Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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Final Thoughts on the X-Pro 1…for now | Kate Lockhart

Final Thoughts on the X-Pro 1…for now | Kate Lockhart | Fuji X-Pro1 | Scoop.it


So, as I mentioned previously, I spent quite a bit of time this fall carrying the Fuji X-Pro 1 with me everywhere. There were two motivations for this. First, I wanted to spend more time with the camera in the hopes that I would get to know it better and feel more comfortable with it. And second, I wanted to get back into the habit of carrying a camera with me everywhere. I was pretty good about carrying the camera with me every time I went out. It’s small enough that size and weight weren’t ever an issue, and unobtrusive enough that I didn’t feel like a total tool having it hanging from my side. But notice I used the past tense. The fact is, even after a few weeks of carrying it with me everywhere, I still haven’t fallen in love with the X-Pro 1 like I did with the X100. Part of me feels guilty about that. It’s a very nice camera and I feel like Fuji got a lot of things really right about it – the manual controls, button layout, the new “Q” menu, excellent high ISO performance, great lenses – but for whatever reason I haven’t connected to it and it shows. The photos I’ve taken with it are just meh. So, while I hate lugging around my DSLR everywhere I go (so I don’t), when I feel like I really want or need to make great images I grab the Nikon. When portability matters more than anything else, that’s when I grab the X-Pro 1. And it seems like that’s how it’s going to be, at least for now.

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It was all Weft and Warp | Yves Salmon

It was all Weft and Warp  |  Yves Salmon | Fuji X-Pro1 | Scoop.it

I was shooting around Jermyn Street last year when I was struck by how unstructured our clothes had become particularly for those people not doing white collar jobs.  Sweat tops, sweat pants, overalls, dungarees.  It was all soft and comfortable and easy to move about in but it has also arguably made us soft and sloppy in our posture and gait.  Time was when even factory workers (watch some Mitchell and Kenyon) wore tailored clothes.  Not expensive fabrics of course but the clothes had a structure made up of folds and tucks and pleats all stitched into place all designed to stop us slouching about about.  My father spent a large part of his working life on building sites as a carpenter and I recall him going off to work wearing a dark tweed jacket and heavy wool trousers. The lovely people at Fujifilm UK lent me an X-Pro 1 camera with a 60mm lens and I used the 5th anniversary of The Tweed Run, a sartorial little jaunt through London town on two wheels, as an opportunity to take it for a spin (apologies in advance for the puns).   It was all weft and warp.  Before the DuPont family gave us lycra this was the everyday wear of cyclists. 500 riders all in vintage attire with some going the extra mile (again, sorry) with their vintage machines including a penny farthing. Neither age nor gender was a barrier as they rode from Marylebone to Trafalgar Square via Saville Row in their finery.   Most of the participants here would probably be shocked to know that in 1895 someone wrote a List of Don’ts for Women on Bicycles which was published in the New York World newspaper. The woman below (and her partner) had a technical problem and were walking back to the nearest pitstop but not before being stopped several times by tourists to have their photograph taken. I didn’t ride (my bike is going for a service) and instead pursued them on foot from Marylebone.  According to their published timetable what should have been a leisurely ride (circa 1910) turned into a sprint which I suspect was an attempt to finish before the predicted downpour so I stuck to fully automatic and let the X-Pro 1 figure everything out.....

 



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My New found love of Street Photography | T. Whitaker

My New found love of Street Photography | T. Whitaker | Fuji X-Pro1 | Scoop.it

 

Since the purchase of my Fujifilm X-E1 and have built up my kit for it I have changed a lot as a photographer in my style of shooting as well as my ability to see shots out of just my general surroundings. Going from a large DSLR to the small mirrorless was quite a jump for me, and then adding manual focus lenses was another very big jump that I had to get used to. One major difference that I noticed when photographing in the street with a DSLR compared to the Fuji was when you pull out the X-E1 no body takes any notice of you, blending into the scene becomes so easy. And being able to blend in and go unnoticed while photographing in the street is a very important to get those candid moments. I love using the Fuji with the manual focus lenses, you really have to take your time and think about the shot you want to take. Photos aren’t just snapped away with a heavy trigger finger like when I am photographing sport, I have to slow down and think which can being some terrific results. I have found that even though I am not as quick with the manual focus combo compared to my quick autofocus DSLR’s I think more about my photography as a whole and not just technique and simple settings. Another thing I love about this kit is how easy is it so travel with, walking around for 5 and 6 hours with my small Think Tank bag carrying my X-E1 kit compared which is a lot smaller and lighter than my DSLR even with just one zoom lens (I have the 2.8 L’s) and the fact that the Fuji produces such beautiful photos in such a small size is brilliant. Practice with the manual focus lenses has also made me faster with focus than I originally thought I would be which is also a nice surprise. Even though I have only recently taken to street photography I have taken some photos that I really like and I feel that this type of shooting has really improved me as a photographer and made me more aware of my surroundings. I am developing the ability to see something out of nothing which has made me a better photographer and my confidence in my work has also improved.I will be heading to the UK towards the end of this year and I am very much looking forward to walking around London again with a much smaller kit. I did it last year with my DSLR and large lenses and got some nice shots that I was happy with, although I do very much like the idea of walking around London for 6 hours with a bag that weighs less than half the one I used last year. Below are some of my street photos from my last trip to London.

