Documentary Evolution
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Documentary Evolution
How is being transformed the "traditional" documentary ? "interactive", "transmedia", "webdoc" ...adjectives that make the difference.
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Making Innovation Accessible « Karim Ahmad - ITVS

Making Innovation Accessible « Karim Ahmad - ITVS | Documentary Evolution | Scoop.it

Saying with Murmur words (http://bit.ly/1zAgAXj):

"This presentation focuses on the challenges digital media creators face balancing the desire to create deep immersive media experiences with the reality that a good size of your audience still wants a lean back experience. Amhad explores how you design for both user groups."

mirmilla's insight:

Have also  a look to Murmur 's Tumblr page at the link above... very interesting.

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Introduction aux webdocs interactifs

Une introduction aux webdocs interactifs qui aborde la terminologie, le rôle de l'auteur, les spécificités du numérique, la catégorisation des oeuvres, les out…
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A quick review.

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Racontr - A storytelling platform

Racontr is the combination between an interactive storytelling software and a publishing platform to easily share your works with your community.
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IDFA DocLab: focus on digital reality

IDFA DocLab: focus on digital reality | Documentary Evolution | Scoop.it
A new technology is obviously entering the world of storytelling, and with it comes the question of what documentarians might want to do with it… what can be gained by feeling “inside” the shot as opposed to behind the camera? Is immersion opening new doors to storytelling or are we back into the old photo versus painting and film versus photo debate?

Sandra Gaudenzi - i-Dpcs


Via Davduf
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Qu’est-ce que la narration interactive?

Qu’est-ce que la narration interactive? | Documentary Evolution | Scoop.it
Et pourquoi nous y tenons tant…

 

"La narration interactive fait son chemin au fil des nombreuses expérimentations dans le monde de l’audiovisuel, de l’édition, de la muséographie, du journalisme et bien entendu et depuis toujours dans celui du jeu vidéo.

Parmi ces nouveaux modes de création, certains restent à l’état d’expérimentations — que ce soit pour des raisons économiques ou d’usages.D’autres tendent à devenir des genres à part entière comme le webdocumentaire ou les newsgames."


Via Luís António Santos, Davduf
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Le temps dans les nouvelles écritures — Interactivité & Transmedia

Le temps dans les nouvelles écritures — Interactivité & Transmedia | Documentary Evolution | Scoop.it
Représenter et jouer avec le temps grâce à l’interactivité

 

"Les écritures interactives permettent de créer l’illusion chez l’utilisateur qu’il devient maître du temps, le remontant, l’arrêtant, l’accélérant. Mais elles permettent aussi aux auteurs de changer la perception même de ce temps."

(...)

"quelle durée de vie pour l’expérience interactive? Le problème ne se pose pas tant pour les contenus “finis” comme un webdocumentaire ou une fiction interactive aux frontières limitées, qui peuvent rester en place indéfiniment (quoi qu’il se posera à un moment la question de la durabilité de certains formats web…). Mais la question se pose en revanche irrémédiablement pour les projets participatifs et sociaux car il n’est presque jamais envisageable de les maintenir ad vitam eternam."

Ben Hoguet

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Free/CC book on transmedia activism

Free/CC book on transmedia activism | Documentary Evolution | Scoop.it
Sasha Costanza-Chock writes, "My book about transmedia organizing is now available for free, Creative Commons licensed download from the MIT Press!"

 

"The term "transmedia organizing" is a mash-up of the concept of transmedia storytelling, as elaborated by media studies scholars, and ideas from social movement studies"

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Building the Case for Interactive Impact · MediaFunders

In late October, Media Impact Funders joined TFI and MIT's OpenDocLab in organizing a daylong event to explore ways to trace the impact of interactive documentaries. The day brought makers, analysts and funders together to share lessons and prototype solutions.
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Public participation as seen by 4 creators

Public participation as seen by 4 creators | Documentary Evolution | Scoop.it
How do we manage participation in web docs? David Dufresne, Guillaume Braun, Caroline Hayeur and Rachel Knoll deliver their expertise on the subject.

