e-Xploration
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antropologiaNet, dataviz, collective intelligence, algorithms, social learning, social change, digital humanities
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Rescooped by luiy from Digital #MediaArt(s) Numérique(s)
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#Call: #Occupy Movement - Tell us your personal occupy story

#Call: #Occupy Movement - Tell us your personal occupy story | e-Xploration | Scoop.it

We are looking for personal stories on why you are protesting, why you support the movement and experiences that you may have had. This is your story, so feel free to tell it  the way you like, pictures are also welcome. Your voice in this movement is important and as valuable as the richest person in the world. Let us know what you are feeling inside, how you came to support the movement (does not matter if you are a protester or not), your vision for the future, the problems you see, the thing you fear the most and whatever else you would like to share. Remember this is your personal story, so tell it in anyway you want.

 

These stories will be published in papers, book form, on the web and broadcast throughout the world. The stories are intended as a future and current historical perspective of the occupy movement. The project is also intended to put a human face (not just sound bites) on the movement and to reach those who only get their news from the main stream media. This is another way of expressing what is going on while changing the world for all, for the better.

 

Please e-mail your story with your name (can use a fake name), city, the story and your e-mail to OccupyStory@gmail.com. We will do our best to let you know when and where you are published. It would be very helpful if you could spell check and edit, we intend on publishing exactly as received.

 

As interest in this project grows, we will create a site dedicated to the stories of the occupy movement with a link from this page to the new site. Thank you and look forward to what you have to say,

Lisa and Paul


Via Jacques Urbanska
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[INTERVIEW] Grégory Chatonsky, l'art comme une archéologie du futur

[INTERVIEW] Grégory Chatonsky, l'art comme une archéologie du futur | e-Xploration | Scoop.it

L’archéologie nous apprend qui nous étions et surtout qui nous sommes. De ces traces du passé nous pouvons envisager l’avenir. L’artiste français Grégory Chatonsky l’a bien compris et va plus loin. Avec Telofossils, son exposition monographique actuellement présentée au musée d’art contemporain de Taipei, il s’attelle à imaginer ce que pourrait être l’archéologie de notre société. Quels pourraient être les vestiges d’un monde tendant à la dématérialisation ?

 

Les technologies ont joué un rôle important dans ce phénomène. Si elles sont au coeur du travail de Chatonsky tant dans la forme que dans le fond, elles y sont toujours traitées d’un point de vue humain et sensible. L’utilisation des technologies de pointe dans ses installations n’est jamais gratuite mais souligne la relation étroite et complexe que notre société a noué avec elles au cours de ces dernières décennies.

 

Ce désir d’abondance et d’accumulation nous mènera-t-il à notre perte ? Il est trop tôt pour le savoir, mais avant la fin annoncée de notre espèce, nous avons demandé à Grégory Chatonsky de nous en dire plus sur son travail, le futur et la destruction.


Via Jacques Urbanska
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Piratical Practices - a theory/practice project - remix + appropriation + [de]collage + intellectual property...

Piratical Practices - a theory/practice project - remix + appropriation + [de]collage + intellectual property... | e-Xploration | Scoop.it

Piratical Practices is a theory/practice project exploring the aestheticonceptechniques && intersections of remix + appropriation + [de]collage + intellectual property + sampling + plunderphonics + detournement + plagiarism + versioning + sharing + [etc] w/ a focus on our technological times ✄ ☠ ✍


Via Jacques Urbanska
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CLOUDS an Interactive Documentary exploring creativity through the lens of code

Over the last year we have captured interviews with over 30 new media artists, curators, designers, and critics, using a new 3D cinema format called RGBD. CLOUDS presents a generative portrait of this digital arts community in a videogame-like environment. The artists inhabit a shared space with their code-based creations, allowing you to follow your curiosity through a network of stories.

 

What does it feel like to think with code? How can emerging technologies enable us to actualize our dreams? How has online sharing transformed the way artists collaborate? ...

 

 


Via Jacques Urbanska, juandoming
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Víctor Xepiti Eme's curator insight, January 5, 2013 11:26 AM

... "What does it feel like to think with code? How can emerging technologies enable us to actualize our dreams? How has online sharing transformed the way artists collaborate?

...

The creative practitioners featured in the documentary represent a new breed of interdisciplinary artists who combine software engineering, audiovisual design, and cultural engagement. CLOUDS explores the themes of creativity, aesthetics, simulation, and sharing articulated by these luminaries in the computational arts community."...