The story began in 1893, with a Kentucky schoolteacher and her older sister. Patty Smith Hill and Mildred J. Hill wrote the song for Patty’s kindergarten students, titling it “Good Morning To All.” The original lyrics Patty wrote were: “Good morning to you / Good morning to you / Good morning, dear children / Good morning to all."
Patty later said that she had worked with her sister to compose a simple melody to match the words that could be easily sung by young children.
N’y voyez aucun effet de leur légendaire excentricité. Les Anglais ne sont pas les seuls à rouler à gauche. Un tiers des pays dans le monde font de même. Cette pratique remonte à l’Antiquité, quand les hommes, en majorité droitiers, portaient leur épée à gauche pour la dégainer plus rapidement.
le goodwill (selon le Vernimmen, « Le goodwill naît de l'écart entre le prix payé pour acquérir une société, mettons 100, et la quote part des capitaux propres de cette société qui revient à l'acquéreur, mettons 40 »). L’invention de ce dernier est relativement récente. Au contraire du capital (qui figure au passif d’un bilan), l’évaluation du goodwill (ce dernier figurant à l’actif ; j’ajoute exprès au passage, que le goodwill est à mon sens rempli d’images) est souvent complexe parce qu’elle est, à mon sens, plus directement liée « au social » (il faudrait presque doubler les guillemets tant la chose est brûlante !; je rappelle aussi la terminologie « parts sociales »).
I don’t know you know whether its worth very much — I mean the essay — when you have it written. I’m rather afraid of it as an enemy to the really creative writing that holds scenes and things in the eye voices in the ear and whole situations as a sort of plexus in the body (I don’t know just where).
A party where you pay to have verse read to you in a bordello-style setting is packing in the punters. Are poetry and sex work really comparable? I am in the back room of the Backroom cocktail bar in New York, reclining on a fur-covered day bed.
Albertine vient combler un vide absurde dans une ville aussi cosmopolite que New York. Au cours de ces dernières années, les enseignes vendant des œuvres en français ont fermé les unes après les autres. La Librairie de France, installée dans le célèbre Rockefeller Center pendant 74 ans, faisait figure d’ultime rescapée dans un environnement livresque en pleine mutation. Elle a dû à son tour fermer ses portes en 2009 (...)
16 years after enjoying a high school literary education rich in poetry, I am a literature teacher who barely teaches it. So far this year, my 12th grade literature students have read nearly 200,000 words for my class.
Nous apprenons la triste nouvelle de la mort de Jean-Pierre Carasso, traducteur hors pair des plus grands : Carver, Hemingway, Norman Mailer, Alice Munro, la liste est infinie… C’est à travers ses mots, et ceux de sa compagne Jacqueline Huet, que nous avons lu La Conjuration des imbéciles, Jay McInerney, redécouvert Last Exit to Brooklyn (« œuvre…
The purpose of the Cross-Channel database is to bring to the public a group of works in many cases under-recognized, unknown, or hitherto inadequately identified. The database is especially intended to highlight the extent of French collections of British art.
The project was launched in the wake of the 1994 Louvre exhibition D'outre-Manche.L'Art Britannique dans les Collections Publiques Françaises ("Cross-Channel: British Art in French Public Collections"), which presented the initial results of our research. Since then our knowledge of the field has increased and, encouraged by the ongoing interest in British art in France, the nation's public collections have expanded via sometimes spectacular acquisitions. This online catalogue is the creation of a French team comprising Marie-Alice Seydoux, Camille Dorange, Guillaume Faroult and myself. It brings together almost 3000 works by British artists in every field except engraving and photography; all the works are pre-1940 and all belong to French public collections. Each is presented in an individual entry comprising the following sections: title, artist, medium, dimensions, inventory number, provenance, bibliography and exhibition history. All of them are reproduced when current copyright provisions permit. The present location of the work is specified, and photographs of the institution in question are included, together with a link to its website.
My name is Roger Thatney and I am 91 years old. I was serving as a testing pilot at the beginning of WW2 for the US Navy and since our plane equipped radio systems were not very advanced the signal was often getting lost and only parts of the conversations were heard, so whenever my name was called other pilots only heard "Roger..", or "..That..", so we were often joking about the signal quality and eventually instead of saying "I understand" they started jokingly saying "Roger That" and everyone knew exactly what they meant. Later the phrase caught up with the radio signal engineers who were working at making our planes getting better reception as well as creating plane radar systems and the phrase was later used to name aircraft radio equipment developing projects - on May 3rd, 1941 project "Roger" was created at the Naval Aircraft Factory to install and test their, then "new", "airborne radar equipment". The equipment proved to be very useful in the next few months so the phrase "Roger That" spread across all of the Navy and later other US Army units... The rest was history...
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