Emergent Digital Practices
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reflections on the expanded field of digital art and culture
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ReCode Project: first projects

ReCode Project: first projects | Emergent Digital Practices | Scoop.it
The ReCode Project is a community-driven effort to preserve computer art by translating it into a modern programming language (Processing). Every translated work will be available to the public and contemporary artists to learn from, share, and build on.

To participate, find an artwork below that you would like to translate. Email us your Processing sketch or visit our GitHub repo.
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Software - Information Technology: Its New Meaning for Art

Software - Information Technology: Its New Meaning for Art | Emergent Digital Practices | Scoop.it
Conor McGarrigle's insight:

Software was a seminal exhibition of software art curated byJack Burnham for the Jewish Museum in Brooklyn,1970 and the Smithsonian Institution, Washington, 1970-71. The show put together computers and conceptual artists, linking them through the idea of software as a process or a program to be carried out by a machine or, why not, by the audience based on "instruction lines" formulated by the artist


Participating artists: Vito Acconci, David Antin, Architecture Group Machine M.I.T., John Baldessari, Robert Barry, Linda Berris, Donald Burgy, Paul Conly, Agnes Denes, Robert Duncan Enzmann, Carl Fernbach-Flarsheim, John Godyear, Hans Haacke, Douglas Huebler, Joseph Kosuth, Nam June Paik, Alex Razdow, Sonia Sheridan, Evander D. Schley, Theodosius Victoria, Laurence Weiner.

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