Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam

Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam | Fuji X-Pro1 | Scoop.it

 

So after playing with this for weeks, I believe this is probably the maximum that we can get out of the Fuji RAF files until the other developers come up with better understanding of the unique X-Trans CMOS sensor. Now this is still not the most ideal workflow for most people. Pixel Peeping aside, the Fuji X files are fantastic, even in Adobe Lightroom. My goal in this was to get a better understanding of what is going on. I wish I knew how to program, because I'd love to create a simpler way to do this. If there's anyone out there that is interested in taking what I've done and turning into a nice little drag and drop application, I think you'd get a lot of fans.


The Process
1. Using command line DCRAW: dcraw -a -H 0 -o 4 -q 2 -f -m 15 -g 2.4 12.9 -6 -T
2. Convert TIFF file to LAB file in Photoshop
3. Resize image 200% with Bicubic Smoother
4, Select Lightness Channel under channel panel.
5. Select Median filter under Noise in Filter. Select 1 pixel
6. Resize image 50% with Bicubic Sharper (Nearest Neighbour is actually a more subtle effect which I kind of prefer)
7. Save.

SilkyPix and RPP both process very similar files and although I know for certain that RPP uses DCRAW, SilkyPix I believe is a proprietary RAW engine. What I do speculate is the chroma smearing is a result of interpolation errors. Much of it can be suppressed with chroma noise reduction without loss of image quality. However one of the big nagging issues was this 'zipper' aliasing that was happening. After analyzing the files, it seems specifically the red sub-pixels are causing much of this zipper effect, but also part of the interpolation issues. I was able to get rid of a good portion of the chroma smearing by doing 3x3 multi-pass median filtering through DCRAW.....

 

Full article on following Website:
http://frontallobbings.blogspot.de/2012/11/super-detail-with-fujifilm-x-pro1-raf.html

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XPro 1 – 28mm F2 Minolta MD W Rokkor-X | IK Photography

XPro 1 – 28mm F2 Minolta MD W Rokkor-X | IK Photography | Fuji X-Pro1 | Scoop.it

 

Excellent lens! Equivalent 42mm ( 35mm format ) i actually like this focal range quite a lot, for me it just seems to work with my style of shooting. This lens is sharp wide open at F2 with a slight touch of softness. Fantastic performance on the X-Pro 1. Very good correction of aberrations without light falloff also wide open. Between f2.8 and 5.6 the optical quality is absolutely fantastic. A complex floating lens elements design. Nice bokeh wide open at F2-5.6. The 28mm F2 Minolta MD has great mechanical construction as with other Minolta lenses of this era. This lens is a gem. Hard to find on the used market, get it if you can. The lens balances well but a tiny bit front heavy on the X-Pro 1 but nothing to be concerned about, would be fantastic with the optional grip which will add some extra weight though not in the territory of DSLR’s with comparable focal length. As can be seen on the photo above, its a bit long compared to other Minolta 28mm lenses, its an absolute joy to use, nice smooth rubberized focus grip. Aperture ring has half stops as well…

More reviews of Minolta MF Lenses:

24mm F2.8 Minolta MC

http://blog.ikphotography.com/?page_id=1437


28mm F2 Minolta MD W Rokkor-X
http://blog.ikphotography.com/?p=1370

 

28mm F2.5 Minolta MC W Rokkor SI – 1st Generation

http://blog.ikphotography.com/?p=1399

 

28mm F2.8 & 3.5 Minolta MD/MC/Auto Rokkor

http://blog.ikphotography.com/?p=1475

 

35mm Minolta MD/MC/Auto Rokkor f/2.8

http://blog.ikphotography.com/?p=1660

 

50mm Minolta MD Rokkor-X f/2

Part1: http://blog.ikphotography.com/?p=1822
Part2: http://blog.ikphotography.com/?p=1860

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