Share ideas that matter on the social web and experience
the benefits of curating the world's best content.
I don't have a Facebook, a Twitter or a LinkedIn account
|
Scooped by Justin Nalepa onto Documentary Landscapes |
Scoop.it!
Digital communication has arguably impacted the lives of journalists more than any other media practitioner. But new platforms and ways of circulating content are providing vast new opportunities for journalists and documentarians. How have–and might–nonfiction storytellers incorporate many of the emerging strategies of transmedia storytelling and audience participation from marketing and entertainment, and what experiments are currently underway that are showing the potential paths forward?
Are you sure you want to delete this scoop?
 Your new post is loading...
Scoop.it!
FRANCE. 1987 © Josef Koudelka / Magnum Photos To me, Josef Koudelka is one of the most brilliant photographers out there and a true master of black and white.
Justin Nalepa's insight:
Some incredible images and thoughts behind Josef's creative process. A great resource for photographers and cinematographers alike to develop their own methods. Delete the scoop?
Are you sure you want to delete this scoop?
Yes
Scoop.it!
110 of the world’s top cinematographers discuss the art of how and why films look the way they do. Cinematographer Style is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual’s visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well. Delete the scoop?
Are you sure you want to delete this scoop?
Yes
|
Scoop.it!
At SXSW a panel titled “The Great Cinematography Shootout” gathered a group of directors and cinematographers to discuss independent film lensing in an age of proliferating formats and lower-cost, high-quality cameras, like the Canon 5D.
The directors of photography were Jody Lee Lipes (Girls, Tiny Furniture, and also the director of Opus Jazz), James Laxton (Medicine for Melancholy, Leave Me Like You Found Me), Clay Lifford (Gayby, and also the director of such films as Wuss and Earthling), PJ Raval (Trouble the Water, Sunset Stories, and also the director of Trinidad); and filmmaker, editor and d.p. David Lowery (Pioneer, and, as d.p. Audrey the Trainwreck). Here, from the d.p.’s, are ten tips for those looking to shoot smart-looking films on a low budget.
Justin Nalepa's insight:
Key advice for low-budget filmmakers and cinematographers. Delete the scoop?
Are you sure you want to delete this scoop?
Yes
|
