I really enjoy.  I’ve also had the pleasure of shooting a few weddings for close friends and I always bring my kit along to weddings I’m invited to (that’s where the above image came from).  Because I’m a second shooter I’ve been asked not to share any images from my most recent wedding until the primary photographers wrap up their blog post…   So this image won’t have a ton of images in it for a few more weeks.  For that I apologize but I figured I’d get my thoughts written down now while they’re fresh.


Thomas Menk's insight:

Part1: http://www.benjacobsenphoto.com/2014/photography/the-fuji-switch-part-i-landscapes/


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T-Minus Cologne | Patrick La Roque

T-Minus Cologne | Patrick La Roque | Fuji X-Pro1 | Scoop.it

We’re almost there: tomorrow at 18h55 we fly to Frankfurt. Then it’s a train to Cologne and the adventure begins. I’d love to say everything’s packed and ready…. Sure… Like that’s how life works with three young kids in the house. But we’re getting there. Below is THE KIT: X100S with the wide and tele converters. I debated taking the X-T1 for a few hours, just enough time to realize I was reverting to exactly the same reflexes the X100 had liberated me from three years ago. Which lens do I take? This? No, that? No. Way. The reason I have the converters is because Fujifilm Canada is loaning them to me along with the X100S itself — I still have the X100 and they were nice enough to let me borrow this one for the duration of our trip. As much as I still love the original X100 there’s been quite a jump in performance since its release and I’m rather used to this by now. The X-T1 does tend to spoil a guy. The old X100 is fine for quick outings but Cologne, Venice and Rome? I might've regretted my choice along the way (even though I know the images would’ve been great).......



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LNDNWLK 2.0 – Taking online friendships offline | MirrorLessons

LNDNWLK 2.0 – Taking online friendships offline | MirrorLessons | Fuji X-Pro1 | Scoop.it

Too many times have I heard the complaint that social media, despite the connotation of its name, has rendered us more antisocial than ever before. Locked away in our rooms, we chat with individuals who play no part in our actual day-to-day existence, tricking ourselves into believing that our social life is much richer than it actually is. This is why Mathieu and I are both firm believers that the “social media cycle” isn’t complete until online relationships are taken offline. As friendly as you can become with people via a social platform such as Twitter or Google+, there is nothing quite comparable to meeting someone face-to-face......


The Netherlands, Germany, Italy, Spain, Ireland, the USA, Canada and the UK–eight nations enjoying one another’s company under one roof in the cosmopolitan city of London, all thanks to relationships being taken from the superficial online realm to the geniune offline world. This is the true definition of social media, and the spirit with which LNDNWLK came into being........

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La Ferme | XF 56mm APD | Patrick La Roque

La Ferme | XF 56mm APD | Patrick La Roque | Fuji X-Pro1 | Scoop.it

These are tentative steps, her first away from us; away from home. We spend a few hours moving in, exploring every nook and cranny, sharing her joy and excitement. But when the time comes for us leave... All that freedom becomes harder to bear. We walk away through tears and it's hard but we know it'll pass. A week from now, when we come back, she'll barely say hello — too busy with her newfound friends. Letting go is the toughest necessary thing we do......



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Benkirane Nabil's comment, September 11, 2:38 PM
nice picture
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Get Lost In Stockholm | Ivo Scholz

Get Lost In Stockholm | Ivo Scholz | Fuji X-Pro1 | Scoop.it

For what it's worth, there seems to be something special about cities at the sea. They all have one more thing to offer I guess. I remember the feeling from other cities like San Francisco, Barcelona, Cagliari or Amsterdam. And now, the city alloted on 14 islands as well. The salty taste of the ocean was the first thing I sensed when arriving at Stockholm. It was hotter than the average August day. It felt good. Like a gorgeous summer day. The city was busy on that Friday afternoon. Almost like it couldn't wait for the weekend to start. It didn't take us long to feel the city. To sense its flow. Its people and its beauty. Stockholm seemed to be an open and friendly place. It smiled at us from the very beginning. Everyone was helpful and open........

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My thoughts on the WR 18-135 lens | Jonas Jacobsson

My thoughts on the WR 18-135 lens | Jonas Jacobsson | Fuji X-Pro1 | Scoop.it

As some of you know already I got the opportunity to test out the latest Fujinon lens for the X-series during my trip to Iceland. Fujifilm Nordicwas kind enough to send me a sample of this weather sealed lens for me to make use of during this trip and see what it could go for. Iceland is (in)famously known for having extremely changing weather so it ought to be a great chance to test how well the weather sealing worked along with my X-T1. Generally I prefer prime lenses and that’s what I work with 95% of the time, much because I don’t like to compromise with focal length or with quality. I like having to move to get the right framing, and it has taught me a lot during the years. And as we all are familiar with the pure photographic quality of the photos will always be better with a prime lens. That being said, there are obviously moments when it’s really convenient with a zoom lens. Especially for traveling. Being able to walk around with just one lens that covers a wide range of focal lengths is very practical, both from not having to change lenses or carrying heavy bags with complimentary lenses because you can’t decide on which one to go with......