Documentary Evolution
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Power Structures and Digital Media: Man with the Movie Camera - The Global Remake, Interview with Perry Bard

Power Structures and Digital Media: Man with the Movie Camera - The Global Remake, Interview with Perry Bard | Documentary Evolution | Scoop.it

"The digital world of interactivity describes an area of interdisciplinary teamwork that prospers on the promise of “collaborative dy-namics.” Perry Bard’s reworking of Vertov’s Man with the MovieCamera (1929), which fulfils his vision for cinema production anddistribution, is indicative of the creative power of such endeavours. Bard invites users from around the world to replace Vertov’s originaldatabase resources by uploading their own content to a designated website.

by Stavros Alifragkis

 

excerpt: 

 

"I don’t like the idea of thinking about media as being new. Look at how technology allows us to manipulate the document today; a document of an event is treated as if it were a realistic paint-ing. I’m using the database as a tool and not as an invention. Vertov was asking us to think about the nature of the document alreadyfrom the beginning of the 20th century. The database for me is a toolthat allows my project to happen, but, I am retaining a linear struc-ture, in other words, I am adhering to the movie, I am not allowing people to grab shots from wherever and reorder the film"Perry Bard

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Documentary Evolution
How is being transformed the "traditional" documentary ? "interactive", "transmedia", "webdoc" ...adjectives that make the difference.
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Why Documentaries Matter Now More Than Ever

Why Documentaries Matter Now More Than Ever | Documentary Evolution | Scoop.it
There is "urgent need for the stories of people’s real-world experiences," writes Simon Kilmurry, the executive director of the International Documentary Association, as this year's Oscar contenders tell stories that explore timely issues amid political churn and "alternative facts."
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Immersive Storytelling Symposium by The New School

Immersive Storytelling Symposium by The New School | Documentary Evolution | Scoop.it
Watch The New School's Immersive Storytelling Symposium on Livestream.com. Please join Parsons School of Design http://newschool.edu/parsons at The New School http://newschool.edu for a one-day symposium about the explosion of affordable virtual and augmented reality technologies. The event will take a critical look at the impact of new mass media technologies such as the Gear VR/Oculus Rift, Google Daydream/Cardboard, HTC Vive, MS Hololens and their “immersive” effects on theater, games, news, and entertainment.

Are these technologies as disruptive as the mobile phone? Are they accessible to all voices of the social spectrum? How are these media affecting the form of stories as they shift from passive to the self-directed exploration? Claims about the medium’s empathic effects abound but are they inciting viewers to action? How can we use this media to transform the learning experience in educational settings, in particular in art and humanities classes? And more.

Presented by the Schools of Art, Media and Technology http://newschool.edu/parsons/amt ; Design Strategies http://newschool.edu/parsons/sds ; and Fashion http://newschool.edu/parsons/fashion-fashion at Parsons School of Design, The New School.

For a line-up of the moderators, panels, and demos go to http://immersive.parsons.edu

This event is part of The Nth Degree Series: Creative Minds Creating Change - http://newschool.edu/nth-degree
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Playing with Reality | CCCB LAB

Playing with Reality | CCCB LAB | Documentary Evolution | Scoop.it
Virtual reality and 360-degree video provide immersive experiences that are particularly suited to documentary and news reports.
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Emergent Principles for Digital Documentary

Emergent Principles for Digital Documentary | Documentary Evolution | Scoop.it

Richard Lachman | VIEW Journal of European Television History and Culture

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Aligning Participation with Authorship: Independent Transmedia Documentary Production in Norway

Aligning Participation with Authorship: Independent Transmedia Documentary Production in Norway | Documentary Evolution | Scoop.it

Joakim Karlsen | VIEW Journal of European Television History and Culture

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Korsakow Perspective(s): Rethinking Documentary Knowledge in Digital Multilinear Environments

Korsakow Perspective(s): Rethinking Documentary Knowledge in Digital Multilinear Environments
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Best Documentary Barcelona Judith Aston Interactive Documentary  2017

Thank you watching Best Documentary Barcelona Judith Aston Interactive Documentary and Live 2017 Documentary 2017 - Please subscrie my channel
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The Transformative Power of Art Interactive Documentary

Sheffield Hallam University, Department of Media Arts and Communication - Work by Level 5 DMP students
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5 Simple Tricks to Follow When Making an Interactive Story 

5 Simple Tricks to Follow When Making an Interactive Story  | Documentary Evolution | Scoop.it

"Little Black Book, 5 Simple Tricks to Follow When Making an Interactive Story. UNIT9 director Anrick Bregman shares some tricks he learned the hard way" | LBBOnline

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7 Tips For Using Virtual Reality in the New Year - MediaShift

