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Scooped by
Thomas Menk
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Sample Shots from Montana
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Scooped by
Thomas Menk
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Here is the angle of view comparison you guys asked for Fujinon XF 14mm, Fujinon XF 18mm, Fujinon XF 35mm.
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Scooped by
Thomas Menk
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The September-October period is my favourite time of the year for photography. It is the time when the summer “blue skies” days are over and instead you begin to encounter morning fog, stormy skies and the sun trying to find a space to get through. Recently, I was driving my son home from his late-afternoon activity. The conditions outside were plain horrible – dull light and never-ending rain (it is Vancouver, after all) – the kind of afternoon when you wished you had stayed home. As we were driving I noticed a sudden clearing from the west accompanied by fog and misty air. I quickly parked near Rocky Point Park in Port Moody and took out my Fuji X-Pro1. As I started walking toward the pier I couldn’t believe my eyes. The dark rainy clouds had turned into a beautifully coloured mosaic. Fog was flowing above the water and naturally diffused golden rays accompanied the park lanterns, which were just turning on.In this magical moment I shot about 15 images, each of them without a tripod. In a few minutes it had all disappeared. The openings in the clouds closed and the rain started. Once again, one of my favourite images was taken unexpectedly. All shots were taken with the Fuji X-Pro1, Fujinon XF 18mm F2 and processed in Lightroom 4.
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Scooped by
Thomas Menk
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Today, despite the crazy weather I decided to head out to catch a bit of seascape photography in Swanage, Dorset at Peveril Point. I wanted to try using three different lenses to create three different shots of the same piece of coastline.Firstly I tried the Fujifilm 18mm lens, set to f/11 with a B+W 10 stop ND filter to create that classic creamy sea effect. I set the camera up on a tripod, in manual mode with a shutter speed of 8 seconds. When I was happy with this shot, I then tried to make the rocks in the water more of the main feature of the photograph so I switched to the Fujifilm 35mm lens, to compress the foreground and background and to fill more of the frame with the rocks. I also switched to a portrait orientation to enhance the natural perspective of the rocks. I also used the B+W 10 stop ND filter to give it that creamy sea dreamy effect. Because this lens is so sharp I knew it would really create a strong black and white image. Settings were again manual, f/11, 15secs. Finally, something a little different to finish up with. I took the camera off the tripod and switched lenses to the Voigtlander 12mm M mount lens using the Fujifilm M mount adaptor. I laid down on the grass right on the edge of the small cliff I was stood on and framed up another portrait shot of the rocks. I wasn't using a ND filter this time, the lens was again set to f/11and the camera was in Aperture priority giving a shutter speed of 1/220 of a second....
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Scooped by
Thomas Menk
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Hát tuồng is one of the oldest art forms in Vietnam, and is said to have existed since the late 12th century. It’s believed to be influenced by Chinese opera performance techniques, but subsequently evolving and changed into a new form embodying Vietnamese characteristics and nature. Photographed with the Fuji X Pro-1/Fujinon XF 18mm in Hanoi, Vietnam.
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Scooped by
Thomas Menk
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Photographed with the Fuji X Pro-1/Fujinon XF 18mm in Sapa and Bac Ha in north western Vietnam. Most were shot from the hip. All were made using the X Pro-1 B&W in-camera simulation option. For my audio-slideshow of the Indigo People with more photographs accompanied with ambient sound, go to Hilltribes In The Mist.
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Suggested by
Nate
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Photos from the mean streets of Singpore - an incredible location for street photography. Speaking of incredible - all of the photos are taken with my Fuji X Pro 1, and the 18mm lens - the only lens and only digital camera I have, as I travel around the world. I've chosen to shoot all the Singapore street photography in black and white. The streets of Singapore are more colourful than most, but I feel a strong connection with black and white images. Or maybe I'm just yet another poor tormented artist? ;) Maybe you could decide for yourself...
