Fuji X-Pro1
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Aspects of Digital Photography focusing on the Fuji X-Pro1, X-E1 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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Aspect ratios and compositional theory | Ming Thein

Aspect ratios and compositional theory | Ming Thein | Fuji X-Pro1 | Scoop.it


Most modern cameras offer different image sizes in-camera, though all they really do is crop the top and bottom or sides. There are a few digital cameras that have sensors bigger than the lens’ image circle, which allow the diagonal angle of view for a given focal length to be maintained when changing crop; the main one of these is the Panasonic LX series of cameras. Put one of these on a tripod, slide the aspect ratio switch on the lens barrel and you’ll notice that the horizontal field of view gets wider than the 4:3 option, even though this is the native aspect ratio of the sensor. (It also means that you don’t suffer as much of a resolution decrease as you’d expect when changing aspect ratios). There is no point in shooting in another aspect ratio if all the camera does is throw away the extra pixels; you’re better off capturing as much information as you can at the time of shooting and then deciding later what crop would work best (assuming, of course, that you didn’t compose correctly at the time.)

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Engine Room | X-PRO1 + Eye-Fi X2 | Patrick la ROQUE

Engine Room | X-PRO1 + Eye-Fi X2 | Patrick la ROQUE | Fuji X-Pro1 | Scoop.it

 

I’ve been cooped up these past few days, doing all the peripheral messing around that surrounds a photography business. The stuff where you don’t get to take pictures. I get itchy when I don’t take pictures. You wouldn’t like me when I’m itchy…

 

So this afternoon I took a break and walked around that room in the house where we never spend any time. The one with the furnace and the mess of things we don’t use everyday but keep around for some reason. The next season, a camping trip, the kids getting married. Just in case you know? I used the X-Pro1 and an Eye-Fi Pro X2 card I got recently for a job. I needed a way to shoot tethered and this was the only way to do it. It works, although it has a tendency to seriously slow down at times and I haven’t yet figured out the reason. Shooting RAW brings it to its knees but the files do get there eventually. Today it worked like a charm: I was shooting monochrome jpegs and using Lightroom’s Auto Import watch folder — the pictures were all waiting for me, ready to be edited by the time I sat down at the iMac. Cool.....

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