7 Tips For Using Virtual Reality in the New Year - MediaShift | Documentary Evolution | Scoop.it
There are three ways to view the videos in this post. 1) View in Google Chrome and use your cursor to travel through the video; 2) With a VR headset, use the YouTube App, click the Google Cardboard logo on the bottom-right corner, and insert your mobile device into VR glasses; 3) Usin
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360 Lessons Learned

The Cultural Institute at King's connects the College with practitioners, producers, policy makers and participants across arts and culture, creating spac
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Building visionary non-fiction by, about and for our communities

Building visionary non-fiction by, about and for our communities | Documentary Evolution | Scoop.it
In addition to the work of building the muscle of our imaginations, we must build the pathways by which we reach each other, make sure we can hear each other beyond the status quo. — Adrienne Maree…
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For Google’s principal filmmaker, good VR movies don’t always need clear storylines

For Google’s principal filmmaker, good VR movies don’t always need clear storylines | Documentary Evolution | Scoop.it
The search giant’s filmmaker on what the new medium does that film cannot.
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Bear 71 VR: Google and the NFB Partner to Expand the World of Virtual Reality Storytelling

Bear 71 VR: Google and the NFB Partner to Expand the World of Virtual Reality Storytelling | Documentary Evolution | Scoop.it

"The NFB has partnered with Google to turn Bear 71 into a virtual reality experience which is available for free online as Bear 71 VR |  - NFB/blog"

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Intro to Immersive Journalism: Virtual Reality & 360 video

Intro to Immersive Journalism: Virtual Reality & 360 video | Documentary Evolution | Scoop.it
A great opportunity to explore the state of art  offered by Knight Center for Journalism
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Story, History and Intercultural Memory: Can a Transmedia Approach Benefit an Archive-Based Documentary Project? 

Story, History and Intercultural Memory: Can a Transmedia Approach Benefit an Archive-Based Documentary Project?  | Documentary Evolution | Scoop.it

Marida Di Crosta - Anita Leandro | VIEW Journal of European Television History and Culture

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I’m Sorry I Don’t Have a Story: An Essay Involving Interactive Documentary, Bristol and Hypertext 

I’m Sorry I Don’t Have a Story: An Essay Involving Interactive Documentary, Bristol and Hypertext  | Documentary Evolution | Scoop.it

Adrian Miles | VIEW Journal of European Television History and Culture

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The Making of VR/360 Experience 'Expedition Antarctica'

The Making of VR/360 Experience 'Expedition Antarctica' | Documentary Evolution | Scoop.it
The Neotopy includes storytellers, filmmakers and sound engineers who specialize in immersive VR/360 cinematic experiences. Their skills and talents make one of their most recent projects, “Expedition Antarctica”, a breathtaking VR/360 experience of the nature and wildlife of Antarctica. Alexandre Regeffe recently discussed the development of the VR project and how Neotopy managed the VR/360 post-production process. Q:  What is the basic premise of “Expedition Antarctica”?
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New York Times Daily 360 forges new ground with immersive video storytelling

New York Times Daily 360 forges new ground with immersive video storytelling | Documentary Evolution | Scoop.it
In November 2016, The New York Times launched The Daily 360 to share one brief, immersive story per day in a 360-video format. INMA asked Senior Editor Sam Dolnick to share early results of the project.
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Empowering Voices Through Cutting Edge Storytelling

From virtual reality to mobile live streaming, RYOT is changing the way that news stories are told. The company's COO Gabrield Lifton-Zoline breaks down how…
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Guardian creates Virtual Reality team, experiments with immersive storytelling

Guardian creates Virtual Reality team, experiments with immersive storytelling | Documentary Evolution | Scoop.it
A dedicated Virtual Reality team at Guardian News & Media explores immersive digital storytelling, its value to journalism, and the commercial opportunities it likely will bring for news media outlets.
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The Possible: GE Announces Immersive Virtual Reality Documentary Miniseries

When it comes to cutting-edge and creative technology, you can be sure that GE will be right there with it; what else would you expect from a company whose motto is Imagination At Work? The company has invested well over $1 billion in additive manufacturing technologies and facilities, fro
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Multimedia journalists sniff promise and perils of interactivity

Multimedia journalists sniff promise and perils of interactivity | Documentary Evolution | Scoop.it
From immersive investigative journalism to virtual reality games, have “i-docs” come of age?
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A Year in 360: Lessons from Shooting Spherical Video Across the Globe

A Year in 360: Lessons from Shooting Spherical Video Across the Globe | Documentary Evolution | Scoop.it
It’s not every day you get to experiment with new forms of media. We have seen astonishing new ways to move the camera from drones to gimbals which can pus
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