Students who learn in a creative environment, are exposed to creative activities and assignments, and observe their teacher modeling creative thinking will become more creative thinkers (Sternberg & Williams, 1996). A creative learning environment that embraces students and engagement along with critical thinking and creative thinking skills is essential to student achievement (Boykin & Noguera, 2011, 2012; Marks, 2000, as cited in Jensen, 2013). To plan the instruction that matches your creativity nurturing classroom enviornment, first identify the nonnegotiables. The nonnegotiables consist of the curricular standards, the required content, and the skills that are the target of a lesson (Drapeau, 2004). Then, choose one of four roads on the Creativity Road Map or combine roads to intentionally integrate creative instruction with content.
I was excited to see this finding because I teach compassionate listening as a skill in the Stanford Compassion Training. Students in the training learn to deliberately do exactly what the participants in this study were using to assess compassion.
1) The first step is what I call “listening with the whole body.” This means literally tuning in to the person who is speaking. “Compassionate” body language includes:
Turning toward the speaker, not just with your head, but positioning your whole body to face the speaker.
Before Winston, a glasses-clad gorilla scientist, was leaping across maps to crush his enemies in the chaotic multiplayer battles of Overwatch, he was merely a young ape with big aspirations and an affinity for peanut butter. But you wouldn’t know that from merely playing the game. You’ll find no calculated, story-driven campaign in Blizzard’s competitive team-based multiplayer shooter. Overwatch’s character-driven narrative is instead trickled elsewhere: in genuinely endearing animated shorts, character-focused one-off webcomics, and short website-bound character biographies. The latter-most isn’t uncommon within videogames, the second less so, and the first is the most uncommon of them all, the three…
Using pictures as the basis for a story can be a good way to get students to write a story. The pictures can serve as prompts for writing the story. All five of the tools listed below have that capability.
“A story about a story” is a children’s book that tells the tale of two young girls facing the most common challenge marketers encounter—telling a brand’s story without getting wrapped up in marketing jargon and other such nonsense.
"Hobbs’ book, Exploring the Roots of Digital and Media Literacy Through Personal Narrative, has just come out, so I asked her if I could share a bit of my essay as a way of whetting your appetites for this important collection. Here are a few others who have contributed to this anthology, which offers a novel way to introduce students to the roots of the media literacy movement:
David Weinberger on Martin Heidegger Lance Strate on Marshall McLuhan Dana Polan on Roland Barthes Cynthia Lewis on Mikhail Bakhtin Douglas Kellner on Herbert Marcuse Amy Petersen Jensen on Bertholt Brecht Donna E. Alvermann on Simone de Beauvoir Jeremiah Dyehouse on John Dewey Renee Hobbs on Jerome Bruner Vanessa Domine on Neil Postman Peter Gutierrez on Scott McCloud
What follows is an excerpt from my [Henry Jenkins] contribution."
Not only is the idea of telling stories with video really engaging for many kids, filmmaking is ripe with opportunities to connect to almost every academic subject area. As the technology to shoot and edit films becomes more ubiquitous, where is a teacher with no experience in video production to begin?
Now, with nearly 20 years of middle and high school teaching behind me, I still respect the writing process approach and its benefits. I also recognize that the nature of writing has changed tremendously over those two decades due to the significant influence of digital tools and sources. Of course, today’s composers still must meet the commonly accepted conventions of the genre in which they are engaged, but our visual digital culture creates different demands than did the primarily print text-based world.
If you were wondering how they create movies such as Wallace and Gromit or those funky Lego shorts on YouTube, your search is over! Although creating stop motion animation is not difficult, it is time-consuming, repetitive and requires...
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