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Fuji X-Pro1
Aspects of Digital Photography focusing on the Fuji X-Pro1, X-T1, X-E1/E2 and X100s - photographer, reviews, samples and more ... | http://www.tomen.de
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The Mirrorless Post | David duChemin

The Mirrorless Post | David duChemin | Fuji X-Pro1 | Scoop.it


I’m convinced. After a week in Lalibela, Ethiopia, and a safari in Kenya, I’m ready to leave my heavy pro DSLR gear at home more often. I went to Ethiopia with a Fuji XE-1 and a Leica M (240), both with a small kit of lenses (18-55 and 55-200 for the Fuji, and 21mm, 50mm, and 75mm for the Leica), and went mirror-less all week. It wasn’t my first time going so light. The last time I went to Italy for a month I brought only the Fuji and 2 lenses, but that trip had less hanging on it, and the conditions were less taxing. Below are my thoughts, in no particular order, after giving these cameras a run for their money. But first, the usual caveat: I like gear. I like the way it feels in my hands when it feels right. I like gear that gets out of the way as much as possible. But I’m OK with constraints, I know there is no perfect camera, and ultimately cameras don’t make photographs – photographers do. So don’t look for pixel-peeping here. And don’t look for me to tell you to get rid of your DLSR gear. For some that might be a great move, for others not so much......

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Postcards from Lalibela | David duChemin

Postcards from Lalibela | David duChemin | Fuji X-Pro1 | Scoop.it


A week ago a group of us landed in Lalibela, Ethiopia about the same time as thousands of orthodox pilgrims were arriving from all over the country. We spent the last week in this high dusty town, walking among the centuries-old churches, all carved from the red rock on which this town sits, and waiting for orthodox Christmas. Unique in ways I’ve not encountered anywhere else in Africa, Ethiopia is hard to describe to those who haven’t been, and Lalibela is even more so. After being exiled to Jerusalem by his brother the king, Prince Lalibela eventually returned to his home with the intention of building an African Jerusalem, and this town – some 2600 meters in the mountainous north of Ethiopia – was where he built it.  Churches here, all intricately carved from the rock, and joined by tunnels and bridges, are alive; they throng with life, the priests and pilgrims moving to the rhythms of a faith practiced here for many centuries. The walls are hung with tapestries, the floors covered in carpets, all of it lit from high carved windows and the odd bare bulb, placed wherever the rock allows. It’s crowded and dusty and full of mystery and humanity.....

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