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102 Things I Have Learned About Street Photography | Eric Kim

102 Things I Have Learned About Street Photography | Eric Kim | Fuji X-Pro1 | Scoop.it
1. A photograph is like a sentence. Aim to write a book.
2. Always smile and say “thank you” when shooting on the streets
3. Shoot with your heart, not with your eyes
4. Shooting with friends will make you feel much more comfortable on the streets
5. The most versatile focal length is 35mm
6. Don’t rely on autofocus – use zone focusing
7. Have a drink to loosen yourself up before shooting on the streets
8. Have at least 3 backups of all your photographs (hard drives all eventually fail)
9. If you shoot film, keep your images organized
10. The best critique is never online—always in-person
11. Don’t ask people what they like about your photographs, ask them what they don’t like
12. Having one camera and lens is bliss
13. Buy books, not gear

14. Style isn’t something aesthetic
15. “Shoot who you are” – Bruce Gilden
16. Harness the power of groups/collectives to spread your photography
17. Don’t focus on aesthetics in your photos—but rather the message
18. Shooting film is magical
19. Never upload your photographs immediately—let them marinate for at least a week before sharing them
20. Good projects often take at least a year to complete
21. Post-processing your images digitally should never take more than a minute
22. Printing your photographs out large is immensely satisfying
23. Share your knowledge & technique with others – never hoard it yourself
24. It is better to shoot everyday for 10 minutes than to shoot once a week for 10 hours
25. Only show your best work

26. Photo-sets with over 25 images are exhausting to look through
27. It is great to constantly experiment with your technique and gear—but once you find something that works reasonably well stop and stick with it
28. When in doubt, ask for permission
29. People love to be complimented while on the streets
30. Don’t take photos of people who look pissed off or walk extremely quickly. These are the people who often get upset when you take their photograph
31. If shooting digital, always shoot in RAW
32. Look at other forms of art for inspiration
33. Take photos of people’s faces, not their backs
34. Eyes are the windows to the soul. Get photos with eye-contact in your images.
35. Your photos are only as good as the photos you look at. Avoid the internet and look at photo-books for inspiration
36. Giving helpful critique to others will make you a better judge of your own work
37. “If your photos aren’t good enough, you’re not close enough” – Robert Capa
38. After a whole day of shooting, I am lucky if I get 1-2 good photographs
39. The more time you spend on online forums, the less you will shoot
40. Don’t think too much while taking photographs. Avoid “paralysis by analysis”
41. Don’t chimp while shooting on the streets (checking your LCD screen). You will lose many decisive moments
42. “Luck is when preparation meets opportunity” – Seneca
43. You can get luckier in street photography by spending more time out shooting in the streets
44. Don’t crop. Get it right in-camera
45. Look for the light
46. You will take the best photographs in the least-likely places
47. Always carry your camera with you everywhere you go. Everywhere
48. The smaller your camera is the less intimidating you will look
49. Don’t shoot from the hip if you have a camera with a viewfinder. Use the viewfinder—that’s why it’s there
50. Good composition alone doesn’t make a good photograph. A great photograph needs soul.
51. Don’t let inspiration be your main source of motivation for shooting. Go out and shoot even when you don’t feel like it—and the streets will re-inspire you
52. Street photography doesn’t have to have people in it
53. “Creepiness is proportional to focal length”. Don’t shoot street photography with a telephoto/zoom lens
54. The best place to shoot street photography is your own backyard
55. Crouch often when shooting to get at least eye-level (or lower) to get a natural (or unusual perspective)
56. The lighter your camera bag, the more you will enjoy shooting
57. Don’t forget to look down and up when shooting
58. When in doubt, click
59. Don’t try to just take photos of interesting people, but try to take photos of interesting gestures
60. It is better to take an extraordinary photo of something ordinary, rather than taking an ordinary photo of something extraordinary
61. The way people react to street photography (all around the world) is often more similar than dissimilar
62. There is no perfect camera for street photography. Every camera has its own strengths/limitations
63. Learn to memorize a focal length so you can frame your shots before even bringing up your camera to your eye
64. The best combo: one camera and one lens
65. Focus on hands – they communicate strong messages to the viewer
66. Contrary to popular belief, most people don’t get pissed off when you take photos of them (most people actually quite like it)
67. Street photographs are well-balanced with an odd-number of subjects (1 person, 3 people, 5 people, etc)
68. “Realize that most of your photographs are crap” – Charlie Kirk
69. Shoot to please yourself, not others
70. The best response to internet trolls who criticize your work (without helpful critique) is to ignore them completely
71. If you have the opportunity, don’t just settle for one photograph. Take multiple photographs if possible. “Killers shoot twice” – Thomas Leuthard
72. If you don’t ask for critiques, nobody will ever give it to you
73. If you are going to ask someone for permission for a photograph, always preface your question with, “I know this may sound weird, but…”. Works like a charm.
74. If you don’t make time to go out and shoot, you will never go out and shoot.
75. Learn to judge distances well- so you can prefocus before you anticipate the shot (1.2 meters is roughly two arms-lengths, and 3 meters is roughly half the distance of a room)
76. Spend less time arguing over the definition of street photography, and go out and shoot more
77. You only remember 5-10 photographs from some of the most famous street photographers who have ever lived. Aim to take 5-10 great photographs before you die.
78. Photography is incredibly difficult
79. If people notice you taking a photograph of you, tell them, “Ignore me—pretend like you don’t see me” and most people will laugh it off and continue doing what they were doing
80. If confronted by a person on why you took their photograph, take a step toward them and be open and honest about your intentions. Stand your ground and know your rights.
81. Simplify your photographs. Less is more.
82. Don’t put watermarks on your photographs. It cheapens your work.
83. Street photographs don’t sell
84. Travel as often as you can to open up your views to the rest of the world and society
85. Always carry an extra memory card and battery (in war two is one and one is none)
86. Don’t always hunt for shots—if you are patient enough, they will come to you
87. Shoot at ISO 1600 or above (keep your shutter above 250ths/second)
88. f/8 and be there
89. Black cameras draw less attention to you
90. It is more interesting to take photos of rich people than poor people
91. Never delete any of your photographs (you can rediscover hidden gems later in the future)
92. Silver Efex Pro 2 is the best black and white conversion software for digital
93. “You miss 100% of the shots you don’t take” – Wayne Gretsky
94. Don’t aim to take pretty photographs, aim to take meaningful photographs
95. Don’t be sneaky when shooting—you will get in twice as much trouble if you get caught
96. A great street photograph both has strong composition and story
97. When it comes down to it, composition isn’t as important as the story
98. 99.9% of the photographs online are crap
99. Love your critics
100.Offer to email your subjects their photographs (they love it)
101.Break the rules
102.Make your own list

