Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
Curated by Thomas Menk
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Aspect ratios and compositional theory | Ming Thein

Aspect ratios and compositional theory | Ming Thein | Fuji X-Pro1 | Scoop.it


Most modern cameras offer different image sizes in-camera, though all they really do is crop the top and bottom or sides. There are a few digital cameras that have sensors bigger than the lens’ image circle, which allow the diagonal angle of view for a given focal length to be maintained when changing crop; the main one of these is the Panasonic LX series of cameras. Put one of these on a tripod, slide the aspect ratio switch on the lens barrel and you’ll notice that the horizontal field of view gets wider than the 4:3 option, even though this is the native aspect ratio of the sensor. (It also means that you don’t suffer as much of a resolution decrease as you’d expect when changing aspect ratios). There is no point in shooting in another aspect ratio if all the camera does is throw away the extra pixels; you’re better off capturing as much information as you can at the time of shooting and then deciding later what crop would work best (assuming, of course, that you didn’t compose correctly at the time.)

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Suggested by Morten Byskov
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X-Pro1, Black and White Soccer Photos | Morten Byskov

X-Pro1, Black and White Soccer Photos | Morten Byskov | Fuji X-Pro1 | Scoop.it

All I brought to the soccer game was my X-Pro1. I decided to try a few things out. One being the continuous shooting. The X-Pro1 actually fires off 6 frames per second.

 

The other thing I decided to opt for was using the in camera BW conversion. After all the talk of the Leica Monochrome in the last couple of weeks I thought it would be fun to see what the X-Pro1 could come up with. I picked the BW yellow filter for no other reason than I thought it looked cool on the LCD.

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