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First date with the Fuji X-Pro1 | Pete Bridgwood

First date with the Fuji X-Pro1 | Pete Bridgwood | Fuji X-Pro1 | Scoop.it


My first serious camera was a Russian made Zenith EM in the late 1970′s. It was a joy to use, completely manual in operation, delightfully tactile and it did what it said on the tin. Now, over 30 years later, using high-end Fuji Compact System Cameras (CSCs) has re-ignited a passion. Over the last 2 years, when not shooting fine-art landscapes I’ve enjoyed the occasional dalliance with street photography using the Fuji X100. This is a wonderful camera to use, a superb ‘carry around’, and the fixed focal length lens is ideally suited to street photography. Far from feeling restricted by having a fixed focal length lens, it is unexpectedly liberating to be forced into using a set focal length. For an old-hand like me who spent years wet-processing and working exclusively in black & white, the X100 is an epiphany. How refreshing to use a camera with manual selection of shutter speed and aperture using traditional dials, rather than having to suffer the modern distraction of interfacing with electronics. Of course, under the bonnet, there are all the advantages of modern electronics and digital alchemy; it’s just nicely hidden for most of the time. Couple this fantastic experience of image gathering with state of the art creative black & white processing algorithms found in Nik’s Silver Efex Pro, and you have a winner. Miles of enjoyment walking the streets, black & white creative heaven. Despite the life-changing qualities of the X100 for street-photography (it’s quite possibly still the finest street-photography camera available bar none), for other genres there are obvious advantages in having interchangeable lenses. When I first held a Fuji X-Pro1 I was smitten. This was a camera that surpassed the already amazing X100 in specification, with the important addition of interchangeable lenses. The X-Pro1 has an improved APS-C sized X-Trans sensor that mimics the structure of silver halide film and lacks an anti-alias filter to provide the sharpest possible results. Fuji have kept the hybrid viewfinder that allows switching between the more traditional optical or electronic function, similar to that found on the X100....

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100S/T - photographer, reviews, samples and more ...  | http://www.tomen.de
Curated by Thomas Menk
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The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!


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Curated by official Fujifilm X-Photographer Thomas Menk

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Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

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Rawtherapee 4.2.1 official | Sebastien Guyader

Rawtherapee 4.2.1 official | Sebastien Guyader | Fuji X-Pro1 | Scoop.it

The new stable version of Rawtherapee has just been released, you can download Windows and OSX 10.7 builds on the official website (http://rawtherapee.com/downloads). As new features are added or bugs are corrected (like bad pixel filter fix for xtrans), I'll make newer Windows builds that I'll share on my Google drive (link nelow). Please note that I'm not a developer, nor a member of the Rawtherapee team, I'm just a contributor and builder for Windows system......


New features since 4.1


  • RawTherapee-4.2 includes many speed, precision, stability and memory usage optimizations. As such, users of 32-bit operating systems may now find that they can enjoy more stability while using the most memory intensive tools. Of course users of 64-bit systems benefit from this as well. Refer to the full changelog for more information.
  • Powerful color toning tool.
  • Curve control of luminance noise reduction.
  • Median filter in the noise reduction tool.
  • Film simulation tool using Hald CLUT pattern files.
  • Command-line option to define bit depth of output TIFF/PNG file.
  • Multiple improvements to dead/hot pixel handling, see RawPedia.
  • Filename of currently opened image shown in the titlebar.
  • Clip control for the flat-field correction tool.
  • Demosaic method "Mono" for monochrome cameras, and "None" for no demosaicing.
  • Copy/paste processing profile keyboard shortcuts for right-handed users using Ctrl/Shift-Insert.
  • Update to dcraw 9.22 1.467
  • New or improved support for:
    • Canon EOS 7D
    • Canon EOS 7D Mark II
    • Canon PowerShot G7 X
    • Canon PowerShot SX60 HS
    • Fujifilm cameras using the X-Trans sensor
    • Fujifilm X30......
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REVIEW: Fujinon XF60mm f2.4 v Fujinon XF56mm f1.2 | Jeff Carter

REVIEW: Fujinon XF60mm f2.4 v Fujinon XF56mm f1.2 | Jeff Carter | Fuji X-Pro1 | Scoop.it

Last month I added the superb Fujinon XF56mm f1.2R lens to my camera bag, which is the seventh Fujinon lens I have bought for my X-Series kit. It is also the third lens that covers the short telephoto range, the others being the XF55-200mm f3.5/4.8 zoom and the XF60mm f2.4R macro. This had me wondering if I could sell off one of the lenses or did each lens offer something that meant I could justify hanging on to all three? Well for starters we can ignore the 55-200mm zoom as this lens offers the long telephoto reach I need for my landscapes and wildlife. It is an excellent all round zoom lens that has a place in my camera bag. So that leaves the two prime lenses.......

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Always look on the “wide” side of life – The Fujifilm XF 10-24mm f/4 Review | MirrorLessons

Always look on the “wide” side of life – The Fujifilm XF 10-24mm f/4 Review | MirrorLessons | Fuji X-Pro1 | Scoop.it

I couldn’t recommend the 10-24mm more highly to Fujifilm users who appreciate a versatile wide-angle lens for landscapes, architecture and other genres. While certainly bigger and slower than the XF 14mm f/2.8, it is far more versatile and allows for further creativity. The image quality is also nothing short of impressive. The 10-24mm is perfect for many genres, and could easily become a lens that you keep mounted on your camera for various situations, while with the 14mm, I would inevitably feel the need to switch to a longer focal length on certain occasions.......

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