Shooting And Editing Life Of Pi. By DP Claudio Miranda & Editor Tim Squyres | Film, Art, Design, Transmedia, Culture and Education | Scoop.it

Posted by definitionmags on February 19, 2013 • 


"The production shot with six Alexa cameras paired on three Cameron Pace Fusion rigs with ARRI / Zeiss Master Primes. The uncompressed HD data was recorded to Codex recorders.  The result is a remarkable cinematic accomplishment that enhances the viewing experience and immerses audiences in a sea of breathtaking imagery. Here DP Claudio Miranda talks about materialising images and emotions on a grand scale for Life Of Pi. 


(...) "I did some early tests with other cameras. We needed strong, controlled highlights. Normally, sunlight reflecting on water is a pretty big digital issue. We shot off the Venice Beach pier with the camera very low to the water. The Alexa was the only camera that didn’t feel electronic in the highlights. That’s pretty critical to the story, with all of the highlights going out of control in the reflections and with characters really close to the water. This was really important to get a handle on. It was a landslide why we chose Alexa. It was obvious very early on that was our camera."

...


DefinitionMagazine.com


Via Thierry Saint-Paul