How Hollywood Learned to Stop Worrying and Love Race Businessweek Last year saw films with racial themes like Beasts of the Southern Wild and Quentin Tarantino's Django Unchained strike box office gold while scoring boatloads of Oscar nominations.
Boston Globe What art says about the past Washington Post He doesn't focus on an institution or, as in Quentin Tarantino's somewhat cartoonish “Django Unchained,” on cruel whites but on the effect of slavery on a single black man.
The exponential critical discourse on Quentin Tarantino’s Django Unchained poses an equally difficult task for anyone who wishes to write comprehensively about the film since it is ongoing, myriad like and most significantly caught up in a tide of reactionary criticism that threatens to obfuscate debates predicated on race and violence. Whatever I am about to say about this film has to be contextualised within a discourse that is both contemporary and immediate. Sometimes, looking back at a film with some critical distance is usually one of the least problematic and most objective ways of trying to determine the cultural worth of a film. Django Unchained is currently being discussed as part of a wider filmic interest in slavery but both this and Spielberg’s Lincolnare films written and directed by white middle class film artists, thus posing important questions to do with representation. Although Tarantino has previously made films with black characters, mainly played by Samuel L Jackson, Spielberg’s experience with slavery in terms of his film career has been more direct and visible; The ColourPurple and Amistad testifies to his interests in dealing with the guilt of America’s past crimes. What follows are observations which are not necessarily debating an existing discourse but instead trying to delineate critical junctures which could prove to be valuable in separating fact from fiction.
A new book 10 years in the making examines how many major U.S. universities — Harvard, Yale, Princeton, Brown, Dartmouth, Rutgers, Williams and the University of North Carolina, among others — are drenched in the sweat, and sometimes the blood, of Africans brought to the United States as slaves. In "Ebony & Ivy: Race, Slavery, and the Troubled History of America’s Universities," Massachusetts Institute of Technology American history professor Craig Steven Wilder reveals how the slave economy and higher education grew up together. "When you think about the colonial world, until the American Revolution, there is only one college in the South, William & Mary ... The other eight colleges were all Northern schools, and they’re actually located in key sites, for the most part, of the merchant economy where the slave traders had come to power and rose as the financial and intellectual backers of new culture of the colonies," Wilder says.
Sharing your scoops to your social media accounts is a must to distribute your curated content. Not only will it drive traffic and leads through your content, but it will help show your expertise with your followers.
How to integrate my topics' content to my website?
Integrating your curated content to your website or blog will allow you to increase your website visitors’ engagement, boost SEO and acquire new visitors. By redirecting your social media traffic to your website, Scoop.it will also help you generate more qualified traffic and leads from your curation work.
Distributing your curated content through a newsletter is a great way to nurture and engage your email subscribers will developing your traffic and visibility.
Creating engaging newsletters with your curated content is really easy.