Posted by Below The Line's Staff on April 2, 2013 •
Photo: Thierry Saint-Paul •
"FOR-A Corporation of America will showcase its FT-ONE 4K super slow motion camera at the upcoming NAB Convention. This marks the NAB debut of the FT-ONE, which was first introduced last spring at Cine Gear Expo. FOR-A will exhibit in booth C5116 at the show, from April 8-11 in Las Vegas.
“FOR-A strives to stay ahead of the curve,” said Hiro Tanoue, FOR-A Corporation of America’s president. “We’re proud to have been the first to introduce technology that offers the ability to record super slow motion images at full 4K resolution, and look forward to showcasing the FT-ONE to the NAB Show’s broad audience for the first time."
"f you like to use your iPhone, iPad or laptop in your classroom because it allows you to effortlessly navigate the learning space, one of the greatest frustrations can be having to constrain yourself to the vicinity of the projector cable every time you want to share your screen with the class.
I have seen this as a common practice even in open plan learning environments, which instantly does away with it’s greatest feature by forcing the teacher to move back to the front of the room.
Whilst you can get wireless projectors at great expense, have you ever thought of using Apple’s $99 Apple TV? I hadn’t until recently, but since using it I could never go back to a physical projector/tv connection for the following 4 reasons:
"The production shot with six Alexa cameras paired on three Cameron Pace Fusion rigs with ARRI / Zeiss Master Primes. The uncompressed HD data was recorded to Codex recorders. The result is a remarkable cinematic accomplishment that enhances the viewing experience and immerses audiences in a sea of breathtaking imagery. Here DP Claudio Miranda talks about materialising images and emotions on a grand scale for Life Of Pi.
(...) "I did some early tests with other cameras. We needed strong, controlled highlights. Normally, sunlight reflecting on water is a pretty big digital issue. We shot off the Venice Beach pier with the camera very low to the water. The Alexa was the only camera that didn’t feel electronic in the highlights. That’s pretty critical to the story, with all of the highlights going out of control in the reflections and with characters really close to the water. This was really important to get a handle on. It was a landslide why we chose Alexa. It was obvious very early on that was our camera."
last Sunday i was at the Barbican, attempting to recover from the heart attack i had when i saw the endless queue to experience Random International's Rain Room and took the lift to see the photo show. I found that the press pictures didn't do it justice. Everything Was Moving is a magnificent, albeit slightly exhausting, show. The exhibition shows the work of photographers who lived and worked in countries as different from each other as Ukraine under Soviet control and Apartheid South Africa, Maoist China and Vietnam attacked by American soldiers. Plenty of politics, social issues and conflicts to cover!
TORONTO (Reuters) - Singer Patti Smith is best known for her rock 'n' roll songs from the punk era of the 1970s, but visitors to a new photo exhibition will see a different side of the musician, poet and...
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