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Fuji X-Life
Dedicated to all things in the Fuji X Series
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A Mini Adventure with the X-E1 | David Cleland

A Mini Adventure with the X-E1 | David Cleland | Fuji X-Life | Scoop.it


I recently acquired two little, vintage dinky mini cars and normally would have reached for a 50mm lens and a sub f/2.0 aperture to create a miniature world effect. The Fujinon 35mm lens at f/1.4 is equivalent to a 53mm lens at f/2.0 on a full frame camera so I began to wonder if I need to turn to 50mm to achieve the depth of field I was looking for. Starting of with the Fujifilm X-E1 & 18-55mm XF Lens”>18-55mm zoom lens I shot a number of photos of the car (setting the X-E1 on macro mode). You can see from the following two images to get the scale right meant framing at 35mm-55mm....

 

You can see that moving between the 18-55 zoom and 35mm prime offered different focal lengths and I could adjust the scale of the car. I think both the 18-55mm zoom and 35mm prime worked well to achieve a ‘slight’ sense of reality. I am genuinely beginning to wonder if I really need to retain a full frame camera given the quality of photographs I can achieve with the fujinon lenses. I know there is an even finer DoF offered with f/1.4 on full frame but I am just not sure how often I actually need it.

 

Note: All photos were captured on the Fujifilm X-E1 and either the 18-55mm zoom lens or 35mm prime lens.


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R-Space : Memory of Yarn (Fuji X-E1 and 18-55mm lens) | David Cleland

R-Space : Memory of Yarn (Fuji X-E1 and 18-55mm lens)  | David Cleland | Fuji X-Life | Scoop.it


I paid a visit to R-Space with the X-E1 and 18-55mm lens to experiment in a different type of photographic environment. The R-Space Gallery was home of the ‘Mak-9 Things that fall in between exhibition‘ and currently houses the work of brilliantly talented Rachel Gomme a solo performance artist who uses knitting as a metaphor. Rachel was knitting constantly from 11am to 4pm and presented a year long knitting experience, a visual timeline in yarn throughout 2010. Today was the opening performance that offered visitors a chance to learn and take part in the creation of ‘the memory of yarn’ with tutors on hand to teach a number of different techniques. It was great to revisit this brilliant, creative space and catch up with what Anthea and Robert have planned for the months ahead. As well as visual installation each exhibit in R-Space is accompanied by a series of workshops and artists talks. It is a gallery worth following on Facebook. There were still some remnants of the Mak9 exhibition left from last June, this really is a striking location. Lotus Dewit’s amazing insects still remain on the old toilet. Scarily real, this is a place where time has stood still. A house filled with history is a perfect location for a creative space focusing on craft and visual arts and the R-Space team really maximise its potential. All photos were taken with the Fujifilm X-E1 with 18-55mm zoom lens.

See David on Flickr:

http://www.flickr.com/photos/flixel/sets/72157631968003701/

 


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Impressions of the Fujinon XF 18-55mm F2.8-4 lens | sgoldswoblog

Impressions of the Fujinon XF 18-55mm F2.8-4 lens | sgoldswoblog | Fuji X-Life | Scoop.it


This is a very good lens and should be in any self respecting Fuji X-Pro1 or X-E1 owners bag. It feels solid and is very well screwed together. I’ve had rubbish weather to test out this lens and I’m upset I cannot replicate the very bright conditions on Sunday when I first road tested the lens. Nonetheless the rubbish weather has enabled me to confirm the lens OIS works well…


Using it with the X-Pro1 OVF takes some getting used to in that the size of the frame is tiny at full zoom. That say, it is perfect for action shots as you can see what is happening around the frame. I didn’t mind using it with the OVF in that way but I preferred to use it with the EVF. The lens has a fast and (scarily) quiet auto-focus mechanism and uses an internal focusing system, which means the front element and filter thread does not rotate on focus. Focus speed is very good, much better than any of the primes except the 18mm, and I suspect the original primes will be quietly upgraded to use the linear motors used in this lens over time. However, sometime the 18-55 feels more inaccurate at focusing than the primes. This seems to be some that was addressed in firmware for the primes so I wouldn’t be too worried about it right now. The lens is very sharp and compares well with constant aperture zooms I have used. By way of comparison I think it compares favourably to the 12-35 for M43s in that it is almost as quick to focus, is ultra sharp (though the sensor helps here) and the OIS is very good. Also the 12-35 suffers badly from CA on Olympus bodies. The 18-55mm only really loses out because of its aperture – ultimately the 12-35mm is better in low light because of that. Distortion isn’t too bad and is only really noticeable for me at 18mm (note, distortion is corrected in body). There is some barreling at 18mm, but no pincushion distortion I noticed at the 55mm setting. Bokeh is very good at 55mm but is a little busy at 18mm. Vignetting is not a problem. Quibbles aside this is a very good lens and is a steal for the £529 I’ve seen it advertised for. Basically, get it as soon as you can. You won’t regret it!

 


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