In Rebel Cities, David Harvey exhaustively tracks capitalism's turn to real estate speculation and rent extraction, while imagining a reciprocal and reinvigorated urban politics.
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reflections on the expanded field of digital art and culture
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Neil Gray on Harvey's Rebel Cities for Metamute
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Patrick Mureithi, a Kenyan filmmaker, is hoping to show his documentary on post-election violence and rebuilding in his home country, and is raising travel funds via Indiegogo. Most of this $5,000 will go directly to travel expenses, as Mureithi is counting on some of his countrymen to handle the rest.
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More quotes from the text:
If the capitalist form of urbanisation is so completely embedded in and foundational for the reproduction of capitalism, then it also follows that alternative forms of urbanization must necessarily become central to any pursuit of a capitalist alternative.
One uses space just as one uses machines.
We cannot calculate at what price, but we do know the means: by occupying space, by producing a space.
The control of space was no longer just about the control of objects in space; space itself produced, and was now bought and sold as an ‘ultimate object of exchange’.
(The) thesis that capitalism, running out of profitable, productive means of accumulation, found new territory for accumulation in the conquest of space is now writ large in global cities worldwide.
For Lefebvre, the production of space was intimately bound up with capitalist crisis. Real estate speculation functioned, he argued, as a supplementary and complementary territory for exploitation in times of industrial slowdown:
As the percentage of overall surplus value formed and realized by industry begins to decline, the percentage created and realized by real-estate speculation and construction increases. The second circuit supplants the first, becomes essential.