Titia Geertman's curator insight, February 23, 8:19 PM

I love B&W photography. Though color photography can be beautiful (if it's not too manipulated by photo editing programs), the B&W has a much stronger impact I think.

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Critique Welcomed Olympic Park Venues | Chris Dodkin

Critique Welcomed Olympic Park Venues | Chris Dodkin | Fuji X-Pro1 | Scoop.it


I decided to take on the Olympic Park using the X-Pro1 and lenses - and capture images of the buildings - some of which are only in-situ for the games. All shots X-Pro1 and 18mm, 35mm, and 60mm Lenses.

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Night shots in London | Jakub Puchalski

Night shots in London | Jakub Puchalski | Fuji X-Pro1 | Scoop.it

 

I had only half an hour to walk along the Thames and grab a few shots. All pictures were taken with Fujifilm X-Pro1 set to ISO 6400.

 

 

Ursula O'Reilly Traynor's comment, December 14, 2012 9:30 PM
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Summertime in London | Fuji X-Pro1 | Zeitgeist

Summertime in London | Fuji X-Pro1 | Zeitgeist | Fuji X-Pro1 | Scoop.it

Brilliant street shots by Zeitgeist

Glorious day today in London. This is what the x-Pro1 saw.

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30 Black and White Photos of London with Fuji X-Pro1 | David Cleland

30 Black and White Photos of London with Fuji X-Pro1 | David Cleland | Fuji X-Pro1 | Scoop.it

We recently visited London to see first hand some of my photos featured in the window of Harrods. Armed with the trusty X-Pro1 (pre-production), the 18mm and 35mm lenses I ventured into an almost reportage view of our journey through the city. The top photo was shot the train pulling into Victoria Station. It was tricky to handle the reflection, the dirty window and the fact the train was moving.

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Nightscape London X-E1 | Peter Tachauer

Nightscape London X-E1 | Peter Tachauer | Fuji X-Pro1 | Scoop.it


Sample Pictures by Peter Tachauer

Thomas Menk's insight:

Visit Peter's website:

http://www.petestreet.smugmug.com/

 

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London Street Photography with the Fujifilm X-Pro1 and M mount Voigtlander 25mm f/4 | Graham Fry

London Street Photography with the Fujifilm X-Pro1 and M mount Voigtlander 25mm f/4 | Graham Fry | Fuji X-Pro1 | Scoop.it

 

Yesterday I spent a great day wondering around London with a few of my photographer mates doing a bit of street photography. I love street photography, it is unpredictable, exciting, challenging but most of all fun. It improves your observational skills no end, you learn to not just look at what is in front of you but to really see what is in front of you. You are constantly looking for colours, shapes, light, emotions, and of course 'the decisive moment'. We began by visiting an area of London I'd not ventured to before, Brick Lane and Hackney. Venturing onto Covent Garden and more central London later in the day. One of my friends Pete is a born and bread east ender and is extremely knowledgable about street art. He took us on a fascinating tour around Hackney and the surrounding areas showing us art by various different writers. I absolutely love how Graffiti has finally been recognised and has now become accepted and in fact encouraged as professional street art, with building owners paying huge money for people to come and produce works of art to adorn their properties. I shot for the majority of the day with my absolutely new favourite combination. The Fujifilm X-Pro1 fitted with the official Leica M mount and the great Voigtlander 25mm f/4 Color Skopar. This manual focus range finder lens, built for use on Leica range finder cameras works so well on the X-Pro1. It is very sharp, easy to use and is absolutely perfect for street photography. I chose to focus the lens using zone focusing. To do this I set the aperture of the lens to f/8 and the focus scale to 2m. This gave me a near focus distance of 1.33m and a far distance of 4.1m, perfect for capturing people going about their business on the street. When I wanted to focus on buildings and other bits in the distance I set the focus scale to 3.89m, the hyperfocal distance at which everything from 1.9m to infinity was in focus.....

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London Calling…A Fuji X pro1 shot of mine feature on the Vogue.it website | Michelle George

London Calling…A Fuji X pro1 shot of mine feature on the Vogue.it website | Michelle George | Fuji X-Pro1 | Scoop.it

 

Click here to see it featured on the Vogue.it website and taken with the fuji x-pro1 Michelle George Creative London photographer...

 

Congratulation for your success Michelle and your cool shot :-)

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Alternative London – A Day with the Fujifilm X-Pro 1 and 60mm macro lens | Photo Madd

Alternative London – A Day with the Fujifilm X-Pro 1 and 60mm macro lens | Photo Madd | Fuji X-Pro1 | Scoop.it
I found myself with an unexpected day in London at the weekend – a perfect opportunity for some travel photography to fill in the time I had spare between travels. I took the X-Pro 1 with all 3 lenses and my newly acquired X100 with me. What a joy to be able to carry around two cameras and three lenses (effectively four if you include the X100′s 24mm) without being weighed down.
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London Today - Sample Images | Zeitgeist

London Today - Sample Images | Zeitgeist | Fuji X-Pro1 | Scoop.it
Let’s start with some healthy self-deprecation: these shots are nothing special! Just some testing shots I took today with my new Fujifilm X Pro -1 with 35mm 1.4 lens. I’m hoping this little baby will replace my Canon 5D MKII as my main walk-around camera. It’s much lighter and has a smaller form factor than the Canon 5DMKII – but time will tell whether it can keep up with my eye and my legs.
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