NFB/Blog

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Prototyping and The Art of Question

Prototyping and The Art of Question | Documentary Evolution | Scoop.it

"As stories become more persuasive the way an experience bridges between devices presents interesting opportunities for storytellers. But balancing story and code can be challenging. What new grammar will emerge to assist the creative process and will a new form of storytelling evolve to meet the changing interests and needs of audiences?"


The Pixel Report

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Hijacking Cinema: Advice on Transmedia Storytelling

Hijacking Cinema: Advice on Transmedia Storytelling | Documentary Evolution | Scoop.it
Video games, apps, infographics—new media is increasingly breaking down cinema's four walls, working in tandem with a film to build a more immersive, multidisciplinary experience for viewers (or "users"). But how do moviemakers tell one cohesive story across so many different platforms?
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"We are in the silent era of transmedia storytelling." ...and not only in transmedia field

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Webséries, webdocs: télé low cost ou nouveau genre audiovisuel ?

Webséries, webdocs: télé low cost ou nouveau genre audiovisuel ? | Documentary Evolution | Scoop.it

On a d’abord pu croire qu’internet, ce n’était qu’une sorte de rattrapage de ce qu’on avait raté à la télé. Puis on a compris que c’était un univers à part entière. Ça s’est aussi passé comme ça pour la télévision. Entre le petit écran comme on disait à l’époque et le grand, celui du cinéma, ce n’est pas qu’une question de dimension. Un soap comme les Feux de l’Amour ou une série comme Games Of Thrones - vous voyez que je balaie large – tous les deux ont au moins un point commun : ce n’est pas du cinéma.

 

Et il en va de même pour internet. On a vu apparaitre ces dernières années des productions qui lui sont dédiées. Des fictions, des webséries, et des documentaires, des webdocs. Il y en a de styles très différents et on encore en phase d’expérimentation, mais une chose est sûre ce n’est pas de la télé classique. Ce qui ne veut pas dire que ça reste confidentiel. Le webdoc « Salauds de Pauvres » consacré à la mendicité à Bruxelles a eu un véritable retentissement il y a quelques semaines.

 

Ces productions visent aussi des publics différents.Pour les webséries c’est tout-à-fait clair. Le public cible, ce sont les jeunes qui accèdent à la vidéo par leur ordi, leur téléphone portable ou leur console de jeux. D’où un ton et un style propres.


Via Marie Thomas-Penette
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Controlled chaos: As journalism and documentary film converge in digital, what lessons can they share?

Controlled chaos: As journalism and documentary film converge in digital, what lessons can they share? | Documentary Evolution | Scoop.it
Old and new media types from journalism, documentary, and technology backgrounds gathered at MIT to share practices and discuss mutual concerns.
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Bloc-notes : L'actualité du (web)documentaire #1

Bloc-notes : L'actualité du (web)documentaire #1 | Documentary Evolution | Scoop.it

En attendant de se doter d’une nouvelle interface (ce qui arrivera bien un jour…), Le Blog documentaire vous propose ici une petite collection d’informations diverses et variées, et à n’en point douter essentielles. Ces compilations viendront de temps à autre rythmer nos publications… Appels à projets, festivals, offres d’emplois, projections événementielles et rencontres spéciales… Vous ne manquerez rien de l’actualité des arts qui nous intéressent ici.


Via Marie Thomas-Penette
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Aron Pilhofer: User Centered Design in the newsroom

Aron Pilhofer: User Centered Design in the newsroom | Documentary Evolution | Scoop.it
Aron Pilhofer, newly appointed executive director of digital for The Guardian, explains how user centered design and user test is essential for journalists.
Interactive Factual
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Missed this post? Yess, I did...
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Fort McMoney, un an après

Fort McMoney, un an après | Documentary Evolution | Scoop.it
C'était il y a un an tout juste. Depuis l'IDFA, à Amsterdam, et depuis les serveurs de l'ONF, à Montréal, était mis en ligne notre jeu documentaire. (...)

