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First date with the Fuji X-Pro1 | Pete Bridgwood

First date with the Fuji X-Pro1 | Pete Bridgwood | Fuji X-Pro1 | Scoop.it


My first serious camera was a Russian made Zenith EM in the late 1970′s. It was a joy to use, completely manual in operation, delightfully tactile and it did what it said on the tin. Now, over 30 years later, using high-end Fuji Compact System Cameras (CSCs) has re-ignited a passion. Over the last 2 years, when not shooting fine-art landscapes I’ve enjoyed the occasional dalliance with street photography using the Fuji X100. This is a wonderful camera to use, a superb ‘carry around’, and the fixed focal length lens is ideally suited to street photography. Far from feeling restricted by having a fixed focal length lens, it is unexpectedly liberating to be forced into using a set focal length. For an old-hand like me who spent years wet-processing and working exclusively in black & white, the X100 is an epiphany. How refreshing to use a camera with manual selection of shutter speed and aperture using traditional dials, rather than having to suffer the modern distraction of interfacing with electronics. Of course, under the bonnet, there are all the advantages of modern electronics and digital alchemy; it’s just nicely hidden for most of the time. Couple this fantastic experience of image gathering with state of the art creative black & white processing algorithms found in Nik’s Silver Efex Pro, and you have a winner. Miles of enjoyment walking the streets, black & white creative heaven. Despite the life-changing qualities of the X100 for street-photography (it’s quite possibly still the finest street-photography camera available bar none), for other genres there are obvious advantages in having interchangeable lenses. When I first held a Fuji X-Pro1 I was smitten. This was a camera that surpassed the already amazing X100 in specification, with the important addition of interchangeable lenses. The X-Pro1 has an improved APS-C sized X-Trans sensor that mimics the structure of silver halide film and lacks an anti-alias filter to provide the sharpest possible results. Fuji have kept the hybrid viewfinder that allows switching between the more traditional optical or electronic function, similar to that found on the X100....

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100S/T - photographer, reviews, samples and more ...  | http://www.tomen.de
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The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!


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Curated by official Fujifilm X-Photographer Thomas Menk

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Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

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Welcome to Classic Chrome | Olaf Sztaba

Welcome to Classic Chrome | Olaf Sztaba | Fuji X-Pro1 | Scoop.it

Along with the rise of Instagram and iPhone photography, there has been a flood of filters and film simulations. Unfortunately, the majority of these tools are formulated very poorly and the results can be quite grotesque. When I heard that Fujifilm is working on a new film simulation, Classic Chrome, I was intrigued. After all, Fuji has been known for its expertise in film and the JPEGs coming out of the X-series cameras have been one of the best in the industry. The latest Fuji X100T and Fuji X-T1 Graphite came with Classic Chrome. Some photographers who got their hands on these cameras posted some photos bearing the Classic Chrome look and we really liked what we saw. Those who practise street, documentary photography or fine art photography should be very pleased with this modern take on the Kodachrome-like look. The colours are subtle and slightly suppressed but pleasing and natural to the eye. Although we haven’t had a chance to shoot with the Fuji X100T or Graphite X-T1, the recent Lightroom 5.7 update offers an opportunity to paint with light – Classic Chrome style. We couldn’t resist applying this new colour palette to some chosen photos.....

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A Review of the Fuji XF 14mm 2.8 | Jason Row

A Review of the Fuji XF 14mm 2.8 | Jason Row | Fuji X-Pro1 | Scoop.it
Conclusion

When moving to the Fuji X series from Nikon, one of my biggest concerns was whether there really was a replacement for my beloved 14-24mm. Whilst not a direct replacement as it is a prime lens, the XF14mm f2.8 has become even more of to go lens than the Nikon. Its compact size, outstanding image quality but most of all that beautiful aperture ring, go towards making this one of the best lenses I have ever owned.....