The years 35/37 : avant-garde photographers are reunited for an exhibition at the legendary Pléiade gallery: Brassaï, Man Ray, André Kertesz, Henri Cartier- Bresson and… Fred Stein. An unknown. Yet this is a photographer who, as early as 1933, fled Germany and befriended Capa and Gerda Taro, and was never without his Leica. He lived, worked, and shared the intimacy of those who were, and remain the greatest intellectuals, thinkers, artists, poets, musicians and writers of the 20th century. They were also represented moral consciousness, demonstrating their refusal of a world where dark clouds of intolerance and fascism were forming over Europe.
"A good picture is born from a state of grace. Grace becomes manifest when one is freed from conventions, free as a child in his first discovery of reality. The game is then to organize the triangle.” – Sergio Larrain.
For the selection of photographs that I have curated to illustrate this book, I have to begin with one of Ciacomelli’s more iconic and surrealist photograph from his series Scanno(1959). I also have to admit that seeing this photograph for the first time a long time ago was a very startling experience for me. My very first impression was that the MoMA (NYC) had made a very big mistake including this photograph in an exhibition. My sensibilities were that such that a photograph should look “natural”, that if there were any retouching, it should not be noticeable to the viewer. And this graphic photograph was in direct contradiction to everything I thought a photograph should look like, as I felt it was very apparent to even the most naive viewer, that it had been heavily manipulated. As you might suspect, I was caught up in the physicality of a photograph, not the symbolism or poetic intent of the image’s content. Interestingly, this single photograph also had the most impact on me as Giacomelli’s name and image were as though seared permanently on my memory.
During my time as a freelance photojournalist and as a Master’s candidate at Ohio University, one of the biggest challenges of my career came in November of 2012, while working on a project about the stigma associated with being an ex-convict. Suddenly, an incident of domestic violence unexpectedly became my business.
This is a very difficult call to make. As imagemakers do we close a blind eye and continue to capture the moment, no matter how dangerous it can be for the people involved or yourself? Are you doing it for the right reasons? What happens to the victims once your photo essay goes viral and you become a success? Difficult questions, but I don't have the answers.
Adobe Photoshop Touch for iPhone Version reviewed: 1.0.0 Price as reviewed: $4.99 Bottom Line: I like it but I’m not wowed… yet. In its initial release, Adobe Photoshop Touch for phone comes very close to earning the “Photoshop for iPhone” moniker.
In the latest installment of our interview series, we chat with photographer and seasoned urban explorer Chris Luckhardt, who has not only shared his incredible photography, but also taken the time to answer questions about himself and his urbex experiences.
“For me, the greatest inspiration lies in the mystery of their being.” Through the process of documenting my three children, I am able to both witness their evolution and capture those specific moments that lead me to feel that I am discovering...
If You Knew Me You Would Care is a collection of personal stories and portraits that come together to tell a powerful tale not only of survival, but also of life regained and the strength of the human spirit.
Published by powerHouse Books New York, the stories in If You Knew Me You Would Care are from women who have survived the most horrific experiences that come as a result of conflict, violence, and poverty in places such as war-torn Afghanistan, the Democratic Republic of Congo, Rwanda, and Bosnia and Herzegovina.
Fausto Podavini is an italian photographer, winner at the last World Press Photo Awards in Daily Life Stories with the photo above. Part of the Project “Mirella”. “Despite her husband’s life-threatening disease, Mirella devoted her life to assisting Luigi, trying to be positive and reassuring, looking after him with intense love and respect. Everyday care, usually done in a few minutes, takes hours when it concerns someone with dementia. Mirella, 71, spent 43 years of her life with the only person she loved, with all of life’s difficulties, laughter, and beautiful moments. But over the last six years things changed: Mirella lived with her husband Luigi’s illness, Alzheimer’s, and devoted her life to him as his caregiver.”