 

David Dufresne

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A Glsn's curator insight, December 3, 2014 3:38 AM

Un an plus loin, entre 150 et 300 joueurs viennent chaque jour, avec des points le lundi lors de la mise en ligne des nouveaux épisodes.

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Report DocLab Interactive Conference | IDFA

Report DocLab Interactive Conference | IDFA | Documentary Evolution | Scoop.it
November 24, 2014 | On Sunday, the one-day DocLab Interactive Conference came full circle with valuable lessons about how the internet lost its innocence.
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Sundance's Tabitha Jackson on Why This is the Golden Age of Documentaries

Sundance's Tabitha Jackson on Why This is the Golden Age of Documentaries | Documentary Evolution | Scoop.it
This may be the best time to be a documentary filmmaker (but the worst time to make a career out of it).

Via Justin Nalepa
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Justin Nalepa's curator insight, November 25, 2014 10:04 AM

Tabitha to aspiring documentary filmmakers: "I think as an artist your responsibility is to your art. So find your voice and speak your truth, and that is the best thing you can do as an artist"

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TFI Sandbox

TFI Sandbox | Documentary Evolution | Scoop.it
Adventures in storytelling, technology and social change.

 

"We continue to be excited and inspired by the growing field of interactive storytelling. We started working with the Ford Foundation on the TFI New Media Fund in 2011. Since then we have been funding projects as well as growing the community around this work through Tribeca Hacks and TFI Interactive Day. This second iteration of the Sandbox is all about sharing the projects, people we have met and all the things we have learned along the way. Dive in."

mirmilla's insight:

A must for creators!

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Innovating the Documentary | Raney Aronson-Rath

Innovating the Documentary | Raney Aronson-Rath | Documentary Evolution | Scoop.it
PART 4 -Innovating the Documentary In his talk at MIT’s OpenDocLab Profesor Urrichio made the argument that historically, documentarians have always been at the forefront of visual, audio and storytelling innovations. I asked about documentarians today — his response is that today gamers and sports are taking the lead but he’s seeing great progress with documentarians….and he’s expects to see even more into the future. Here’s what director of OpenDocLab Sarah Wolozin calls Urrichio’s visual whit

 

Open Documentary Lab at MIT

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Conducttr conference: Transmedia storytelling

Conducttr conference: Transmedia storytelling | Documentary Evolution | Scoop.it
Report from the Conductrr conferenc: a gathering of creators, technologists, academics, producers interested in transmedia storytelling...
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POV Hackathon 7: Explore the Prototypes and the Technology

POV Hackathon 7: Explore the Prototypes and the Technology | Documentary Evolution | Scoop.it
Five teams "re-invented the documentary" at POV's latest weekend laboratory of nonfiction storytelling and technology.
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The interactive documentary: A transformative art form

The interactive documentary: A transformative art form | Documentary Evolution | Scoop.it

"Documentary filmmaking has always been at its most dynamic at the intersection of technological changes, which allows for significant new modes of creation, periods of intense and rapid social transformation, the emergence of artists who seize on new means of expression to respond to social change, a direct and ongoing connection with audience/public and the ability to create social meaning.

We are at such a moment now."

mirmilla's insight:

Very interesting article. Must read.

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Carte blanche au Blog documentaire - Le Mois du Film Documentaire

Carte blanche au Blog documentaire - Le Mois du Film Documentaire | Documentary Evolution | Scoop.it
Pour la 3ème édition du Mois du webdoc, Images en bibliothèques s’associe une fois de plus au Blog Documentaire, revue en ligne de référence sur la création documentaire. Nicolas Bole et Cédric Mal, se sont saisis de cette carte blanche pour partager leurs interrogations sur les évolutions du webdocumentaire et proposer deux focus thématiques sur l’actualité des productions interactives.
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Oculus Connect: 360 Degree Filmmaking for VR

Kamal Sinclair, Chris Milk, Paul Raphaël, and Ikrima Elhassen discuss 360-degree Filmmaking for VR at Oculus Connect. Learn more about Connect: http://bit.ly...
mirmilla's insight:

"How do we tell stories where the person is inside the story?". Great discussion with great changemakers. Must watch.

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