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Andrew Sarris has died. I am not alone in considering this to be holy writ:I read that devotedly, especially in the early days of my full scale cinephilia, generally taking Sarris' judgments as starting points for my own, though coming to an...
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Making movies might seem like an expensive, high-tech process, but some of the most influential directors make huge statements with cinema using guerilla tactics.
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From the Chicago Reader (May 2, 1997). — J.R.
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The American Cinema Revisited: Rosenbaum on Sarris (From Cinema Scope #6, January 2001) By Jonathan Rosenbaum Citizen Sarris, American Film Critic: Essays in Honor of Andrew Sarris Edited by Emanuel Levy The Scarecrow Press, 2001 Ironically, my...
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From Moving Image Source (May 18, 2009). — J.R. I wouldn’t say that video art per se makes me break out in hives.
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by Bryant Frazer The avant-garde in film has always had an uneasy relationship with home video. Grainy old VHS tape of works by luminaries like Bruce Conner or ...
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What makes Migrating Forms so relevant is its sensitivity to the fact that a specialized theater in the East Village may be just one possible site for works that can also exist as multichannel gallery installations, YouTube videos, or components of a performance.
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Taking a quick break from working on revisions to book two to point out some recent discussion of the use of crowdfunding to raise money for independent films.
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If it hasn’t become obvious from the relative dearth of articles lately, Bad Lit: The Journal of Underground Film is, has been and will continue to be on a semi-hiatus.
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FILM It's commonly said of Nathaniel Dorsky's films that they are beautiful beyond words. Which is true as far as it goes, but then the same could be said of many poems and they are words. What's clear is that Dorsky is absorbed with a classical fulfillment of form, and as such his films do better with poetics than interpretation (he has himself supplied a fine entry point with his slim volume Devotional Cinema). Poetics in this context means respecting the mystery and proceeding gingerly with gesture, metaphor, and detail. No one ever says of a Dorsky film, "I liked it the more I thought about it." Conversely, watching a second or third time one marvels to find the beauty springing to life with the same force, subtler and lovelier now for this trick of renewal. No one ever says of a sunset, "I've seen this one before."
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swedish avant garde film 1924-1990. Filed under: film as subversive art — ABRAXAS @ 1:13 am. Comments (0). Leave a Reply. Name (required). Mail (will not be published) (required). Website. Categories.
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While it contains many familiar echoes of avant-garde performance art (including music, dance, and theater), its only recognizable antecedent in the English avant-garde film tradition appears to be Potter's own previous ...
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Since the 1960s the Film-Makers' Coop has been archiving and preserving some of the best experimental films in the world...
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For some reason, London's festival of photography is probably not getting all the attention it deserves. Hence this first hasty story to try and convince you to flock in droves to some of its exhibitions before they close.
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I bought a dvd called 'Shoot Shoot Shoot: British Avant-Garde Film of the 1960s & 1970s' as at the time I was just starting to get in to the work of Malcolm LeGrice. Shoot Shoot Shoot: British Avant-Garde Film of the 1960s ...
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His films make me want to draw. Jeff Keen Interview (2008) Marvo Movie (1967) ...
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Jeff Keen, the iconic British underground filmmaker and artist, passed away on June 21 after battling cancer for the past several years.Keen began making films in the early ’60s and, although he was geographically distanced from the then burgeoning...
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For those of you who are unfamiliar (probably most of you), Anthology Film Archives is, for all intents and purposes, the center of the avant-garde film universe. For a rather dingy-looking brick building in New York City's East ...
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Experimental Response Cinema is an Austin, Texas-based collective of avant garde film and video artists, devoted to bringing local, national and international experimental films to Austin.
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Top 5 of our Favorite Things: iPad Documentaries... Submarine Channel
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What if Cindy Sherman had killed herself in 1981? People might see her images as self-portraits—and her self-portraits as images of emptiness and fear. In other words, they might be taking her work literally.
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On June 7th-15th Croatia-based curators Zvonimir Dobrovic and Andre von Ah will present the Queer New York International Arts Festival (QNYI).
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the cinema has accompanied and transformed our history so thoroughly as to be inseparable from it.
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American cinema changed dramatically over the course of the 1960s, during which time the scope, shape, and content of film was rigorously challenged. Eager to break away from the domination of narrative features of this ...
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