Should we plant a bomb under film school courses and see where the pieces fall? Might we fire university film studies courses into the sky, on a magnesium rocket, and see the smithereens fall to earth, like the man who fell to earth, like the climax of Nicolas Roeg’s Eureka, when Jack McCann finds his gold?
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Lee Clark's insight:
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The ideal Surrealist film differed from Dada works in that it would not be a humorous, chaotic assemblage of events. Instead, it would trace a disturbing, often sexually charged story that followed the inexplicable logic of a dream.
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