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Suggested by
David Moore
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There’s travel photography, and then there’s vacation photography. In the first you’re traveling to shoot, and your time and gear is chosen carefully to deliver great images. In the second, you’re just on holiday and like everyone else, you want to bring a camera along. This is specifically a review of using the camera on a family vacation – I wasn’t sent to England and France on assignment, nor did I spend lots of time there specifically going out to shoot. But I did want to bring a camera that wasn’t going to annoy me. Those of you who have been following along for a while will remember that it was a vacation trip to California last year that pushed me into looking for a smaller but high-performing camera. The willing but somewhat limited Olympus EPL2 has now been and gone, and it was the Fuji X-Pro1 (and 18mm F/2.0 and 35mm f/1.4 lenses) that made the trip with us across the Atlantic...
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Scooped by
Thomas Menk
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Here's a few more from other temples in the Angkor area...hope you like them! The trick to visiting and shooting Angkor and temples is to do the reverse tour so you don't have to fight with the hordes of tourists from all over the world. The difference can be you are there with a few dozen tourists or you are stuck with thousands!
Fuji X-Pro1 with 18 mm lens and Olympus OMD
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Suggested by
chris
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I returned to OB to do some more street work - it's such a varied community of locals and tourists, always something interesting going on. All shots X-Pro1 and 18mm Lens
I’ve been taking my Fuji X-Pro 1 everywhere I go, and I can’t stress enough how much better my shoulders feel already. It’s a pleasure to shoot with this camera and although I’m just stuck with my 18mm lens at the moment it keeps on forcing me to try and get closer. In this post I’m posting some photos I shot in the past month in Amman, although the first photo was taken in Wadi Rum in a recent trip I took down there. I’ll be moving down to the desert very soon for a couple of months where I will be producing a feature film , I’ll also be doing the on-set photography so expect an abundance of photos from the desert in the near future. I wish I can post some of the photos from our test shoot but you’ll have to wait a bit to see those…embargos are a normal part of any working photographer’s life...
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Scooped by
Thomas Menk
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For now, here are some shots taken with the Fuji X-Pro1 and XF 18mm F2.0 R lens in Bermuda. Yes, these are some of my photos from my vacation to Bermuda. I will probably post more at a later time. The ones I shot with my Leica M9 will also turn up soon. I had so much planned in terms of photography for my trip to Bermuda but when I got there, I honestly just spent the time enjoying my vacation.
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Suggested by
Gene Lowinger
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I'm going to a camera expo tomorrow where I'm hoping to get a good price for a trade in on several of my older Nikon prime lenses. Fuji has put out a teaser that there will be a major lens announcement on June 27th. Probably to unveil one or two new X-mount lenses for the X Pro-1 - a 14mm f2.8 and an 18mm-70mm f4 zoom. I've had to give a lot of thought to what direction I want to go with lenses for my XP1. My original motivation for getting the camera was because I had heard Fuji would be producing an M mount adapter for Leica lenses. That adapter was announced about a month ago and is expected in retail stores at the end of this month.
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Scooped by
Thomas Menk
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This is a quick guide on how to set up your Fujifilm X-E1 for general street photography: Amazingly easy with the 14mm, since all we have to do is switch to manual focus mode, and check the “zone of acceptable sharpness”, indicated on the DOF scale for the chosen aperture. This caused confusion because the digital indicator does not correspond to the markings on the 14mm and some of you emailed, wondering if you were reading the markings incorrectly. For a given image format, depth of field is determined by three factors: the focal length of the lens, the aperture and the camera-to-subject distance. On the Fujinon 14mm, at F16, when focused near the 1m mark, the markings on the lens barrel indicate an acceptable focus zone from infinity to approximately 0.5m. This covers quite a range and I found it to be a realistic estimation of what I consider “sharp enough”, your mileage may vary, since the acceptable circle of confusion varies relative to the amount of magnification of your image. The digital DOF indicator shows a much shorter zone when focused near the 1m mark, from about 0.75m to approx 2.5m. (If you are super critical or make huge prints or projections, this might be the scale to go by) which corresponds roughly to the f8 on the lens barrel. When shooting with the 18mmat f5.6 for instance, I found the DOF indicator very conservative and in general assume when focused around the 3m mark to get everything from 2m to approx 5m in focus, the digital scale indicates about 1/2 of that. The only gripe when zone focusing on the 18mm is the lack of a focus lock, see the image below for my solution:) It is very easy to accidentally turn the focus ring and ruin your capture, the rubber band holds the focusing ring in place. Not a problem on the 14mm, since we can check the focus setting right on the lens and don’t have to look at the LCD or through the EVF, which allows us to set focus BEFORE we lift the camera to frame the shot. The way Fuji implemented manual focus, in addition to the small size and light weight, makes the Fujinon 14mm a real winner in practical shooting situations.....
