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Methods of navigation and interaction of an interactive documentary. I-Docs Modalities (II) | i-docs

Methods of navigation and interaction of an interactive documentary. I-Docs Modalities (II) | i-docs | Documentary Evolution | Scoop.it
After a deep analysis of a set of significant examples of interactive documentaries (we have analyzed an initial volume of between 200 and 250 examples), we have establish a division ...

 

Another very useful analysis grid by Arnau Gifreu Castells.

Read the first part published just a month ago here http://bit.ly/LSA0hy

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Documentary Evolution
How is being transformed the "traditional" documentary ? "interactive", "transmedia", "webdoc" ...adjectives that make the difference.
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TFI Sandbox

TFI Sandbox | Documentary Evolution | Scoop.it
Adventures in storytelling, technology and social change.

 

"We continue to be excited and inspired by the growing field of interactive storytelling. We started working with the Ford Foundation on the TFI New Media Fund in 2011. Since then we have been funding projects as well as growing the community around this work through Tribeca Hacks and TFI Interactive Day. This second iteration of the Sandbox is all about sharing the projects, people we have met and all the things we have learned along the way. Dive in."

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A must for creators!

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Innovating the Documentary | Raney Aronson-Rath

Innovating the Documentary | Raney Aronson-Rath | Documentary Evolution | Scoop.it
PART 4 -Innovating the Documentary In his talk at MIT’s OpenDocLab Profesor Urrichio made the argument that historically, documentarians have always been at the forefront of visual, audio and storytelling innovations. I asked about documentarians today — his response is that today gamers and sports are taking the lead but he’s seeing great progress with documentarians….and he’s expects to see even more into the future. Here’s what director of OpenDocLab Sarah Wolozin calls Urrichio’s visual whit

 

Open Documentary Lab at MIT

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Conducttr conference: Transmedia storytelling

Conducttr conference: Transmedia storytelling | Documentary Evolution | Scoop.it
Report from the Conductrr conferenc: a gathering of creators, technologists, academics, producers interested in transmedia storytelling...
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POV Hackathon 7: Explore the Prototypes and the Technology

POV Hackathon 7: Explore the Prototypes and the Technology | Documentary Evolution | Scoop.it
Five teams "re-invented the documentary" at POV's latest weekend laboratory of nonfiction storytelling and technology.
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The interactive documentary: A transformative art form

The interactive documentary: A transformative art form | Documentary Evolution | Scoop.it

"Documentary filmmaking has always been at its most dynamic at the intersection of technological changes, which allows for significant new modes of creation, periods of intense and rapid social transformation, the emergence of artists who seize on new means of expression to respond to social change, a direct and ongoing connection with audience/public and the ability to create social meaning.

We are at such a moment now."

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Very interesting article. Must read.

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Carte blanche au Blog documentaire - Le Mois du Film Documentaire

Carte blanche au Blog documentaire - Le Mois du Film Documentaire | Documentary Evolution | Scoop.it
Pour la 3ème édition du Mois du webdoc, Images en bibliothèques s’associe une fois de plus au Blog Documentaire, revue en ligne de référence sur la création documentaire. Nicolas Bole et Cédric Mal, se sont saisis de cette carte blanche pour partager leurs interrogations sur les évolutions du webdocumentaire et proposer deux focus thématiques sur l’actualité des productions interactives.
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Oculus Connect: 360 Degree Filmmaking for VR

Kamal Sinclair, Chris Milk, Paul Raphaël, and Ikrima Elhassen discuss 360-degree Filmmaking for VR at Oculus Connect. Learn more about Connect: http://bit.ly...
mirmilla's insight:

"How do we tell stories where the person is inside the story?". Great discussion with great changemakers. Must watch.

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Digital Innovation and the Future of Storytelling: A New Golden Age?

Digital Innovation and the Future of Storytelling: A New Golden Age? | Documentary Evolution | Scoop.it
The media world was taken by surprise when HBO — and subsequently CBS — announced they will allow consumers to bypass traditional pay TV distributors to access entertainment content directly via the Internet. This move was seen as both validation of and a direct challenge to Netflix, whose rapid growth has dramatically changed the way…
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Atelier de scénarisation de webdocumentaire avec Pierre-Mathieu Fortin

http://lab.radio-canada.ca/ (Vidéo initialement publiée le 19 décembre 2012.) Atelier de scénarisation de webdocumentaire avec Pierre-Mathieu Fortin, chef au...

Via Tilexikolonial, Catherine Ricoul, Emmanuel Bethoux
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The Age of Sensual Media Keynote

The Age of Sensual Media Keynote | Documentary Evolution | Scoop.it

"When FoST Founder, Charlie Melcher, was escorted onto a 1950's Hollywood movie set by a leopard-clad enchantress, the joys of being alive were in full force. Though the fictional plot was constructed by Punchdrunk as part of their most recent production, The Drowned Man, the visceral effect was beyond bona fide for Melcher. This transformative journey from passive audience member to lead protagonist was a reminder that our bodies are the most remarkable mediums for experiencing the world and the stories around us"

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How to Pitch an Interactive Documentary Project

How to Pitch an Interactive Documentary Project | Documentary Evolution | Scoop.it

"a round up of the most common concerns and suggestions that may help you better develop your own interactive content."


TVMole

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NFB Interactive 2013 reel

This is "NFB Interactive 2013 reel" by NFB Digital Studio on Vimeo, the home for high quality videos and the people who love them.
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Free/CC book on transmedia activism

Free/CC book on transmedia activism | Documentary Evolution | Scoop.it
Sasha Costanza-Chock writes, "My book about transmedia organizing is now available for free, Creative Commons licensed download from the MIT Press!"

