Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam

Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam | Fuji X-Pro1 | Scoop.it

 

So after playing with this for weeks, I believe this is probably the maximum that we can get out of the Fuji RAF files until the other developers come up with better understanding of the unique X-Trans CMOS sensor. Now this is still not the most ideal workflow for most people. Pixel Peeping aside, the Fuji X files are fantastic, even in Adobe Lightroom. My goal in this was to get a better understanding of what is going on. I wish I knew how to program, because I'd love to create a simpler way to do this. If there's anyone out there that is interested in taking what I've done and turning into a nice little drag and drop application, I think you'd get a lot of fans.


The Process
1. Using command line DCRAW: dcraw -a -H 0 -o 4 -q 2 -f -m 15 -g 2.4 12.9 -6 -T
2. Convert TIFF file to LAB file in Photoshop
3. Resize image 200% with Bicubic Smoother
4, Select Lightness Channel under channel panel.
5. Select Median filter under Noise in Filter. Select 1 pixel
6. Resize image 50% with Bicubic Sharper (Nearest Neighbour is actually a more subtle effect which I kind of prefer)
7. Save.

SilkyPix and RPP both process very similar files and although I know for certain that RPP uses DCRAW, SilkyPix I believe is a proprietary RAW engine. What I do speculate is the chroma smearing is a result of interpolation errors. Much of it can be suppressed with chroma noise reduction without loss of image quality. However one of the big nagging issues was this 'zipper' aliasing that was happening. After analyzing the files, it seems specifically the red sub-pixels are causing much of this zipper effect, but also part of the interpolation issues. I was able to get rid of a good portion of the chroma smearing by doing 3x3 multi-pass median filtering through DCRAW.....

 

Full article on following Website:
http://frontallobbings.blogspot.de/2012/11/super-detail-with-fujifilm-x-pro1-raf.html

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SLRmagic announced the 35mm f/1.4 and a 23mm f/1.7 manual focusing lenses for the X system | Mirrorless Rumors

SLRmagic announced the 35mm f/1.4 and a 23mm f/1.7 manual focusing lenses for the X system | Mirrorless Rumors | Fuji X-Pro1 | Scoop.it

 

During Photokina 2012 in Cologne, Germany (September 18-23), SLR Magic will present attractive new CINE products as well as its Toy Lenses, all of the highest technical quality. Among them, will be a new SLR Magic CINE 35mm T1.4 lens in stores by the end of 2012. SLR Magic would like to invite all participants of Photokina fair held in Cologne to visit our stand in Hall 3.1 B059. SLR Magic will present its entire range of camera lenses, cine lenses, spotting scopes, and camera accessories during Photokina.A major attraction is a high-performance mirrorless format cine lens with manual focus. With a focal length of 35mm and aperture of T1.4, this lens joins the family of cine lenses designed for demanding users. The reason why the 35mm T1.4 lens is not in the HyperPrime series is because T1.4 is not the fastest speed we can design for this 35mm lens. Ever since the release of the HyperPrime CINE 12mm T1.6 lens, cinematographers have been requesting for a set of HyperPrime CINE lenses. In addition to our new CINE 35mm T1.4 lens, we will also showcase our 25mm T0.95 (MSRP: US $649) in mFT and 35mm T0.95 (MSRP: US $1,249) in mFT, X-mount and E-mount concept lenses that are based on the optical design of the HyperPrime CINE 50mm T0.95 lens. Due to difficulty to source a particular material to manufacture the HyperPrime 23mm F1.7 for E-mount announced on December 8th 2011 it was discontinued within 3 months of launch. During this time, we have re-designed the lens, increasing image quality across the frame yet keeping the lens size and price similar to the original. The new design also supports mFT and X mount cameras.

All details concerning the optical type and physical size of the lens will be published at a later date. The SLR Magic CINE 35mm T1.4 lens in mFT, X-mount and E-mount (MSRP: US $279) will be introduced for sale in December 2012. The SLR Magic HyperPrime 23mm F1.7 (MSRP: US $399) in mFT, X-mount and E-mount will be introduced for sale in February 2013.

 

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