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Scooped by
Thomas Menk
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Just before Christmas I spend a long weekend in London, the main reason was to visit as many photographic exhibitions as possible. Friday Day 1 I spent looking around the victoria and albert museum where they have the Light from the Middle East: New Photography exhibition on. Plus all the other exhibits in the victoria and albert museum are well worth seeing. After that I had time to look around the natural history museum, a museum I haven’t been to since I was at school. Saturday Day 2 had a delayed start due to 3:30am late night in Camden at the Underworld with some great friends, but I did manage to get to The Tate Modern where they had a William Klein and Daido Moriyama exhibition. Sunday Day 3 was just spent walking around London doing the bit of Christmas street photography using my Fuji x pro 1 and a 18mm F2 lens, here are a few images from my three day London trip, shame the weather was so bad but I did get some great skys, well it is England in December! I would encourage anybody to spend a day or two in London looking around the Art galleries and Museums, most are free to enter.
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Scooped by
Thomas Menk
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If there’s anywhere that lives life on the street, it’s Hanoi. So here is a gallery of 12 monochrome photographs made in its streets. For these I used my Fuji X Pro-1 and the Fujinon 18mm f2.0 lens and most were shot from the hip. I didn't know this while on my last month's photo expedition-workshop, but it's said that Hanoi's Old Quarter consists of 36 streets (in reality, there's almost twice that number), each originally named for a traditional trade, and those eventually forming guilds. For instance, Hàng Muối (salt) Street was where the salt traders converged to sell their ware. Not surprising, since Hanoi's Old Quarter has a history that spans 2,000 years.This has now changed to a great extent, with some exceptions such as Hang Bac street (which I walked up and down many times) and that was and still is where goldsmiths and silversmiths plied their craft/trade. Most street names in the Old Quarter start with the word Hàng. Hàng means merchandise or shop. In Vietnamese, the formal term for street is đường phố; the latter word not be confused with its delicious signature soup, but which is a staple of its streets.
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Scooped by
Thomas Menk
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Shoot for Psyberia’s Fall 2012 lookbook and on-site assets. This was all shot with a Fujifilm X-Pro1 and 35mm f/1.4 and 18mm f/2 lens. Psyberia is a fashion goods company based in New York. Client: Psyberia Location: Lake Miramar, San Diego Model: Lorenzo Canizales
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Scooped by
Thomas Menk
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Main camera: Fujifilm X-Pro1 with Fujinon XF 35mm f/1.4 & 18mm f/2 Backup camera: Sony DSC-RX100...
