Here are my top three reasons why Wonder Woman is the wrong choice for UN Ambassador for the Empowerment of Women and Girls: 1. We don't need another sex object as a role model The UN has justified their decision to choose Wonder Woman because she fights for peace and justice. Which is reall
Last week, a Supreme Court justice — one of the most prestigious and influential decision makers in the country — was asked to weigh in on a significant public protest against a spate of police brutality that specifically and severely affected the black community. Her response? “I think it’s dumb an
That imagining, visioning and building is speculative fiction. What would our world look like without child sexual abuse/violence? What are the ways we are learning to love differently? How do the relationships we have with our own bodies manifest themselves in our relationships? All these questions allow us to dig deeper to find a different way of responding to child sexual violence.
To espouse a system of avoidance and silence is to espouse the alienation, physically, and spiritually of those who have been relegated to the margins of the intricate tapestries woven together to form the beloved community. The margins are the spaces that give value to the common space that is shared in the middle ground.
How do we know environmentalism is a social justice issue? These connections to colonization, classism, racism, sexism, and more show how to start including environmentalism in your social justice activism.
In April 1349, as the Black Death swept through London, Mathilda de Myms drew up her will. Her husband, John, had died the previous month, leaving his tenements to his wife and entrusting to her the guardianship of their daughter, Isabella.
Between the late 1970s and the early 1980s, Barbara Kruger, working as a graphic designer for popular magazines, gained recognition in the art world for photo-based images overlaid with blocks of text in a signature color scheme of black, white, and red. Her practice of culling and editing found photographs and of pairing them with phrases in provocative ways was informed by her interest in feminism and critical theory. These investigations into the seemingly innocuous and yet potentially insidious ways in which ideological messages infiltrate daily life by means of the mass media continue today, although she has more recently expanded her repertoire to include installations with video and audio components and oversized sculptures. The techniques of photolithography and screenprint are ideally suited to Kruger's strategies of appropriation and replication of imagery from mass culture, and they are used throughout her work, whether large-scale and unique, or ephemeral and printed in thousands of copies. Her ephemeral works, which dramatically fulfill the democratic potential of printmaking to bring art to wide audiences, range from book, magazine, and compact disc covers to matchbooks, coffee mugs, and shopping bags. It is noteworthy that visual strategies she appropriated from the mass media have been returned to their sources on covers she created for such magazines as Newsweek and Esquire. In addition, countless graphic designers have adopted her visual style. A rare example of her venturing into the area of the traditional limited edition is her illustrated book My Pretty Pony by Stephen King, part of an innovative project pairing artists and writers, established at the Whitney Museum of American Art. Unsurprisingly, the book is also available in a trade edition version for greater accessibility.
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