 

"The term "transmedia organizing" is a mash-up of the concept of transmedia storytelling, as elaborated by media studies scholars, and ideas from social movement studies"

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Building the Case for Interactive Impact · MediaFunders

In late October, Media Impact Funders joined TFI and MIT's OpenDocLab in organizing a daylong event to explore ways to trace the impact of interactive documentaries. The day brought makers, analysts and funders together to share lessons and prototype solutions.
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Public participation as seen by 4 creators

Public participation as seen by 4 creators | Documentary Evolution | Scoop.it
How do we manage participation in web docs? David Dufresne, Guillaume Braun, Caroline Hayeur and Rachel Knoll deliver their expertise on the subject.

NFB/Blog

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Prototyping and The Art of Question

Prototyping and The Art of Question | Documentary Evolution | Scoop.it

"As stories become more persuasive the way an experience bridges between devices presents interesting opportunities for storytellers. But balancing story and code can be challenging. What new grammar will emerge to assist the creative process and will a new form of storytelling evolve to meet the changing interests and needs of audiences?"


The Pixel Report

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Hijacking Cinema: Advice on Transmedia Storytelling

Hijacking Cinema: Advice on Transmedia Storytelling | Documentary Evolution | Scoop.it
Video games, apps, infographics—new media is increasingly breaking down cinema's four walls, working in tandem with a film to build a more immersive, multidisciplinary experience for viewers (or "users"). But how do moviemakers tell one cohesive story across so many different platforms?
mirmilla's insight:

"We are in the silent era of transmedia storytelling." ...and not only in transmedia field

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Webséries, webdocs: télé low cost ou nouveau genre audiovisuel ?

Webséries, webdocs: télé low cost ou nouveau genre audiovisuel ? | Documentary Evolution | Scoop.it

On a d’abord pu croire qu’internet, ce n’était qu’une sorte de rattrapage de ce qu’on avait raté à la télé. Puis on a compris que c’était un univers à part entière. Ça s’est aussi passé comme ça pour la télévision. Entre le petit écran comme on disait à l’époque et le grand, celui du cinéma, ce n’est pas qu’une question de dimension. Un soap comme les Feux de l’Amour ou une série comme Games Of Thrones - vous voyez que je balaie large – tous les deux ont au moins un point commun : ce n’est pas du cinéma.

 

Et il en va de même pour internet. On a vu apparaitre ces dernières années des productions qui lui sont dédiées. Des fictions, des webséries, et des documentaires, des webdocs. Il y en a de styles très différents et on encore en phase d’expérimentation, mais une chose est sûre ce n’est pas de la télé classique. Ce qui ne veut pas dire que ça reste confidentiel. Le webdoc « Salauds de Pauvres » consacré à la mendicité à Bruxelles a eu un véritable retentissement il y a quelques semaines.

 

Ces productions visent aussi des publics différents.Pour les webséries c’est tout-à-fait clair. Le public cible, ce sont les jeunes qui accèdent à la vidéo par leur ordi, leur téléphone portable ou leur console de jeux. D’où un ton et un style propres.


Via Marie Thomas-Penette
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Controlled chaos: As journalism and documentary film converge in digital, what lessons can they share?

Controlled chaos: As journalism and documentary film converge in digital, what lessons can they share? | Documentary Evolution | Scoop.it
Old and new media types from journalism, documentary, and technology backgrounds gathered at MIT to share practices and discuss mutual concerns.
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« Le webdoc existe-t-il ? » — La préface de David Dufresne

« Le webdoc existe-t-il ? » — La préface de David Dufresne | Documentary Evolution | Scoop.it

"...nous voulions simplement chercher, explorer, nous tromper, creuser de nouvelles formes narratives, nous égarer, participer à une écriture en mouvement, en un mot : tenter. Tenter de raconter une histoire qui commencerait par un film, pour être mieux déconstruite quelques minutes plus tard avec les armes d’aujourd’hui, les armes du web, de l’hyper-vidéo comme on dit hyper-texte. Ce n’était pas un documentaire sur le web, ni pour le web, mais par le web."

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Secrets to Making Good Interactive Films by FoST Prize-Winners Daniels

Secrets to Making Good Interactive Films by FoST Prize-Winners Daniels | Documentary Evolution | Scoop.it
Many filmmakers testing out the waters of interactive film understand the inherent murkiness of the medium: the challenge in giving your audience agency while maintaining enough control over the na...
mirmilla's insight:

Very interesting!

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A Short History of Interactivity

A Short History of Interactivity | Documentary Evolution | Scoop.it
This is no (r)evolution

"Each day there are more of us interactive storytellers. Because we enjoy the freedom of creating with fewer boundaries, because we could not take another “lean-back” century or because it is just that thing to explore right now. But it would be a great loss to engage in the craft of telling interactive stories without knowing where we come from. So there is, a bit of background "

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Jeni Mawter's curator insight, October 29, 8:03 PM

Interaction returns.

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Interactive Journalism - What is a Story?

"What is a story ? A different approach to reporting"

by Gerald Holubowicz
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WiREDMŌV: is this the future of interactive documentary?

WiREDMŌV: is this the future of interactive documentary? | Documentary Evolution | Scoop.it

"Although interactive documentaries are slowly gaining more recognition, their reach is often limited to academic circles, interactive documentary makers, or small communities already engaged with the field.

Michael Blackledge is looking to change that with his new project WiREDMŌV; a platform that is intended to educate the public about interactive documentary and assist interactive documentary makers with distribution.

Sandra Gaudenzi spoke to him about his inspirations, the difficulties facing the project and his hopes for the future:"

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