Fuji X-Pro1
Follow
Find
4.2M views | +4.8K today
 
Suggested by Steve Makin
onto Fuji X-Pro1
Scoop.it!

day to day | Steve Makin

day to day | Steve Makin | Fuji X-Pro1 | Scoop.it

 

Just some photographs that I took and like. All taken with either Fuji X10, a Fuji X100 or a Fuji XPro 1 camera

more...
No comment yet.
Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100S/T - photographer, reviews, samples and more ...  | http://www.tomen.de
Curated by Thomas Menk
Your new post is loading...
Your new post is loading...
Scooped by Thomas Menk
Scoop.it!

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!


________________________________________________________________________

Curated by official Fujifilm X-Photographer Thomas Menk

________________________________________________________________________


Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

Following Thomas Menk on Ello: https://ello.co/thomasmenk

Thomas Menk's insight:


If you would like to support my work - you can do that via Flattr.

Thank you :-)


more...
Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

Scooped by Thomas Menk
Scoop.it!

REVIEW: Fujinon XF60mm f2.4 v Fujinon XF56mm f1.2 | Jeff Carter

REVIEW: Fujinon XF60mm f2.4 v Fujinon XF56mm f1.2 | Jeff Carter | Fuji X-Pro1 | Scoop.it

Last month I added the superb Fujinon XF56mm f1.2R lens to my camera bag, which is the seventh Fujinon lens I have bought for my X-Series kit. It is also the third lens that covers the short telephoto range, the others being the XF55-200mm f3.5/4.8 zoom and the XF60mm f2.4R macro. This had me wondering if I could sell off one of the lenses or did each lens offer something that meant I could justify hanging on to all three? Well for starters we can ignore the 55-200mm zoom as this lens offers the long telephoto reach I need for my landscapes and wildlife. It is an excellent all round zoom lens that has a place in my camera bag. So that leaves the two prime lenses.......

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

Always look on the “wide” side of life – The Fujifilm XF 10-24mm f/4 Review | MirrorLessons

Always look on the “wide” side of life – The Fujifilm XF 10-24mm f/4 Review | MirrorLessons | Fuji X-Pro1 | Scoop.it

I couldn’t recommend the 10-24mm more highly to Fujifilm users who appreciate a versatile wide-angle lens for landscapes, architecture and other genres. While certainly bigger and slower than the XF 14mm f/2.8, it is far more versatile and allows for further creativity. The image quality is also nothing short of impressive. The 10-24mm is perfect for many genres, and could easily become a lens that you keep mounted on your camera for various situations, while with the 14mm, I would inevitably feel the need to switch to a longer focal length on certain occasions.......

more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

THIS CITY on Exposure | Jonathan Wilson

THIS CITY on Exposure | Jonathan Wilson | Fuji X-Pro1 | Scoop.it
I haven’t put very large dent in my travel bucket list, but Havana, Cuba was most definitely on it. Living in Miami for the last 8 years, I went in with expectations in my head, most of which didn’t align with what I experienced in my short stay.Finally after a few false alarms myself, Dillon Hearns, Conall Keenan, John Mahoney and Matt Sosna joined a group from Amigo Skate. We loaded up our bikes, snorks and heavy bags of parts to help keep BMX and skateboarding alive in Cuba. All of the travel details of how this trip came to be are confusing and long winded. Travel to Cuba is somehow simple and complicated. Weight limits on all luggage. Exchanging money - US Dollars -> Euro -> Cuban Convertible Currency (CUC) to avoid the additional taxes. Having no phones once there. Questions from the TSA, German Shepherds before getting on the plane…The hours before takeoff were intense, I didn't really believe I was going to Cuba directly from Miami until the plane was in the air.Somehow a 30 minute flight became spending half the day in both MIA and HAV airports. Finally we made through the excruciating moments of waiting for our bikes and the damage they may have incurred. Finally we made it to the exterior of José Martí International Airport, I was hit with what I could only described and some kind of sensory overload. Typically when I land at an airport I scatter to a tram or my motorcycle and I’m off. In Havana we were greeted by a few hundred locals, taxi drivers and assorted characters. It was surreal.
more...
No comment yet.
Scooped by Thomas Menk
Scoop.it!

WCL-x100 The Wide Wide Street | Jonas Rask

WCL-x100 The Wide Wide Street | Jonas Rask | Fuji X-Pro1 | Scoop.it

So what has changed? Well for the most part I think that I have changed. I now appreciate it as a tool to create a certain change in my usual routine. It is a way to challenge myself, and my typical type of street photography. I didn’t see it as such 2 years ago. Back then it was more about object separation and bokeh! ;) Shooting street for me is about people. Everyday people living everyday life, doing everyday things. I don’t seek to portray deeper symbolic meaning in my street shots, I don’t seek ultimate truth in reviewing these shots afterwards. I seek to portray humans. For that reason I look at my street photography more like street portraiture. To me the streets are the backdrops. The elements on which the caracters sit, and emerge from. Of course I like the certain interplay some characters have with the environment. It can make the photo, and give it a sense of story. But most of the time I just want focus to be on the character. For this reason the shallow DOF from a fast standard 35/50mm FOV lens has proven time and time again to be just right for me in my pursuit in capturing this imagery. Wider angles cannot deliver this. What they instead deliver is ALOT of sub-/context into the frame......

more...
No comment yet.