Fotografía siglo XXI
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Rescooped by Daniela Ide from Photojournalism & documentary photography Fotografia sociale e documentaria, fotogiornalismo
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Visa pour l'Image: Jean-François Leroy on social media, the future of photojournalism and the need for greater cooperation (2/2) - British Journal of Photography

Visa pour l'Image: Jean-François Leroy on social media, the future of photojournalism and the need for greater cooperation (2/2) - British Journal of Photography | Fotografía siglo XXI | Scoop.it

"there will always be photographers. Strangely enough, more and more are coming back to film. The pendulum is swinging back. There are photographers such as Eric Bouvet who has dropped his digital gear and gone back to a Graphiflex view camera with lenses dating from the Second World War. There are people like Philip Blenkinsop and Stanley Greene who refuse certain commissions because they want to be able to keep on working with celluloid, at their own pace. There are people who are not interested in instant news."


Via Marc-André Pauzé, Alessandro Zanini
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Rescooped by Daniela Ide from Educommunication
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Qué nos deparan las siguientes generaciones? De Nativos Digitales a Nativos Biónicos. - VI Encuentro Internacional EducaRed 2011

Qué nos deparan las siguientes generaciones? De Nativos Digitales a Nativos Biónicos. - VI Encuentro Internacional EducaRed 2011 | Fotografía siglo XXI | Scoop.it

El término "Nativo Digital" fue acuñado por Marc Prensky en el 2001, describiendo a la generación nacida con recursos tecnológicos y digitales: cable digital, fotografía digital, internet, etc.
Esta generación, viene ya desarrollando sus primeros años universitarios, esta afirmación puede ser aún discutible, aunque para fines prácticos voy a considerarla lo suficientemente cerca a la universidad como para empezar a especular.


Via Manuel Pinto
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Rescooped by Daniela Ide from Photography Now
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Fotografía surrealista // Surreal photography (by Robert and Shana Parkeharrison)

Fotografía surrealista // Surreal photography (by Robert and Shana Parkeharrison) | Fotografía siglo XXI | Scoop.it

Everything seems to be possible in Robert and Shana‘s compositions…


Via Mario Pires
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Rescooped by Daniela Ide from Photojournalism & documentary photography Fotografia sociale e documentaria, fotogiornalismo
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A View From Inner Turmoil: loneliness in NYC in the 80's

A View From Inner Turmoil: loneliness in NYC in the 80's | Fotografía siglo XXI | Scoop.it
Struggling with bipolar disorder that would not be diagnosed for years, Robert Herman took to the streets of New York to photograph the loneliness of a city where so many people live by themselves.


Via Alessandro Zanini
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Alessandro Zanini's curator insight, June 14, 2013 5:43 PM

La solitudine a New York negli anni '80 nelle immagini di Robert Herman

Loreto Vargas's curator insight, June 16, 2013 11:22 AM

Love Street Art in NYC and all around the world!

Rescooped by Daniela Ide from FOTOGRAFIA Y VIDEO HDSLR PHOTOGRAPHY & VIDEO
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Los mejores fotógrafos de la historia

Los mejores fotógrafos de la historia | Fotografía siglo XXI | Scoop.it
La fotografía no siempre se consideró un arte. La aceptación de la fotografía como arte fue muy discutida y comenzó con los fotógrafos retratistas. El retrato fotográfico tuvo gran acogida como...


Via VIDEOWORLD
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VIDEOWORLD's curator insight, June 13, 2013 9:50 PM

Ha habido grandes fotógrafos en la historia, que han contribuido en buena medida a lograr que la fotografía sea considerada un arte, cuál consideras que ha sido el mejor de la historia?

Rescooped by Daniela Ide from Photography Now
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PHOTOBOOK COLLECTION:After Photography by Fred Ritchin

PHOTOBOOK COLLECTION:After Photography by Fred Ritchin | Fotografía siglo XXI | Scoop.it

Uno de nuestros comentaristas más influyentes en la fotografía investiga el futuro de los medios visuales. Como la revolución digital transforma las imágenes, cambia la forma en que conceptualizamos el mundo.


Via Mario Pires
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Rescooped by Daniela Ide from Photojournalism & documentary photography Fotografia sociale e documentaria, fotogiornalismo
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Visa pour l'Image: Jean-François Leroy on social media, the future of photojournalism and the need for greater cooperation (2/2) - British Journal of Photography

Visa pour l'Image: Jean-François Leroy on social media, the future of photojournalism and the need for greater cooperation (2/2) - British Journal of Photography | Fotografía siglo XXI | Scoop.it

"there will always be photographers. Strangely enough, more and more are coming back to film. The pendulum is swinging back. There are photographers such as Eric Bouvet who has dropped his digital gear and gone back to a Graphiflex view camera with lenses dating from the Second World War. There are people like Philip Blenkinsop and Stanley Greene who refuse certain commissions because they want to be able to keep on working with celluloid, at their own pace. There are people who are not interested in instant news."


Via Marc-André Pauzé, Alessandro Zanini
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