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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100S/T - photographer, reviews, samples and more ...  | http://www.tomen.de
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The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk

The most comprehensive Collection on Fuji X-Pro1, X-T1 and X-E1/E2 articles on the Web ... | Thomas Menk | Fuji X-Pro1 | Scoop.it


Aspects of Digital Photography focusing on the Fuji X-Pro 1, X-T1, X-E1/E2, X100s and X100T - photographer, reviews, samples and more.

The most comprehensive Collection on Fuji X-Pro1 and X-E1 articles, reviews and X-Pro1 Photographer on the Web!





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Curated by official Fujifilm X-Photographer Thomas Menk

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Following Thomas Menk on Twitter: http://twitter.com/fuji_x_pro

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If you would like to support my work - you can do that via Flattr.

Thank you :-)


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Thomas Menk's comment, June 12, 2013 2:54 PM
Thx Peter :-)
Doug Chinnery's curator insight, October 17, 2013 10:27 AM

very useful collection of information on the X Pro 1

Ariel Gonzalez's curator insight, February 21, 9:42 AM

Great stuff from an  X Photographer 

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Get Fujinon XF60mm to 1:1 magnification ratio | Ming Art

Get Fujinon XF60mm to 1:1 magnification ratio | Ming Art | Fuji X-Pro1 | Scoop.it

The Fujinon XF60mm macro lens has a magnification factor of 1:2. There are various other options like the pricey Zeiss 50mm macro, which is a true 1:1 autofocus lens or vintage manual lenses like Minolta 50mm or 100mm using a converter. I just posted some few sample images here and don´t go into details, since you find a very good article at Lichtklicker. All images shot with the X-E2, Fujinon 60mm macro lens and Raynox DCR-250 using Velvia filmsimulation......

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Fujifilm X100 long exposure practice. ..... Finally | Simon Peckham

Fujifilm X100 long exposure practice. ..... Finally | Simon Peckham | Fuji X-Pro1 | Scoop.it

At last …. Heading out to the Lake District taking the camper I knew I would be able to find the perfect time and location for a spot of long exposure shooting. The plan was to stick faithfully to the 1Camera1Lens project however I was not able to take the normal 35mm Fujifilm XE1 combination after finding out that the sensor in this camera was very dirty. I have never cleaned a sensor before so I ordered a lens cleaning kit and waited for delivery. Unfortunately it turned up on the day we were due to leave for Lake Holiday. I did not want to rush this procedure for fear of damaging my XE 1. I took the decision to leave the XE1 at home and take the Fujifilm X100. (My old sole mate). The 10stop Hoya filter will fit all of my lenses as I have a group of conversion rings so I can swap 39mm up to 52mm if needed. So how did it go take a look after the page break.......

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#LNDNWLK 2.0 | Rafael García Márquez

#LNDNWLK 2.0 | Rafael García Márquez | Fuji X-Pro1 | Scoop.it

September 13th 2014. In the bus from Paddington to Stephen Bartels Gallery. Excited! Rebecca and Johnny Patience, Heather and Mathieu from Mirrorlessons had organized this second edition of #LNDNWLK and I couldn't resist. Had to be there. Many names and nicknames I used to relate to an avatar will be a few steps from me and they'll have actual faces from then on. That's fun. Not that I haven't done this before. I'm lucky I've met and had a great time chatting with Wouter in Amsterdam, Markus and Maria in Berlin, my dear Spanish fellows from Fujistas community, ... But this is different. A lot of old/new fellows to meet to whom I've engaged before. This is by far the best from this photowalks......

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Choosing a raw processor for Fuji X-Trans Files | Thomas Fitzgerald

Choosing a raw processor for Fuji X-Trans Files | Thomas Fitzgerald | Fuji X-Pro1 | Scoop.it

I've covered post processing of Fuji X-Trans files fairly extensively over the last two years on this blog. In particular I've discussed how using a third party raw converter can give you much better results than just using Lightroom or Camera Raw. I've used and written about Photo Ninja and Iridient Developer the most, but since Phase One have released Capture One Pro 8, I've been giving that a good work out too (and I'll have a report on that in a week or two). One of the things that I've noticed though, is that usually, when you talk about one piece of software, someone will invariably tell you "how much better" the other is. There seems to be a lot of strong opinion as to which is the best. Some people swear by Photo Ninja, others swear by Capture One. In terms of pure image quality, a lot of it is quite subjective, and personally I've changed my mind over the last little while. To put it diplomatically, all three of the main third party converters have image quality that is sufficiently better than Lightroom or even Fuji's own Raw converter that picking between them comes down to your personal perceptions.....

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