Duggett argues that the split between ‘Romantic’ and ‘Gothic’ was not simply accidental or a later critical imposition on the period. He argues that the first generation of Romantic poets (specifically William Wordsworth, Samuel Taylor Coleridge and Robert Southey) were actively instrumental in ‘the creation of a wider “Gothic culture” and “second Gothic poetry” that differentiated a ‘distinctive, purer Gothic’ literature over and above the Gothic novel for instance. Whereas Michael Gamer’s work, Romanticism and the Gothic (2000) shows the emergence of Romanticism out of the broader cultural umbrella of Gothic, Duggett argues that ‘the phenomenon known as Romanticism is a reform movement within [my emphasis] the Gothic —less a break-away reformation movement than a program for a counter-reformation.’ Gothic Romanticism looks at the discourses of architecture, politics and literary form in order to reappraise the works of these three key Romantic poets, especially Wordsworth.
Many and long were the conversations between Lord Byron and Shelley, to which I was a devout but nearly silent listener. During one of these, various philosophical doctrines were discussed, and among others the nature of the principle of life, and whether there was any probability of its ever being discovered and communicated.
They talked of the experiments of Dr. Darwin (I speak not of what the doctor really did, or said that he did, but, as more to my purpose, of what was then spoken of as having been done by him), who preserved a piece of vermicelli in a glass case, till by some extraordinary means it began to move with voluntary motion. Not thus, after all, would life be given. Perhaps a corpse would be reanimated; galvanism had given token of such things; perhaps the component parts of a creature might be manufactured, brought together, and endued with vital warmth.
Night waned upon this talk, and even the witching hour had gone by before we retired to rest. When I placed my head on my pillow, I did not sleep, nor could I be said to think. My imagination, unbidden, possessed and guided me, gifting the successive images that arose in my mind with a vividness far beyond the usual bound of reverie. I saw - with shut eyes, but acute mental vision - I saw the pale student of unhallowed arts kneeling beside the thing he had put together; I saw the hideous phantasm of a man stretched out; and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half-vital motion.
Mary Shelley was only 21 years old when she published her first (and greatest) novel, Frankenstein. A small London publishing house quietly issued 500 copies in 1818 of the gothic novel about a scientist who invents a ...
Sharing your scoops to your social media accounts is a must to distribute your curated content. Not only will it drive traffic and leads through your content, but it will help show your expertise with your followers.
How to integrate my topics' content to my website?
Integrating your curated content to your website or blog will allow you to increase your website visitors’ engagement, boost SEO and acquire new visitors. By redirecting your social media traffic to your website, Scoop.it will also help you generate more qualified traffic and leads from your curation work.
Distributing your curated content through a newsletter is a great way to nurture and engage your email subscribers will developing your traffic and visibility.
Creating engaging newsletters with your curated content is really easy.