Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam

Maximum detail RAW processing. DCRAW - Fuji X-Pro1 & XE-1 | Terrance Lam | Fuji X-Pro1 | Scoop.it

 

So after playing with this for weeks, I believe this is probably the maximum that we can get out of the Fuji RAF files until the other developers come up with better understanding of the unique X-Trans CMOS sensor. Now this is still not the most ideal workflow for most people. Pixel Peeping aside, the Fuji X files are fantastic, even in Adobe Lightroom. My goal in this was to get a better understanding of what is going on. I wish I knew how to program, because I'd love to create a simpler way to do this. If there's anyone out there that is interested in taking what I've done and turning into a nice little drag and drop application, I think you'd get a lot of fans.


The Process
1. Using command line DCRAW: dcraw -a -H 0 -o 4 -q 2 -f -m 15 -g 2.4 12.9 -6 -T
2. Convert TIFF file to LAB file in Photoshop
3. Resize image 200% with Bicubic Smoother
4, Select Lightness Channel under channel panel.
5. Select Median filter under Noise in Filter. Select 1 pixel
6. Resize image 50% with Bicubic Sharper (Nearest Neighbour is actually a more subtle effect which I kind of prefer)
7. Save.

SilkyPix and RPP both process very similar files and although I know for certain that RPP uses DCRAW, SilkyPix I believe is a proprietary RAW engine. What I do speculate is the chroma smearing is a result of interpolation errors. Much of it can be suppressed with chroma noise reduction without loss of image quality. However one of the big nagging issues was this 'zipper' aliasing that was happening. After analyzing the files, it seems specifically the red sub-pixels are causing much of this zipper effect, but also part of the interpolation issues. I was able to get rid of a good portion of the chroma smearing by doing 3x3 multi-pass median filtering through DCRAW.....

 

Full article on following Website:
http://frontallobbings.blogspot.de/2012/11/super-detail-with-fujifilm-x-pro1-raf.html

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Autumn Red 35 or 50mm? | David Cleland

Autumn Red 35 or 50mm? |  David Cleland | Fuji X-Pro1 | Scoop.it

 

Poll : What is the perfect focal length?

Autumn is one of those few times of the year when I deliberately try and shoot into the sun. A a break from Long Exposure Photography I was playing with the X-Pro1 (35mm lens) and the Canon 5D (35mm lens), the Canon tends to be my video camera and the X-Pro1 for stills. Although both lenses were 35mm the X-Pro1 has a cropped sensor so the setup works more like a 50mm lens than a 35mm which is great. Over the past year I have really got to know the X-Pro1 I can control it more and I feel I get a better sense of what I have shot compared to my 5D. With the Canon I have to imagine the shot, the bokeh the detail whereas with the X-Pro1 I feel I can trust the EVF. I am constantly asked why I still use the Canon when I have the X-Pro1 but frankly there isn’t a camera around (in the same price bracket) that can beat the Canon 5D MKII or III for video quality and control. Even the onboard sound recording is quite remarkable. It is bulky, it is heavy but when it comes to video it is a price worth paying....

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