Égypte-actualités
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revue de presse sur l'actualité culturelle, archéologique, politique et sociale de l'Égypte
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Football: Al Ahly, 9 mois après

Al Qarra - Match au sommet en finale de la Ligue des Champions Africaine. L'Espérance Tunis, double vainqueur de l'épreuve et tenant du titre, affronte les Cairotes d'Al-Ahly, qui tenteront de remporter un septième succès dans la compétition. L'Espérance, c'est une armoire à trophées qui contient 63 récompenses. Sur l'étagère de l'ogre égyptien, on en compte 123. En clair, l'affiche oppose les deux plus grands clubs du continent et ne pouvait être plus belle.

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Paul Dilley, "Dipinti in late Antiquity and Shenoute's monastic Federation : text and image in the paintings of the Red Monastery"

Paul Dilley, "Dipinti in late Antiquity and Shenoute's monastic Federation : text and image in the paintings of the Red Monastery" | Égypte-actualités | Scoop.it
Egypte actus's insight:

"The Red Monastery (Deir al-Ahmar) in Sohag, Upper Egypt, is a basilica church with a stunningly preserved triconch from the fi fth or early sixth century at its eastern end.1 All three lobes are completely intact, each

with two layers of niches, in elaborate sculptural programs of columns and pediments, and topped with a semi-dome; in Late Antiquity, almost all of this space was covered with brightly colored paintings, themselves densely packed with text.2 The Red Monastery basilica stands alongside more familiar churches,such as Santa Maria Maggiore in Rome, as one of the few r emaining structures in which a sense of the full effect of ancient, monumental ecclesiastic architecture, including decoration, is still possible. As Elizabeth

Bolman notes, the Red Monastery “functions as an index to Late Antique aesthetics, from the unexpected perspective of Egypt”.3 Since 2002, the magnifi cent paintings have undergone sustained conservation by the

Red Monastery Project, under the direction of Bolman. Luigi de Cesaris heads the conservation team.4 As of December 2006, the work on the north lobe was almost complete, and I publish here the extant inscriptions in the conserved paintings, with the benefi t of three onsite visits in the winters of 2004–6, when the extensive scaffolding permitted close inspection of the often  fragmentary text."


Download (PDF) : http://www.academia.edu/attachments/30596782/download_file

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