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Suggested by
chris
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I had some time before a meeting in downtown LA today, so took a side trip to the amazing Walt Disney Theater. The Frank Gehry-designed building opened in 2003, and is just stunning to see. This is one building where having a built-in level on your camera is essential - nothing is level or parallel r straight! Worth a visit if you're ever in LA. All shots X-Pro1 with 18mm and 35mm Lenses. Great Work by Chris Dodkin :-)
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Scooped by
Thomas Menk
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The firmware update Ver.2.00 from Ver. 1.11 incorporates the following issue. To enable those features, please update the firmware of your Fujinon XF lenses into Ver 2.00 at the same time. 1.Improvement of Auto Focus Performance (1)Auto focusing speed has become much faster under a various shooting condition such as dark scenes, bright scenes and so on. (2)The shortest focusing distance without switching to macro mode has become shorter. 2.Improvement of Manual Focus Performance (1)The speed of images coming into focus when turning the focus ring has become faster. (2)When adjusting the focus with the EVF or the LCD, displaying live view with the minimum depth of field in full aperture has made it easier to focus on subjects. (3)In addition to the focus checking with the 10-time magnification function, the checking with "3-time" magnification function has been added. 3.Improvement of Writing and Processing Speed (1)Writing speed to a memory card has become faster with the maximum speed doubled. <Note> The speed may vary depending on card type and sizes of images. (2)The waiting time of viewing image after shooting has become shorter. (3)An image will be displayed approx. one second after pressing the playback button. 4.Other improvements (1)The ISO setting of "Auto (6400)" has been added. (2)When EVF or OVF is used, the indicator lamp will turn off because the lamp comes to just in front of your right eye if you see the finder with your left eye. (3)When shooting in low light situation, a recorded image will look like more natural atmosphere you saw. Firmware Fuji X-Pro1 V2.00 http://www.fujifilm.com/support/digital_cameras/software/firmware/x/xpro1/index.html Firmware XF lens 18mm V2.00 http://www.fujifilm.com/support/digital_cameras/software/firmware/lens/xf18mm/index.html Firmware XF lens 35mm V2.00 http://www.fujifilm.com/support/digital_cameras/software/firmware/lens/xf35mm/index.html Firmware XF lens 60mm V2.00 http://www.fujifilm.com/support/digital_cameras/software/firmware/lens/xf60mm/index.html
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Scooped by
Thomas Menk
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Few weeks ago I got an opportunity to re-visit the Getty Center in Los Angeles, CA in beautiful Southern California weather. During this visit I had my Fuji X-Pro 1 next to my Canon 5D MK III with 14mm F2.8 L II attached to it. I tried both cameras that day and once I got home to process the photos, I was amazed how my Fuji performed when I compared the photos with 5D MK III!!! I would say in some cases the result was very similar.
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Suggested by
Nate
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Fuji XPro1. A lot has been said online about this remarkable and opinion polarising camera. I will cut to the chase right now – if you’re looking for the best travel camera available in 2012, this is it. My opinion is considered and well thought out. I’ve traveled, mostly overland, and photographed twenty-five countries since 2010. I’ve shot and traveled with many different camera’s, but the Fuji XPro1 outshines them all. Hands down. So much so, that I recently sold my Nikon DSLR system. My travel camera kit now consists solely of the Fuji XPro1, with just a single lens. This is easily the best travel camera combo I have ever had the pleasure to use. Photos shot in an abandoned building in New Zealand with the Fuji X-Pro-1 and 18mm lens.
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Suggested by
chris
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I decided to take on the Olympic Park using the X-Pro1 and lenses - and capture images of the buildings - some of which are only in-situ for the games. All shots X-Pro1 and 18mm, 35mm, and 60mm Lenses.
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Suggested by
Jeremy Harris
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Located on Todt Hill on New York’s Staten Island sit what’s left of eight original pavilions designed in 1905 to house patients with tuberculosis. Four men’s wards and four womens wards. Designed by Raymond F. Almirall, the wards were spaced in a fan-like formation in order to maximize sunlight and the curative sea air. In 1973 the men’s wards were demolished, the women’s wards left to sit, slowly decaying.This was my 4th or 5th trip back to see these magnificent structures. This time exclusively photographing with my Fujifilm X-Pro 1. A camera which I find to be perfect for locations such as this. My whole kit, consisting of a body and two lenses, the 18mm and 35mm, weigh next to nothing, and I absolutely love the built in grid, level, and timer features.
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Scooped by
Thomas Menk
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A marvellous set of street Photographs with Fuji's XPro 1 Camera.... Why bring up street photography?
Because I had an opportunity to use the Fuji X-Pro 1 and 35/1.4 lens for about two weeks in New York City - primarily for street shooting. So how did the Fuji perform in New York City? I found the Fuji X-Pro 1 and 35/1.4 lens great for street photography. It is small, light, relatively quiet and discrete. At least discrete to my subject matter. I had several photographers, including several Leica shooters who curiously approached me to discuss the merits of the Fuji. They all walked away impressed.
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