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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam

Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam | Fuji X-Pro1 | Scoop.it

 

So after playing with this for weeks, I believe this is probably the maximum that we can get out of the Fuji RAF files until the other developers come up with better understanding of the unique X-Trans CMOS sensor. Now this is still not the most ideal workflow for most people. Pixel Peeping aside, the Fuji X files are fantastic, even in Adobe Lightroom. My goal in this was to get a better understanding of what is going on. I wish I knew how to program, because I'd love to create a simpler way to do this. If there's anyone out there that is interested in taking what I've done and turning into a nice little drag and drop application, I think you'd get a lot of fans.


The Process
1. Using command line DCRAW: dcraw -a -H 0 -o 4 -q 2 -f -m 15 -g 2.4 12.9 -6 -T
2. Convert TIFF file to LAB file in Photoshop
3. Resize image 200% with Bicubic Smoother
4, Select Lightness Channel under channel panel.
5. Select Median filter under Noise in Filter. Select 1 pixel
6. Resize image 50% with Bicubic Sharper (Nearest Neighbour is actually a more subtle effect which I kind of prefer)
7. Save.

SilkyPix and RPP both process very similar files and although I know for certain that RPP uses DCRAW, SilkyPix I believe is a proprietary RAW engine. What I do speculate is the chroma smearing is a result of interpolation errors. Much of it can be suppressed with chroma noise reduction without loss of image quality. However one of the big nagging issues was this 'zipper' aliasing that was happening. After analyzing the files, it seems specifically the red sub-pixels are causing much of this zipper effect, but also part of the interpolation issues. I was able to get rid of a good portion of the chroma smearing by doing 3x3 multi-pass median filtering through DCRAW.....

 

Full article on following Website:
http://frontallobbings.blogspot.de/2012/11/super-detail-with-fujifilm-x-pro1-raf.html

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True Creativity Requires Originality and Self-Expression | John Neel

True Creativity Requires Originality and Self-Expression | John Neel | Fuji X-Pro1 | Scoop.it

Photography is a creative process that calls for new ways to see the world.

 

Like all artistic endeavors, photography thrives on new perspectives, new ideas and new ways of expression. A great book, a great painting, or a great piece of music is important primarily because it provides us with something new to see, hear or understand. Most of what we see on the web, in magazines, and even in galleries, looks like so many other images we’ve already seen. Don't get me wrong. There are vast numbers of amazing works being done today. There are real creative people doing really wonderful things. However, at the same time, I see huge numbers of images that fall way short of what is possible. That is the subject of this article. Much of what I see is far less self-expressed than it is a product of someone else's idea of what an image should be.  In many ways, creativity has become the product of an engineer, a camera type, the technology or a social style and less the work of a real artist. Instagram and cell phone apps have contributed to the flood of images we are seeing. Some of it is good. Some of it is great. Most of it simply adds to the confusion. Magazine images, tutorials and 'how to' books have also contributed to the problem.  By watching others, we tend to think that there is only one way to do anything creatively. Easy to produce effects and add on styles are trite in part because the effects are ubiquitous. Hype too, does not make for good photography. Advertising, the king of hype, is a collaborative creation between an agency and a client. It is not usually a product of sincere personal insight. Stylish, hot, cool, slick, trendy and beautiful offer little or nothing else to the experience of a viewer. They offer nothing of reality other than fantasy and diversion from truth. They are usually simplistic and extremely shallow.

Every category of image making is guilty of producing those who follow the trails of others. There are painters who imitate other painters and photographers who echo photographers. There are groups on Flickr and other social media sites, that emulate any number of great image makers. We tend to emulate what we like. In most cases, so did the artists who are followed.

We are attracted to the look and feel, so we copy it and call it our own. While it may seem a form of flattery, it is actually a form of stealing. Not so much from others, but from oneself. It is a robbing of ones own ability to express.

For the newbie, following the lead of others is a way to acquire a useful set of technical skills. Also, in a very basic sense, it is a way to begin the process of seeing photographically. More likely however, it is a way of seeing certain types of subjects as portrayed by their mentors. That kind of seeing may lead to a fairly narrow viewpoint.  I believe that at some point, it is more important to find ones own path........

 

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10 Tips How to Unleash Your Creativity in Street Photography | Eric Kim

10 Tips How to Unleash Your Creativity in Street Photography | Eric Kim | Fuji X-Pro1 | Scoop.it

 

What is creativity? We like to think of it is as something we are born with–something that is innate. For example, certain children when they are young are deemed “creative” while others aren’t. But how can this be? “creativity” in itself isn’t a genetic trait like height, eye color, or body type. Rather, creativity can be explained by being able to “connect the dots” between the things that you know. Whenever we think of “eureka” moments, it isn’t sudden moments of inspiration that come out of nowhere. Rather, it is all the knowledge that you have accrued and learned over the years — with the sudden connections in-between igniting when we are resting. It has to do with the right side of the brain (that makes connections between the things that we know). Whereas the left brain is more for processing data and ideas in our mind. ? Creativity is a combination of work done between the left and right side of your brain. The right side of the brain helps us make sense of connections in life, such as stories and metaphors. Some tasks also associated with the right side of the brain include spatial abilities, facial recognition, visual imagery, and music. This is why in studies of people who have damaged right sides of their brains don’t understand metaphors (but can still function regularly). The left side of the brain manages more calculations such as processes involved with language, math, and logic....

Sriram's comment, December 20, 2012 2:21 PM
well