Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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Final Thoughts on the X-Pro 1…for now | Kate Lockhart

Final Thoughts on the X-Pro 1…for now | Kate Lockhart | Fuji X-Pro1 | Scoop.it


So, as I mentioned previously, I spent quite a bit of time this fall carrying the Fuji X-Pro 1 with me everywhere. There were two motivations for this. First, I wanted to spend more time with the camera in the hopes that I would get to know it better and feel more comfortable with it. And second, I wanted to get back into the habit of carrying a camera with me everywhere. I was pretty good about carrying the camera with me every time I went out. It’s small enough that size and weight weren’t ever an issue, and unobtrusive enough that I didn’t feel like a total tool having it hanging from my side. But notice I used the past tense. The fact is, even after a few weeks of carrying it with me everywhere, I still haven’t fallen in love with the X-Pro 1 like I did with the X100. Part of me feels guilty about that. It’s a very nice camera and I feel like Fuji got a lot of things really right about it – the manual controls, button layout, the new “Q” menu, excellent high ISO performance, great lenses – but for whatever reason I haven’t connected to it and it shows. The photos I’ve taken with it are just meh. So, while I hate lugging around my DSLR everywhere I go (so I don’t), when I feel like I really want or need to make great images I grab the Nikon. When portability matters more than anything else, that’s when I grab the X-Pro 1. And it seems like that’s how it’s going to be, at least for now.

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Inside the Abandoned Transfer Station | Fuji X Pro 1 sample images | Mikesjournal.com

Inside the Abandoned Transfer Station | Fuji X Pro 1 sample images | Mikesjournal.com | Fuji X-Pro1 | Scoop.it

The camera is very sensitive to light. Many times I shot into the darkness, my eye could not see anything but the camera picked up astounding detail. The lack of noise, or rather the way the ISO 3200 noise resembles acceptable film grain blew me away. Those long exposure images into the dark suffered of course from hand shake but with a tripod or something to brace the camera I think there could be very impressive results. Excellent travel camera for shooting in dimly lit churches and museums, street shots in the evening etc. Wide open the F 1.4 35mm is still very sharp. On review of the photos unfortunately there was nothing I could post from the macro lens. That will be for another time.

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Inside the Abandoned Transfer Station | Fuji X Pro 1 sample images | Mikesjournal.com

Inside the Abandoned Transfer Station | Fuji X Pro 1 sample images | Mikesjournal.com | Fuji X-Pro1 | Scoop.it

The camera is very sensitive to light. Many times I shot into the darkness, my eye could not see anything but the camera picked up astounding detail. The lack of noise, or rather the way the ISO 3200 noise resembles acceptable film grain blew me away. Those long exposure images into the dark suffered of course from hand shake but with a tripod or something to brace the camera I think there could be very impressive results. Excellent travel camera for shooting in dimly lit churches and museums, street shots in the evening etc. Wide open the F 1.4 35mm is still very sharp. On review of the photos unfortunately there was nothing I could post from the macro lens. That will be for another time.

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